Museum love in New York City: MoMA and the F.I.T. Museum

I love New York, even though it isn’t mine, the way something has to be, a tree or a street or a house, something, anyway, that belongs to me because I belong to it.
Truman Capote, American author

Monday midday, after I conducted an interview with a terrific Brooklyn healthcare organization called BHIX, we decamped from Mason’s place to midtown Manhattan. I was slated to give an introduction on big data in healthcare for a dinner event and take notes, record, and informally interview attendees in order to write a piece of content for the company who was sponsoring the event. (Oh, yes, I forgot that this was a business trip!) We had one more destination to make on our to-do list, and that was to go to the Fashion Institute of Technology (F.I.T.) Museum, which would complete our museum-focused trip.

A still garden at the MOMA - the Abby Aldrich Rockefeller Sculpture Garden was closed.

A still garden at MoMA – the Abby Aldrich Rockefeller Sculpture Garden was closed.

Starstruck in MoMA
On Sunday, after Heidi and I walked the Brooklyn Bridge into Manhattan, we took a cab to the Museum of Modern Art (MoMA). Admission is a whopping $25, so it’s prudent to get there right when the museum opens. I honestly didn’t check out ahead of time or know what art is in MoMA, so I was completely overwhelmed by what I saw.

Admittedly, I was starstruck. All of these masterpieces that I had studied in an art history class at Porterville College as a teenager were right before me – just a few feet from my hungry eyes. I don’t remember all the great artists I had studied in that favorite class, but I developed an appreciation of them, their techniques, and their contributions to the art world. (This is a shout-out to Mr. Howell, an extraordinary teacher who gave everyone who took his class a huge window into an expansive, more colorful and vibrant world outside of our small farming town existence. It was the same feeling I got when I saw the great works in the Prado in Madrid, the museums in Rome, and the Uffizi and other museums in Florence.)

The Dream by Henri Rousseau.

The Dream by Henri Rousseau.

At every turn around a wall or into a new room, I gazed upon countless masterpieces. It was dizzying after a while – so much color, thick and smooth paint strokes, enormous canvases and equally astonishing smaller works of art. Edvard Munch‘s The Scream was on loan, but Heidi let me know that there are several versions of the painting. It wasn’t crowded, which made viewing an even more pleasurable experience. Heidi’s favorite was “The Dream” by Henri Rousseau.

One of the many Paul Klees at the MOMA.

One of the many Paul Klees at the MOMA.

It is difficult for me to choose favorites. I love Paul Klee‘s playfulness. I’ve always adored Vincent Van Gogh since I was a tortured teenager and wrote a report on him in high school. There were some moving B&W photos, as well.

Van Gogh's pencil and pen and ink sketches are just as moving to me as his paintings.

Van Gogh’s pencil and pen and ink sketches are just as moving to me as his paintings.

B&W photo, photographer unknown, 1950s in Washington, D.C. I love the mirroring images within this photograph.

B&W photo, photographer unknown, 1950s in Washington, D.C. I love the mirroring images within this photograph.

If I had to pick, I have to say that I was really taken by Belgian artist James Ensor‘s “Masks Confronting Death 1888.” The pale colors, the foggy background, the masks themselves, and the ghostly face in the left made the painting compelling for me. I couldn’t stop staring at it.

James Ensor's Masks Confronting Death 1888.

James Ensor’s Masks Confronting Death 1888.

This is a museum that out-of-towners should have a membership to if they are lucky enough to be in New York three times a year. I wouldn’t tire of seeing these masterpieces again. People don’t tire of religious experiences.

Capturing the quiet admiration of an art lover: My "Magritte-esque" photograph of Monet's water lilies.

Capturing the quiet admiration of an art lover: My “Magritte-esque” photograph of Monet’s water lilies.

Fashion and Technology: “Without risk, nothing changes the world”
We didn’t get a chance to squeeze in the Fashion Institute of Technology (F.I.T.) Museum last September, so visiting this museum was a must-see this time around. Unfortunately, we weren’t allowed to take any pictures. The museum, which is free, comprises only two exhibits. After the Brooklyn Museum and MoMA, it was nice to go to a more contained museum. “Fashion and Technology” in the Fashion and Textile History Gallery was the first exhibit and celebrated the ways in which technological innovations influenced and advanced fashion, whether it be production, materials, aesthetics, and function, through the years.

The F.I.T. Museum.

The F.I.T. Museum.

The sewing machine, of course, led to the mass production of clothes. But many may not know that the Spinning Jenny and Jacquard loom, also developed during the Industrial Revolution of the 18th and 19th centuries, were equally important in revolutionizing the conception and manufacturing of textiles. The Jacquard loom was ten times faster than hand weaving, and the Spinning Jenny mechanized the process of manufacturing cotton thread, which made cotton replace wool as the predominant fabric of choice, especially in the warmer seasons. In the mid-19th century, synthetic dyes were developed, which enabled dressmakers to use brilliant, fade-resistant colors – such as royal purple – for their gowns. The invention of the bicycle and its popularity led to the introduction of knickerbockers for women and multi-gored skirts that made riding bicycles possible, and the introduction of the zipper made dressing, especially for women, a lot easier.

Urban landscapes – with the introduction of the “skyscraper” – inspired the Art Deco movement to express the technological changes that the world was experiencing in the first decades of the 20th century in the form of geometric art and design. The Chrysler Building, whose lit-up spire was our view from our hotel room window, is a great example of Art Deco. Around this time innovations in rubber and plastic were finding their way into fashion. After World War II, fashion and technology merged again. An American designer named Claire McCardell designed washing machine-safe sportswear for the suburban housewife. The drip-dry suit was accompanied by a 1968 black-and-white commercial of a man having a smoke and reading the newspaper in his suit in a bathtub. After showering off, he’s seen leaving his hotel, completely dry. The space age also influenced fashion design, as well as created this sense that humans could do – and go – anywhere their imaginations took them.

Textile innovations and collaborations in the later part of the 20th century included blending of metallic threads and synthetic textiles, combining DuPont’s Lycra with cotton or linen to introduce “bi-stretch” material that now characterize sportswear. Personal computers and the internet made their mark and continue to make their mark on fashion. Computer-aided design (CAD) software and computer-operated Jacquard looms changed the way clothes are produced. 3D printing and software-guided lasers are creating amazing fashion. I’m missing other advancements, but that just means you have to go to the F.I.T. Museum. But make haste: This exhibit, which began on December 3rd, runs through May 8th. If you’re a Project Runway junkie, fashionista, or even a historical buff, you won’t be disappointed.

Media Design Club at FIT: Exploring time through graphic design
The second exhibit, “The Fourth Dimension: The Media Club at FIT,” is in the Gallery FIT. The exhibit is an exploration of the changing world of graphic design through individual students’ interpretation of time. It was an unexpected gem for me. The near-empty room was lined with laptops running various programs that employ motion and interactive technology. A larger screen ran about 20 or so animated shorts. Heidi and I parked ourselves and watched around 10 of them. As we finished viewing one called Planned Obsolescence, a young man standing next to us asked us if we liked it. Yes, we did – a lot! He let us know that he had made the short and just happened to walk through the exhibit as it was playing. He was clearly excited and proud, as he should be. It was terrific, as most of them were. I know about the concept of planned obsolescence of products, but I had no idea that it was developed as early as 1932. So the TV and speakers that we’d had for many years, dating back to our college days in the 1980s, meant that those very products didn’t last as long as their predecessors had decades before! You learn something new every day, and it’s these little bits of knowledge that keep life interesting and constantly full of wonder.

Buildings rise above Madison Square Park, not far from F.I.T.

Buildings rise above Madison Square Park, not far from F.I.T.

We watched an animated short contemplating and trying to define what time is and many shorts on the environment – exploring global warming, overpopulation, pollution, consumption and hoarding, consumerism, and even procrastination, which I loved and wish my 12-year-old son could see (hint, hint). In fact, as I watched these shorts created by college students, I couldn’t help but think how my son, who can spend entire days making stop-action movies with his Lord of the Rings Lego sets, would thrive in this kind of environment. Anyone who appreciates animation and graphic design will enjoy this exhibit. To get a sense of the kind of things the club does, click here. It’s a fantastic message to be and stay creative – so it’s for me, it’s for you, it’s for David and my kids, and it’s for everybody, at any age or stage of our lives. This wonderful exhibit runs through February 9th.

The Flatiron Building is a short walk from F.I.T.

The Flatiron Building is a short walk from F.I.T.

Last night in New York (sniffle, sniffle)
So my stint in New York has ended. The dinner event went well last night. I didn’t stumble over too many words during my introduction and I was able to compose my nervous self to talk in front of all these healthcare chief technology officers and other executives. I sat next to two women who represented the Ralph Lauren Center for Cancer Care and Prevention located in Harlem. Maureen, who sat to my right, explained that Ralph Lauren quietly donated money to start the clinic in Harlem to allow underprivileged people – citing his own mother who grew up poor and had contracted cancer later in her life – to have access to the same quality of care that he and many of us have. It’s an inspiring story.

I had refrained from drinking any wine before giving my introduction, but needed to take many sips before the official welcome. I told Maureen how nervous I was, and she looked around the room and said matter-of-factly, “You’ll be fine. There’s nobody important enough here that you need to impress.” She – whom you could tell was all no-nonsense and bred of hearty stock – made me laugh, which gave me a boost of energy and confidence. After I presented and sat down, she gave me a firm but familial slap on the shoulder and exclaimed, “Boo-yea!” Somehow, that seemed to me quintessentially New York.

I am now in Dallas for two days, for another dinner event. I’ve only been to Dallas once, back in 2005 for a business conference. At that time, I only frequented the convention center and our hotel. We’ll see what this next leg of my trip brings.

Parting words from MoMA: Appreciate art!

Parting words from MoMA: Appreciate art!

The Winter wonderland that is Brooklyn

Quote

I once started out to walk around the world, but ended up in Brooklyn,
that Bridge was too much for me.

– Lawrence Ferlinghetti, American poet and painter, A Coney Island of the Mind

Beautiful brownstones in snow.

Beautiful brownstones in snow.

Greetings from Brooklyn! When I arrived Saturday morning, it was 18 degrees and snowing lightly. It had snowed the night before, and as I was driven from JFK to my sister’s and my new friend’s place in Brooklyn, I marveled at the pristine layer of snow that endowed the cityscape with a quietude and pureness. I was reminded of Peter’s world in Brooklyn from A Snowy Day.Last week, I had pulled out my 1988 army-surplus-store, army-issue Alaskan arctic parka (from my Jesuit Volunteer Corp. days in Alaska) to wear, fortified by long underwear. But when it came time to start packing, I realized it was too bulky to take and pack (as my business travels were to take me to Dallas and Austin, as well), and I needed a more functional and business-looking coat that would keep me warm and allow me to enter a business event and still feel presentable. I escaped having to attempt styling a chic look with my arctic parka and got a city parka. I needed it. The temps never rose past 21 degrees that day and the wind blew with such force, which made for quite the hike from our friend Mason’s apartment in the Cobble Hill district of Brooklyn to the Brooklyn Parkway Waterfront by way of the shoreline. I breathed through my mouth because my nose stung when I breathed normally. If only my boots were waterproof in the slushy snow, as my ski socks kept my feet warm so long as they were dry!

View of the City from Brooklyn.

View of the City from Brooklyn.

The Idiotarod shopping cart races
All that said, it was the perfect weekend to be in Brooklyn. On Saturday, the annual Idiotarod shopping cart race took off shortly after noon, near the base of the Brooklyn Bridge. Favorite entrants were the Cart full of Mitt Romney’s Binders Full of Women. The most expansive entrant was the multi-piece speakeasy, complete with piano, bar and gaming table attended by champagne-sipping, gangster-clad men and women. The Pac-Man crew made their outfits out of brightly colored nylon laundry bags and their cart was re-envisioned as the Pac-Man who demonstrated eating fellow crew members dressed as a banana and a cherry. Such an 80s thing. Arriving late but just in time were the Medieval knights in their very detailed chain-mail suits of armor and their just-as-elaborately-constructed catapult, and the Charlie Sheen characters, who dressed their shopping cart with Charlie Sheen movie posters, such as Wall Street, Major League, and Platoon. There were not as many entrants this year, but with the temps as they were, can you blame them? Once they took off, we escaped the outdoors at an equally quick clip.

Medieval shopping cart.

Medieval shopping cart.

Cart full of binders of women!

Cart full of binders of women!

Mason had introduced us to the Chocolate Room on Court Street when we were there in September, so it was only fitting that we retired to this mecca for chocoholics for something to warm our tummies and de-ice our extremities. This time, we tried their seasonal dark spicy hot chocolate (imagine Ancho chili, Chipotle chili, cloves, and cinnamon mixed with Belgian chocolate and Valhrona cocoa powder). You can order your own online, but if you’re in Brooklyn, it is a must-see.

The Brooklyn Museum: Mummies, European painters, feminist art abounds

Rodin and me at the Brooklyn Museum.

Rodin and me at the Brooklyn Museum.

Satiated, warm, and dry, my sister and I set out for the architecturally beautiful Brooklyn Museum. I’d heard about the museum’s world-renowned Egyptian collection, but that was the extent of my knowledge. I wish we had scheduled the entire day because we only saw half of the museum in a hurried three hours. We were greeted by Auguste Rodin sculpture when we entered the building. Surrounding the Beaux-Arts Court, which is equally architecturally stunning, were European works of art, including paintings by Pissarro, Monet, Manet, Kandinsky, and Goya. My two favorites were by Russian artist Vasily Vereshchagin, who painted these two enormous canvases, “A Resting Place of Prisoners” and “The Road of the War Prisoners” (both 1878-1879). The “battle painter,” who had participated in military campaigns as a decorated soldier, painted realistic scenes from many wars. The paintings at the Brooklyn Museum are from the Russo-Turkish War (1877-88). They were very haunting, and he captured both the indifference of the bitter cold and the horrors of death and war without employing a heavy hand.

The Beau-Arts Court, featuring European paintings.

The Beau-Arts Court, featuring European paintings.

The Egyptian collection comprises more than 1,200 artifacts, including sculpture, relief, paintings, pottery, and papyri, across seven galleries. The collection tells the story of Egyptian art from its earliest known origins (circa 3500 B.C.E.) until the Roman era when Egypt was folded into their empire (30 B.C.E.–395 C.E.). While everything was breathtaking and in need of more leisurely time to examine all the details, the most stunning gallery for me was the mummy chamber, which included four mummies, detailed exhibits on the process of mummification, and a very long scroll on the Book of the Dead. The layout of the galleries reminded me of the rooms upon rooms that archeologists found when they discovered the mummies. This collection alone is priceless as a destination point.

Detail of an Egyptian cartonnage, the material of which mummy cases are made.

Detail of an Egyptian cartonnage, the material of which mummy cases are made.

Heidi was familiar with The Dinner Party by Judy Chicago, which is a permanent exhibit at the museum. This installation artwork is by the feminist artist who collaborated with other artists to assemble her vision of a dinner party with 39 place settings, complete with personalized banner and dinner plate, for both mythical and historical women. There are quite a few plates that overtly depict the female vulva, which take issue with the phallic symbols that have been abundant in art history. She started the project in 1974, and it premiered at the San Francisco Museum of Modern Art in 1979. It’s an amazing exhibit that all women and especially girls should see to appreciate her contribution to women and art, and to learn about the many important but often forgotten women in history.

Walking the Brooklyn Bridge on a crisp sunny Sunday morning.

Walking the Brooklyn Bridge on a crisp sunny Sunday morning.

Walking the Brooklyn Bridge under a full moon
The Brooklyn gods were smiling upon Heidi and me Sunday morning, as we were determined to walk that bridge. It was something I was advised to do when I was in New York in 2008, and I vowed to do it the next time I was in town. Tragically, last September, Heidi and I walked the Manhattan Bridge by accident, but it guaranteed that we had to return to Brooklyn again. And so we did, and so the wind and freezing temperatures of Saturday did not deter us.

It was 31 degrees, sunny with no wind – a perfect day to traipse across this beautiful bridge and enjoy the skyline. We spent the day at the Museum of Modern Art (more on that in the next blog entry) and then after returning to a few local haunts (In God We Trust and End of Century), we decided to walk the bridge back to Brooklyn at night. It was seven in the evening when we began our walk with the full moon and the city lights as accessories to this glorious old bridge. It was really invigorating.

New York under a full moon seen from the Brooklyn Bridge.

New York under a full moon seen from the Brooklyn Bridge.

Dinner at Talde
How to celebrate another wonderful day? Saturday evening, Heidi and I had the best pulled pork sandwich I’ve ever had, along with a well-paired Cabernet Sauvignon at Pork Slope, a roadhouse-inspired bar by Top Chef alum Dale Talde and his partners that takes its name from its neighborhood of Park Slope. Talde actually has three restaurants in Park Slope (Thistle Hill Tavern serves casual seasonal tavern fare and handcrafted cocktails). So we met Mason at Talde‘s namesake restaurant, a casual Asian-American restaurant and bar. Talde was previously a sous chef at Buddakan, where David and I dined and swooned over the food back in 2008 in the Chelsea district.

So forgive me my inclination to tell you all what we had for dinner. For appetizers, we had kale salad with hazelnut ponzu and persimmon, green mango salad with crushed peanuts and Thai chili, and Hawaiian bread buns with Filipino pork sausage (of course) and pickled shallots and garlic vinegar mayo. Our noodle selection was crispy oyster and bacon pad thai, and our side dish was roasted cauliflower. Our main entrees were smoked charred sui pork shoulder with peanuts and autumn pears and wok-charred Black Angus rib eye, to go along with our sangiovese. For dessert, we had chocolate bar cookies and, couldn’t resist, Talde’s version of Halo-Halo, a Filipino dessert that is made of shaved ice and the various versions have different ingredients such as creamed corn, shredded cantaloupe, and condensed sweetened milk. Talde’s version had Cap’n Crunch, which I was not all that keen on, but it goes with the tradition of making the dessert your own with different ingredients. It was an unbelievably satisfying meal. And one that I will definitely take David to, as he is a big Top Chef fan and a foodie. If you’re ever in Brooklyn, I highly recommend Talde.

We are now in Manhattan, and though I love Manhattan, there is nothing like Brooklyn. I remember telling friends when I returned home in September that I would move to Brooklyn in a heartbeat. Oh, they said, the humid summers and frigid winters will change your mind. Well, the frigid winters didn’t sway me. I guess I’ll have to come back in the summer to test the other half of their hypothesis. Game on!

Welcome back to Brooklyn at the foot of the Brooklyn Bridge!

Welcome back to Brooklyn at the foot of the Brooklyn Bridge!

Transitions and Transformations: Pilar Zuniga of Gorgeous and Green

your slightest look easily will unclose me
though I have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skillfully,mysteriously)her first rose
– e.e. cummings, American poet, from “somewhere I have never travelled,gladly beyond”

Pilar setting up floral arrangements for a wedding. (Photo credit: JRotsenphotography.com)

Pilar setting up floral arrangements for a wedding. (Photo credit: JRotsenphotography.com)

I first discovered Gorgeous and Green (2946 College Avenue, Berkeley, CA 94705, 510.665.7974) after receiving a beautiful set of reclaimed vintage earrings for my 50th birthday last year. The earrings came in a box with the letters “GG” stamped on the lid. The letters were Art Deco in style – the first G backwards, as if mirroring the other G – and on either side was a flourish of Art Deco-style flowers and greenery. Curious, I asked my friend who gave me the present where she got the earrings. She explained that she was on San Pablo Avenue in West Berkeley and came upon a floral shop that sold unique jewelry. Intrigued, I made a little discovery trip, and I’ve been back to Gorgeous and Green many times since.

A colorful storefront display greets visitors to Gorgeous and Green.

A colorful storefront display greets visitors to Gorgeous and Green.

The warm and inviting entrance to Gorgeous and Green.

The warm and inviting entrance to Gorgeous and Green.

Step inside: A Mix of gorgeous and green goods
The majority of Gorgeous and Green customers are neighbors who live in West Berkeley, although commuters who work in the area also come in during the week. On weekends, the shop is filled with visitors to the East Bay. It’s not uncommon for people to walk in and be unsure of what the shop is selling, admits owner Pilar Zuniga. Her concept is a mix of goods that she and other artisans have created that embody her distinct style – encompassing color, attention to design, vintage feel, sustainability, and the ability to be marketed and displayed in a beautiful and creative way. The gifts in her shop are either one of kind or “embodies the intention of the artist,” she said.

A rustic display of greeting cards from local small presses.

A rustic display of greeting cards from local small presses.

Thus, greetings cards displayed on a white-washed picket-fence gate hung on the wall are made by local, small-scale printing presses. Colorful glassware reclaimed from thrift stores and antique and garage sales dot the shelves throughout the shop. Hand-blown glass by local artisans is re-envisioned as planters for succulents and other plants. Body and bath products are made with natural ingredients and produced in an environmentally friendly manner. Zuniga stocks her shop with goods crafted by artisans whom she researches and finds on the Internet. “I’ve gotten a lot of positive feedback,” she said, of her selections. She continues to stock what sells well, but tries to bring in new items.

Reclaimed vintage jewelry dangle from a suspended branch.

Reclaimed vintage jewelry dangle from a suspended branch.

She designs and sells her jewelry, which comprise vintage pieces that she incorporates into a new design. “I like to redo jewelry to make it better or to make it into something someone would enjoy,” she explained. “I’ve always been interested in art – painting, drawing, other craftwork, sewing, making jewelry – I got really into reusing reclaimed vintage. That was always a side thing,” she said. Zuniga showcases creations by other jewelry designers as well, most of which are fashioned from reclaimed materials. Gorgeous and Green carries M.E. Moore‘s jewelry, which I discovered in Zuniga’s shop.

Artwork on the wall seems to spill out of this beautiful arrangement.

Artwork on the wall seems to spill out of this beautiful arrangement.

Roots in sustainability
Sustainability is an important aspect, and Zuniga has ensured that it is expressed in her shop. The San Diego native developed her environmental consciousness when she was a student at UC Berkeley, which opened her up to thinking about the greater good of the world. Not surprisingly, she found her way into the nonprofit sector of public health as a career and remained in northern California because of the area’s “down-to-earth sensibility” and the fact that “everybody is really close.”

When Zuniga was planning her wedding in 2005, she had difficulty finding a sustainable florist, though today there are more environmentally conscious florists. She saw a need to fill and was energized by the concept. Though she enjoyed working with people and in the nonprofit sector, she was losing interest as she moved into management and got behind a desk. Zuniga started her company in 2007 with a focus on floral design and events while still working full-time. She took classes but didn’t go to school for floral design, though she also learned about the industry through her aunt, who was a florist. When she was younger, she helped her aunt with weddings. Zuniga was able to rely on various skills she had learned in her job – designing and evaluating marketing materials. She transformed her garage into her workspace and created gift items specifically for weddings, and her business took off in 2008.

Vintage suitcases hold unique gifts and treasures.

Vintage suitcases hold unique gifts and treasures.

Challenging times
“I really enjoyed the design and artistic piece of it, so I quit my job and opened up a shop,” she said. Zuniga had been eyeing her current storefront and convinced the landlord to rent the space to her in January 2010. Within three weeks, she had opened the first week of February, just in time to take advantage of Valentine’s Day. (In an anniversary of sorts and a repeat of history, Gorgeous and Green moved to its new location, 2946 College Avenue, near Ashby Avenue in Berkeley, this past February from its San Pablo Avenue location.)

Succulent terrariums featuring locally hand-blown glass.

Succulent terrariums featuring locally hand-blown glass.

At the onset, Zuniga faced significant financial challenges, which were exacerbated by the recession. She and her husband – who had started his business years before – had saved money, but in the beginning there were months when she made very little money or none at all. Zuniga logged 60 to 80 hours a week, seven days a week. Despite the grueling schedule and unstable earnings, by the end of the first year, when her lease was to be reviewed, she decided to try another two years. The holidays had buoyed her, and she added, with a laugh, “It could only get better from where it started.” That said, Zuniga burnt herself out the second year with her workload and made the strategic decision to hire people to help in the shop. Though staffing is one of the biggest line items in her budget, she believes the benefits outweighed the cost. Despite being “shackled” to the shop, she says the best thing about being a shop owner is flexibility. “I’m a hard worker, but I don’t have to keep going 110 percent all the time,” she said. She allows herself time to power down or take a break.

Wall-mounted terrariums and planters share a cozy corner of the shop with dried pressed flower earrings.

Wall-mounted terrariums and planters share a cozy corner of the shop with dried pressed flower earrings.

She has since pulled back doing events because of the time and effort involved and competition with larger events companies, and is investing more time showcasing her shop, which she feels needs her support to keep it going. This year she plans on cutting back on the number of events she produces in order to enjoy the few that she plans to take on. The wedding events that were the most memorable for her were the ones in which she was granted creative license. She has done a number of weddings at the Piedmont Community Center, but one in particular enabled her to use brilliant colors and planted materials such as succulents and ferns. “I really enjoyed having the space to do what I wanted to do,” she said. She also did a wedding in Moss Beach, which enabled her to enjoy the drive down the coast and then transform a garden into a vibrant place with washed-up wood that the bride had collected on the beach and had Zuniga incorporate into the floral arrangements.

The shelves are stocked with glassware, jewelry, natural bath and body products, and more goodies.

The shelves are stocked with glassware, jewelry, natural bath and body products, and more goodies.

Taking risks and “throwing up some dust and some dirt”
Zuniga touts the support of her husband as being very significant in her decision to start her own business. When she and her husband first got together, she was the breadwinner while he was trying to get his business going. When his San Francisco-based video production company, Corduroy Media, finally turned and grew, the strain of being the breadwinner eased. “We both have our own businesses now, but I don’t think I would have done it without his business doing well,” she said. When her husband’s business was going strong after its first decade, Zuniga felt it was now her turn.

Gorgeous and Green's San Pablo location before the shop moved to College Avenue.

Gorgeous and Green’s San Pablo location before the shop moved to College Avenue.

She never questioned her decision to open her shop, buoyed with the philosophy that things would take care of themselves. She didn’t worry about being saddled with debt should the business venture not work out. “I’ve been there before and I’ve paid it [debt] off. You just move on and you learn from it,” she said, simply. “It’s just money. But it’s also a chance to be happy and to enjoy what you do and give yourself a chance. You’ll regret it if you don’t [try]. You’ll always regret it.”

If she hadn’t made the change, Zuniga emphasized that she would have missed out on the entire experience – the difficulties and challenges, the enjoyable times, and especially the fact that she overcame so much to get to where she is now. “I continue to do so [overcome adversities], and I surprise myself,” she added. “You just have to put yourself out there.”

Turning serious for a moment, Zuniga noted that society teaches women to eschew being a risk taker. “Part of it is genetic, part of it is maintaining your uterus as a safe space because you want to have children at some point or you might not,” she said, with a laugh. “Evolutionarily, it works that way.” But Zuniga has grown comfortable with embracing risk. “It’s okay to take a risk and not be sure and make big mistakes,” she said. It may not work out, but she says, “At least I jumped on it. I threw up some dust and some dirt, and it will eventually settle.”

Spend a lazy Saturday afternoon checking out boutiques in West Berkeley in a comfy chemise and platform boots made for walking.

Spend a lazy Saturday afternoon checking out boutiques in West Berkeley in a comfy chemise and platform boots made for walking.

A Gorgeous and Green find - a rose necklace made from corn! (Earrings by Carmela Rose and ring from Lava 9, Berkeley, CA)

A Gorgeous and Green find – a rose necklace made from corn! (Earrings by Carmela Rose and ring from Lava 9, Berkeley, CA)

Close-up of the rose necklace made from corn from Gorgeous and Green.

Close-up of the rose necklace made from corn from Gorgeous and Green.

 

Serenity now: Acupuncture for the weary

Take rest; a field that has rested gives a bountiful crop.
– Ovid, Roman poet

The New Year started out with a bang work-wise. I found out I was going on a five-city business trip within a two-week span and more projects poured in on top of the projects I was already working on. I woke up early Sunday morning with a panic attack, wondering how I was going to meet my deadlines before I board my plane Friday night. Three weeks after returning from the holidays, I’m a train wreck.

Take time to examine and enjoy the kaleidoscope details of a tulip (from our garden).

Take time to examine and enjoy the kaleidoscope details of a tulip (from our garden).

My neck pain has flared. Sitting in a chair for hours has produced sharp pain in my lower back and my sciatica has resurfaced. I’m currently sporting braces on both arms for carpal tunnel syndrome. Yes, a train wreck. I’m thankfully not pulling all-nighters because frankly I can’t stay up like I used to (and shouldn’t have back then, in my younger and more vulnerable years). But the downside is that I simply don’t have enough time to finish what I need to get done.

I had it on my to-do list to call my acupuncturist before my red-eye flight. But I couldn’t carve out the time, I argued with myself. I’m glad the sensible part of me won. Late this afternoon, I went in and, lying on the table in a heated room, with soft music soothing my downtrodden soul, I was at rest and gathering strength.

Appreciate the beauty of nature in the delicate orchid.

Appreciate the beauty of nature in the delicate orchid.

I first saw Portia Lee, my acupuncturist, last April. I’d always wanted to try acupuncture for various aches and pains, particularly my sciatica. But last April I was suffering from insomnia. I could not sleep no matter what I did – warm baths, power down from electronics (maybe I tried that once) an hour before going to bed, reading, deep breathing. Nothing worked. It got to the point where I was terrified of going to bed because I knew it was going to be another night of tossing and turning, and then unbelievable exhaustion the following day. After talking with a few friends and relatives, I discovered that this is symptom of the changes. The insomnia went on for a few weeks before I succumbed to going to my nurse practitioner.

Did I want to do a trial and error with sleeping pills or anti-anxiety pills? She suggested the latter because anxiety often creates insomnia. I just want to sleep, I demanded. We tried sleeping pills. That lasted two nights. They made me groggy and exhausted. There was really no difference between the problem and the cure. So I decided to try acupuncture, and I ventured to Portia’s practice, Traditional Ways Healing Center (6931 Stockton Avenue, El Cerrito, CA 94530, 799.8788, infoportialee@gmail.com), after looking her up on the Internet.

Get up close and admire the fluted petals of an orange dahlia (from our garden).

Get up close and admire the fluted petals of an orange dahlia (from our garden).

I’ve never had such a thorough examination and discussion of my physical, emotional and mental well-being. It was eye-opening for me to talk about things that were impacting my body. I was in her office for three hours. I fell asleep on the table. Who wouldn’t when you have a lavender eye pillow, a comfortable pad and pillow, incense and soft music setting the mood, and a just-so warm room? All my troubles were outside that door. I left with some bottles of herbs and roots, and as I was walking out, I noticed the lack of pain in my left leg. It was a lightness that occurs when a pain you’ve accepted and lived with all these years has been suddenly lifted. I was able to sleep immediately with valerian, though I actually haven’t used it for several months now. I’ve had a couple of acupuncture tune-ups since then, mostly when my stress levels have risen – like now.

I still have to make it to the end of the week, intact and with as much work done as I can possibly do. My body has been energized by acupuncture. I just have to be kind to my body to keep going. And take a deep breath. You can only do what you can do. The world won’t collapse over a missed deadline.

Someone once said, “Serenity is not freedom from the storm, but peace amid the storm.” As I tackle the next deadline, I do so with a more balanced body. Now to nurture that peace in my head.

Keeping it simple with the LBD - a silk shift embellished with crystals and baubles at the shoulders. Instead of a red purse or pumps, throw a dash of color with the unexpected red gloves.

Keeping it simple with the LBD – a silk shift embellished with crystals and baubles at the shoulders. Instead of a red purse or pumps, throw a dash of color with the unexpected red gloves.

Vintage Eisenberg bracelet and earrings to adorn the LBD.

Vintage Eisenberg bracelet and earrings to adorn the LBD.

Red-and-black gloves for the LBD, co-starring with g bling and some Eisenberg bling and some bling on the shoulders, too.

Red-and-black gloves for the LBD, co-starring with g bling and some Eisenberg bling and some bling on the shoulders, too.

 

Remembering Bailey

If there are no dogs in heaven, then when I die I want to go where they went.
– Will Rogers, American humorist, social commentator, and actor

Our timid Bailey, winter 2000.

Our timid Bailey, winter 2000.

The Milo Foundation used to come to Fourth Street in Berkeley on weekends to adopt out rescued dogs, cats, puppies, and kittens. It was late summer 1999, and I persuaded David to “just take a look.” He was reluctant. I had given up my dog Sydney through my divorce four years earlier because I moved out of the house and into a large apartment complex, where I could not keep a large pet. I grew up with dogs throughout my childhood, and I couldn’t wait to be a homeowner so I could finally have a dog of my own.

I saw “Iggy,” a lab mix, with her sister in a pen. She’d been given that nickname when she arrived, sick with kennel cough, at the shelter. She was a puppy less than five months old, with mostly black fur with a little white on her chest. She was timid but wanting attention and affection. Iggy and her sister were found in a cardboard box, abandoned somewhere in Berkeley. I wanted her. I imagined sitting at my computer, working on my novel, while she slept at my feet. David was adamant. We were not going to be tied down with a puppy. I left, turning around to see her being held by a young woman. Iggy had an uncertain look on her face. I convinced David to return on Sunday, and if by chance the young woman hadn’t taken her and Iggy was still there, it was a sign that she belonged to us.

We went back on Sunday, and miraculously she was still there. We named her Bailey and brought her home. We deduced, when David rolled up a newspaper to swat at a spider on our bedroom wall, that Bailey had been abused. She cowered and her eyes were glassy with fear. She also had abandonment issues, which she never outgrew. It was difficult to leave her in the mornings. We ended up putting her in the kitchen, with sheets over the newly installed cabinets so she wouldn’t jump – she liked to jump – and scratch the panels.

One day I came home and she would not move. I coaxed her down the stairs from the kitchen to the utility room and out into the backyard. She made it to the backyard, but she stopped and winced. I waited for David to come home and then we took her to the vet, where we learned that she had broken her leg in two places. She had surgery and was in a cast. David put down grass in the middle of the yard, as advised by the vet, and we had one of our retired neighbors come by during the day to let her outside. We even left an Etta James concert in the City before it ended because we were afraid to leave her in the house by herself too long. The vet cautioned us before her cast came off that there was a chance her sciatic nerve would be damaged, which meant he’d have to amputate her leg. I saw a three-legged dog in the park and imagined that Bailey could still wag her tail and trot as if she had four legs, just like that happy-go-lucky dog. The whole medical episode cost somewhere in the neighborhood of $1,600, but she was able to walk again, work her paw out from a curled ball, and stop limping.

Walking Bailey the day before giving birth, June 2000.

Walking Bailey the day before giving birth, June 2000.

I was in heaven when I quit my office job in my first trimester. I worked on freelance projects, and on weekends, when pregnancy fatigue hit, I’d lie on the couch, with Bailey – who was a sedentary dog from the beginning – stretched out on her dog bed next to me, white belly up. Those were the salad days. We gave her long walks. She basked in our attention and the homebody lifestyle we took on, as we prepared for our first child’s arrival.

Bailey had slept in our room ever since she was a puppy. It was a game, before my son was born, to try not to stir on weekend mornings because the minute we did she would be at the side of our bed, wet nose poking into our faces. She was just as sleep deprived as we were when our son was born. And she’d let us know how irritated she was by groaning and slapping a paw over her face. With the bassinet in our bedroom, which also doubled as my office, we were feeling overwhelmed and crowded. Adding insult to injury, we put Bailey’s bed in the living room, and that is likely the time she retreated into a state of perpetual depression. Friends who came to our house often commented on how sad she looked, lying on her bed, staring at the world going past her.

Deceptive scene of Rex on top of Bailey.

Deceptive scene of Rex on top of Bailey.

When my son was 21 months old, we rescued our dog Rex, who was a puppy at the time, from the Berkeley Animal Control. Bailey despised him. If I had known anything about dog psychology, I would not have brought Rex home. I thought I was doing her a favor when I returned to work in the City by getting her a companion. The thing is, there were too many companions taking attention away from her. We had no idea until one weekend when I looked out the kitchen window and to my horror saw her chase and pounce on Rex. It is the reason to this day that he can’t be around other dogs. Rex barked all the time and was difficult to handle. Bailey lay on her bed like a cat. In her eyes, she was chiding us: “See, look at him! He’s such a bother! You should have stuck with just me. Look at me. I just lie on my bed and cause no trouble to anybody.” Their beds were side by side in the family room, and whenever Rex got up, Bailey would get up, too, only to stretch her body and take up half his bed. We had to scold her to get her to move back to her own bed. On weekend mornings, I would take Rex on his walk first, while Bailey sat dejectedly, snout sticking out in-between the pickets of the dog gate that kept them in the kitchen. While I walked Rex, she would howl and wake up the kids. No matter that I always returned to give her a walk. She never stopped howling. She never got over being left behind. When my daughter was born, Bailey was in such a state of melancholy that we joked about putting her on puppy uppers – and Rex on doggie downers.

Bailey in need of puppy uppers.

Bailey in need of puppy uppers.

I have fond memories of Bailey. She liked to slink up on the couch when she thought we wouldn’t catch her. One night, in the dark, David sat on her instead of the couch cushion. She used to beg for food at the kitchen table. One rainy Valentine’s Day dinner, we tried to keep her at bay by putting an open umbrella, which she was afraid of, at the kitchen entrance. She inched closer and closer, until her collar got tangled with the metal end of one of the spines of the umbrella. She drew back, and to her surprise, the umbrella came at her. She took off, dashing into the kitchen, under the table, shooting out of the kitchen and through the dining room and around the living room, her eyes bugged out, her hind legs whipping ahead of her front legs. Those are the times I wish I’d had a video camera on hand!

Bailey at rest - her usual state of being.

Bailey at rest – her usual state of being.

Many times when we came home from errands, coming up through the kitchen door, she would be on the other side, prancing around like a horse, her favorite stuffed hamburger squeaky toy in her mouth. I tried to let the dogs hang out upstairs with me in my office library during the day, but a knock, a doorbell ringing, or any other noise would send them barking up a storm. So they were gated in the kitchen. Sometimes I would leave the kitchen gate open, and at a certain time in the late morning she would venture up the stairs, her long nails clicking against the hardwood floors, and I’d wait for her to come around and into my office nook. I would give her a big greeting, to which she responded with a wagging tail, and satiated, she would trot back to her bed in the kitchen. She had the softest, velvety ears, behind which she liked being scratched.

One Friday evening in January of 2011, as we were preparing for our son’s basketball game, Bailey came around from the family room area to the kitchen. She looked tired. But I was in a hurry. I said a few encouraging words to her, and then we were gone. The next day she went on her walk, but she was lethargic. On Sunday, for the first time in her life, she would not get up for her morning walk. In fact, she hardly got up at all. When she did, she dragged herself into the kitchen and peed on the floor. David saw what was happening, but in my mind I thought, well, we’ll just get her pads. When David tried to entice Bailey outdoors to pee to no avail, he ended up resorting to lifting her up beneath her front legs. I’ll never forget the startled – even embarrassed and humiliated – look she exchanged with me as her hind legs dangled beneath her, her tail curled up. The kids spent the night on the couches in the family room next to Bailey and Rex’s dog beds.

I was grateful that we had a long weekend; it was Martin Luther King, Jr. Day and the kids were home from school. We took a lot of pictures of Bailey and made a video of her on the flip camera. I sat on the floor next to her and put her head on my lap, as I stroked her and told the kids stories about Bailey. It wasn’t until the end of day that I realized she had never slept, which was unheard of given how much she sleeps during the day. I was stricken by the understanding that she couldn’t sleep because she was in discomfort. Her breathing had became loud and raspy. It was then that I reached the conclusion that David had already arrived at on Sunday. At dinnertime, we had a family meeting. We would need to take Bailey to the vet in the morning. Numb and not thinking, I agreed to let both kids, who were sobbing over their meals, come with us.

Bailey's last day with us, January 17, 2011.

Bailey’s last day with us, January 17, 2011.

I was going to sleep on the couch that night. Both David and I were working on our laptops in the family room. He insisted that the kids could not go with us in the morning. And I secretly wished that she would pass away peacefully, if only her eyes would close and she would fall asleep. It was around 11 o’clock that night when her breathing turned rattled and sounded wet. She struggled to turn her back on us, and in that act I knew she was dying. I rushed to her side, calling out her name, stroking her head. I was torn because I wanted her to know I was there and yet I acknowledged that she had turned her back on us because she didn’t want us to see. I recalled someone telling me once that animals go into the woods to die alone. But I would not let her think she was alone. Within moments, she threw back her head, opened her mouth wide, let out a rattle, and she was gone.

I don’t remember what happened after that. We wrapped her up in a blanket and took her outside on the porch. We knew we had to move her to the van before the kids got up. So we woke up early in the morning and hurriedly transported her body, but by the time we returned inside, I found my daughter, eight years old, wailing in the middle of the family room, in the spot where Bailey’s bed used to be.

Bailey’s ashes were scattered somewhere in Napa. We held a family ceremony for her, burying a wad of her hair and the hamburger toy in the side yard.

Rex, newly crowned pampered pooch, with his blanket and bed in the library.

Rex, newly crowned pampered pooch, with his blanket and bed in the library.

People say you shouldn’t regret. But initially, regret is an involuntary feeling. It’s the wallowing in regret for a long stretch that steals our time and diverts our feelings for other things. And yet, regret can be a great lesson if we are open to it and know how to use it. I very much regret that we ignored Bailey all those years. She just wanted to be loved because when she came into this world, she was abused and abandoned. Those feelings never left her, no matter that she was safe and loved haphazardly in a household that took her for granted in the course of our busy lives.

Happiness is a warm bed, your Cal pillow, and sticking out your tongue when in a deep sleep.

Happiness is a warm bed, your Cal pillow, and sticking out your tongue when in a deep sleep.

Now we pamper Rex, who was not given a fair shake by Bailey. We’re making up for the abuse he received at the hands of a curmudgeon dog. Rex sleeps upstairs, gets a daily walk instead of only weekend walks, and accompanies me on errands – he gives me a stunned and hurt look when I don’t take him with me. He is photographed more than any other person under our roof. And he gets a lot of attention. He has become the dog who sleeps in the library and who I know won’t bark – though he still has a ferocious bark – while I’m on the phone for work.

Last winter, I noticed his hind legs slipping a little. He has had numerous skin conditions throughout the year that I thought perhaps might be the beginning of the end for him. Numerous vet visits and bills, thyroid and other medications later, and after a switch to non-grain dog food, his sandy coat is as soft as Bailey’s ears. He is still a nuisance around other dogs and manages to get in the way of whatever you are doing. He is nervous in unfamiliar situations and environments, his shaking hind legs a sure sign. I affectionately call him my “dysfunctional boyfriend.” Friends call him “Wreck.”

He is nearing 12 years old. He has been my house companion for a solid two years now. We have our daily routine.

I don’t know when his time will come, when he will join Bailey, who, as my kids joke, is up in doggie heaven, looking down and jealously barking, “No fair!” It will be much harder for me in one sense – though no less heartbreaking – when we reach the end of our walk together, but I know there will be no regret at all. Bailey taught me that lesson.

Ready to walk Rex on a winter morning with over-the-knee boots!

Ready to walk Rex on a winter morning with over-the-knee boots!

Layers, different textures such as waffle knits and flecked leggings, smooth and patent leather, faux fur, antique button ring by Elizabeth Ngo, reclaimed vintage rose earrings by Carmela Rose, and Sundance stack of rings.

Layers, different textures such as waffle knits and flecked leggings, smooth and patent leather, faux fur, antique button ring by Elizabeth Ngo, reclaimed vintage rose earrings by Carmela Rose, and Sundance stack of rings.

Discovering the Contemporary Jewish Museum

I wanted to convey the joy of being a little boy alive on a certain kind of day.
– Ezra Jack Keating, American author and illustrator

We had planned to celebrate my daughter’s belated 10th birthday “party” this past Saturday with a requested family horseback riding excursion. Due to safety issues over the muddy trails, however, we had to come up with alternative. My daughter, who was inviting a good friend of hers to join us, decided on the Yerba Buena Park and the carousel in San Francisco. David suggested that we include going to the Contemporary Jewish Museum (736 Mission Street, San Francisco, CA 94103, 415.655.7800), since it’s located across the street from the Yerba Buena Center. My daughter was less enthused than my son. She announced in a much-too-early preteen tone of voice that she was “done” with museums – which is surprising coming from someone who loved museums and always brought a sketchbook to draw and take notes. We promptly added the Contemporary Jewish Museum to our itinerary.

The architecture of the Contemporary Jewish Museum is stunning (seen from the western end of the building).

The architecture of the Contemporary Jewish Museum is stunning (seen from the western end of the building).

The Contemporary Jewish Museum is a beautiful piece of architecture. There are only five exhibits in the spacious museum, but it’s the right number of exhibits and square footage to soak in the art and not get overwhelmed.

The Snowy Day
One of the current exhibits is “The Snowy Day and the Art of Ezra Jack Keats” (ongoing through February 24th), which we thought the kids would enjoy. Who doesn’t have a copy of the classic urban story about a young African American boy delighting in the beauty and wonder of snow? I read it as a child and read it to my kids when they were young. “I wanted to convey the joy of being a little boy alive on a certain kind of day,” Keats had written of the genesis of the book, which won the Caldecott Medal in 1963. We were treated to original sketches, storyboards, and final illustrations of his many books, which allowed us to see the individual materials that made up his collages, the printed paper he cut out, the thickness of his paint strokes, and the different techniques he employed, including dipping paper into a mix of paint and other liquids to produce a marbled effect.

Breaking up an all-denim foundation with earthy colors - a textured moto jacket and beloved Frye boots, and embellished with hoop earrings from Lava 9 (Berkeley, CA).

Breaking up an all-denim foundation with earthy colors – a textured moto jacket and beloved Frye boots, and embellished with hoop earrings from Lava 9 (Berkeley, CA).

Of The Snowy Day, and also his other written works, he wrote that he was more concerned with “capturing a mood” than in developing the plot of his stories. Given that he admired haikus, you can see the influence. Especially in The Snowy Day, readers understand Peter’s deepest feelings and his world beyond the snow in the spare but evocative words Keats chose to give us.

Displays of letters provide us with a snapshot of the era. The Snowy Day was published in 1962, during the Civil Rights Movement. Many people thought Keats was African-American, and he noted that African-Americans especially were disappointed that he was not. Keats responded to a racist review of his book, which was displayed along with letters of support. Most poignant is a series of letters between Keats and a Japanese mother whom he had met during a book trip to Japan and whose son cherished an autographed copy of one of his books. She wrote to let him know how much her son loved that book – it was his most prized possession and he showed it proudly to all his friends and acquaintances. Keats’s most recently published book was the last book her son read before he was fatally injured in a traffic accident the following day. Keats’ letter to her was achingly heartfelt. He never wrote the book that was to memorialize her son, but his letters paid tribute and the exhibit includes a black-and-white photograph of him offering his respects at the boy’s grave.

Styling an outfit around a necklace by Israeli jewelry designer Ayala Bar.

Styling an outfit around a necklace by Israeli jewelry designer Ayala Bar.

I had no idea that Keats was such a prolific writer and illustrator, with more than 80 books to his credit, and author of 22 of those books. I found his Good is in the Mountain, which was published in 1966 and comprises excerpts of texts from different religions, spiritually nourishing. I have a new and deep appreciation for Keats’ artistry and life – born as Jacob Ezra Keats to poor Eastern European Jewish immigrants in Brooklyn in 1916. Bay Area locals should see this exhibit and his wonderful paintings and illustrations before it closes on February 24th. One hopes this exhibit travels to other cities. Keats and his work deserve a wider audience.

The Radical Camera and Black Sabbath exhibits
The other exhibits appealed to both David and me and the kids, which is a rarity to find a museum that appeals to all family members across all exhibits. “The Black Sabbath: The Secret Musical History of Black-Jewish Relations is in a big open room – conducive to dancing, in which my daughter and her friend indulged – with an antique piano and four tables equipped with iPads and headphones. You had a choice of listening to three African-American musical genres from the 1930s to the 1960s, which were influenced by Jewish music, life, and culture. In the playlist “Heebie Jeebies,” for example, you can catch the integration of Yiddish and Black jive during the swing era by such artists as Cab Calloway.

Keeping it simple to showcase Ayala Bar's necklace - J. Crew hot pink velveteen blouse, Club Monaco gold pleated mini and sparkly clutch, Elizabeth and James platforms in a neutral color, Carmela Rose earrings, Sundance bracelet, and rings by Lava 9 (Berkeley, CA) and BCBG Max Azria.

Keeping it simple to showcase Ayala Bar’s necklace – J. Crew hot pink velveteen blouse, Club Monaco gold pleated mini and sparkly clutch, Elizabeth and James platforms in a neutral color, Carmela Rose earrings, Sundance bracelet, and rings by Lava 9 (Berkeley, CA) and BCBG Max Azria.

David, who shares an appreciation of black-and-white photography with me, loved “The Radical Camera: New York’s Photo League, 1936-1951.” The exhibit comprises the work of more than 50 Photo League members, who embraced an aesthetic that honored realism and the documentary, and married social activism and art. The photographs capture the harshness of the Depression, World War II, Jim Crow, and the Red Scare periods of our history. This exhibit celebrates historical documentation through the beauty of black-and-white photography.

StoryCorps
Finally, I’m glad we ventured down one short wing of the museum on the first floor. At the end of a well-curated exhibit by contemporary Jewish architect Stanley Saitowitz is the StoryCorps StoryBooth. Amazingly and lucky for us locals, the Contemporary Jewish Museum is the first museum to host one of its recording booths. If you have listened to some of the recordings on National Public Radio (NPR), you are familiar with the largest oral history project in the country, capturing ordinary people’s lives and histories in their own words. A TV monitor played a loop of recordings that were translated into animated shorts. David and I wanted to keep watching, too, after shedding a few tears over some of the stories – particularly the one of the older couple from Brooklyn whose love remained strong throughout their many decades of marriage, even after his untimely death by cancer; the letters he wrote to her every day of their time together was replaced with the thousands of letters she received from NPR listeners when they heard about his passing, which she reads one a day. But we had to pull the kids away in order to see the rest of the museum. I brought home a postcard with information to reserve an interview time. Hopefully, the booth will still be there in the summer when my sister visits from San Antonio and we can record and preserve our parents’ immigrant lives.

We will certainly return to the Contemporary Jewish Museum. For locals, if you’ve never been, I highly recommend it. If you’re planning a visit to San Francisco, this should be on your list of destinations.

Ayala Bar's three-in-one necklace comprising glass beads, Swarovski crystals, mineral stones, fabric, and metal. It has a boho feel to it.

Ayala Bar’s three-in-one necklace comprising glass beads, Swarovski crystals, mineral stones, fabric, and metal. It has a boho feel to it.