About Patty

Patty Enrado was born in Los Angeles and grew up in the Central Valley of California. She has an BA in English from the University of California at Davis and an MA from Syracuse University's Creative Writing Program. She lives in the San Francisco Bay Area. When she is not writing about health information technology, volunteering at her children's schools and raising her family, she is writing fiction and blogging about life after 50.

FilAm History Month in Los Angeles: a homecoming

Often you could see his grandmother talking to someone on the phone, and as he was told later, she was taking bets on the horse races for a Filipino bookie they called Peanuts. He was short, medium build, bald, and about 45 years old, and very well dressed. He could have been one of the characters from the movie Guys & Dolls. Oh yes, he would frequently be accompanied by a good-looking tall American girlfriend.
– Paul Lee, excerpt from “My Extended Family,” Filipinotown: Voices from Los Angeles

When Linda Nietes, owner of Philippine Expressions Bookshop (Croatian Cultural Center, 510 W 7th St., San Pedro, CA) invited me to join Marissa Aroy, friend and director of the documentary, The Delano Manongs: Forgotten Heroes of the United Farm Workers Movement, for a late afternoon celebration for Filipino American History Month, I said yes! Even though I knew it meant flying to Southern California and making arrangements for the weekend of October 24-25. San Pedro is near Long Beach, which is where my dear friend Mark Bruce-Casares and his long-time partner David Bruce-Casares live. While we went to different high schools, Mark and I were part of the Saturday singing group at St. Anne’s Catholic Church. The last time I saw Mark and David was when Jacob was a toddler, so around 13 years ago. A reunion with Mark and David was another big reason to go.

Selfie with Mark leaving the Long Beach airport.

Selfie with Mark leaving the Long Beach airport.

Few people know that I was born in Los Angeles. We moved to Terra Bella when I was three years old. I remember going to Disneyland often as a child. Even after we moved, we visited our relatives regularly and were taken to the amusement park, using up the A-E tickets for the various rides. I have fond memories of this time in my childhood, even of the long car rides – staring out the window as we chugged our way through the Grapevine, with the enormous backseat of our uncles’ boat-sized cars as our playground. We used to live on the 4200 block of Rogers Street. That house, amazingly, still stands, as my sister Heidi had recently sent my sister Joyce and I a Google Maps photo of it – with iron grills over the windows. I thought it had been torn down for the freeways, but Heidi informed me that the houses across the street were demolished for the San Bernardino freeway.

What our first home on Rogers Street in Los Angeles looks like today.

What our first home on Rogers Street in Los Angeles looks like today.

As I made plans with Mark and David, I tried to find other events to potentially participate in. Linda was kind enough to connect me with local poet Silvia Morgan, who was hosting an Author’s Day at the San Pedro Branch Library (931 S. Gaffey Street, San Pedro, CA). The event would be ending just as the Philippine Expressions Bookshop event was beginning, and the two locations were nearby, so that was a perfect literary addition.

Through the Stockton chapter of the Filipino American National Historical Society (FANHS), of which I have been a member for more than a decade, I discovered that Carson City was hosting its annual Larry Itliong Day at the Carson Community Center. This year, many cities and organizations were hosting Larry Itliong Day, given that in June Governor Brown signed California State Assemblyperson Rob Bonta’s bill, AB 199, to honor the Filipino labor leader’s birthday, October 25th. Carson City holds the distinction of having the only city-run celebration. In fact, Carson City has been holding this event for the last six years. So the city officials are truly frontrunners in honoring Larry Itliong. I got in touch with the organizers and they arranged for me to have a table and to be able to hand out flyers about my novel and my book reading at Philippine Expressions.

Heading to Los Angeles.

Heading to Los Angeles.

The Stockton FANHS chapter also sent out a flyer for the Larry Itliong Day Celebration, hosted in large part by Los Angeles Councilmember Mitch O’Farrell, whose 13th district includes Filipinotown, a historic section of Los Angeles. The event was going to be held at the community center for SIPA (Search to Involve Pilipino Americans, 3200 W. Temple St., Los Angeles, CA 90026, 213.382.1819). I contacted Angelo Yenko, legislative deputy for Councilmember O’Farrell, who put me in touch with the event organizers, Tina Salonga-Bulchand, director of programs and services for SIPA, and Gerald G. Gubatan, who along with Carlene Sobrino Bonnivier and Gregory Villanueva co-edited Filipinotown: Voices from Los Angeles, an anthology of writings from local authors over the last 100 years. Gerald and Tina kindly allowed me space at a table at the event. Marissa Aroy was also going to be showing her documentary.

Leading up to the event, I was in contact with Carlene, Greg, and Gerald via email. A sudden nostalgia surrounding Los Angeles and my childhood engulfed me. At that point, I was asking my sisters what our old home address was. Upon hearing about their anthology, I told Carlene, Greg, and Gerald about our Uncle Peanut, whose real name my sisters and I couldn’t recall. He, whom we later discovered through another relative was named Ignacio Lores, was quite the colorful character. He often wore a straw hat and sunglasses, and frequently nursed a glass of whiskey. At our annual San Esteban Dances, he always stole the floor with his flamboyant moves. I remember when we wanted to name our new dog Peanuts, after the Charles Schultz cartoon, which was popular in the day. My dad angrily vetoed our wishes because naming our dog after our “uncle” would be an insult to him.

My sisters and cousin Arnold with the infamous Uncle Peanut in the courtyard of our house on Rogers Street. That's the shadow of my father taking our picture.

My sisters and cousin Arnold with the infamous Uncle Peanut in the courtyard of our house on Rogers Street. The shadow belongs to my father, who was taking our picture. Fittingly, Uncle Peanut gave us dollar bills.

Upon telling Carlene about Uncle Peanut, she let me know that he was remembered in one of the stories in the anthology. Thus began the walk down memory lane of recalling relatives who lived in Los Angeles in the late 1940s through the late 1950s. In the course of planning my trip, I learned that I wouldn’t be able to stay with my friends David and Mark. Carlene graciously opened up her home for me to stay over the weekend, which was something I was eagerly looking forward to because I knew we’d be talking a lot about writing and the Filipino American community in Los Angeles.

Getting closer!

Getting closer!

So I was all set for my Los Angeles trip – four different events in a weekend. Let it be known, as many of you who know me, that I am not one to contact people I don’t know and make my way into various events, even though through the years I have become comfortable talking in front of audiences and leading meetings with executives, thanks to my profession. But I have become an advocate for my book, and I’m discovering that assertiveness is a good trait to have when marketing and promoting, and it has served me well.

I see the signs!

I see the signs!

Carson City’s Larry Itliong Day
Because of the time of my morning flight to Long Beach, I wasn’t able to catch the Carson City parade or the beginning of the festivities. By the time Mark and I arrived at the event, we had a choice of either setting up our table exposed to the heat or taking the tent behind the main stage. We took the tent, and when they made an announcement of our location, Mark and I waved to the few people in the audience who could see us. We were only going to be there for two hours, so the goal was to hand out flyers and talk to people. As we listened to the various speeches from local dignitaries in the Filipino American community and watched the community leadership awards that were being given out, I learned that the Philippines sent their only athlete to the 2014 Sochi Olympics, a figure skater named Michael Christian Martinez, who placed 19th overall. That was fun to see, given that I love figure skating. The length of the speeches prevented the crowd from milling about and we had to leave, so Mark and I distributed the flyers as we wended our way back to the car.

Keeping cool under the tent, even if it is behind the main stage!

Keeping cool under the tent, even if it is behind the main stage!

San Pedro Branch Library Author Day
Mark dropped me off at the San Pedro Branch Library for the local author reading. The crowd was small but appreciative. Eight authors – of both prose and poetry – read. A couple of people talked to me after the readings. Getting the word out, no matter how small the venue, is important, I told myself, especially outside of the Bay Area.

Author group shot with host Silvia Morgan in the center at the San Pedro Branch Library.

Author group shot with host Silvia Morgan in the center at the San Pedro Branch Library.

Philippine Expressions Bookshop: Filipino American History Month Celebration
Mark and David accompanied me to the Philippine Expressions Bookshop event, where I was reunited with Marissa – we’ve been seeing one another at various FilAm History Month celebrations the last two months. Marissa had read my novel in advance and gave me a really wonderful blurb for my book cover. I met her mother, who was accompanying Marissa on her Southern California tour; she told me she was taking her time reading my novel so she could enjoy and appreciate it more. The crowd was small but we had a lively Q&A after both Marissa’s screening of her documentary and my reading. I was grateful that Mark and David enjoyed learning about the Filipino American involvement of the grape strike.

The Croatian Cultural Center in San Pedro.

The Croatian Cultural Center in San Pedro.

Against a backdrop of Philippine textiles, Marissa answers questions after the screening of her documentary.

Against a backdrop of Philippine textiles, Marissa answered questions after the screening of her documentary.

Reading without a podium, a skill I'm learning.

Reading without a podium, a skill I’m learning.

An impromptu discussion by Paulino Lim Jr., retired professor at California State University, Long Beach, and author, about his collection of short stories, Sabong stories, etc.

An impromptu discussion by Paulino Lim Jr., retired professor at California State University, Long Beach, and author, about his collection of short stories, Sabong stories, etc.

At the end of the evening, a group shot with Philippine Expressions Bookshop owner Linda Nietes sitting to my right.

At the end of the evening, a group shot with Philippine Expressions Bookshop owner Linda Nietes sitting to my right and her friends.

Afterwards, Mark and David and I had a leisurely dinner catching up. You know you are in the hands of dear friends when it doesn’t seem as if 13 years has flown by since last getting together. After dinner, we took a scenic drive to return to Long Beach, which boasts some gorgeous Arts and Crafts homes along the shoreline. I love this time period in architecture, and when I think of Los Angeles and the surrounding communities – we had many relatives living in Long Beach, too – I picture 1940s bungalows and 1920s Arts & Crafts homes. Just as we pulled up to Carlene’s home, Carlene and Greg had arrived. It was time to say good-bye to Mark and David, with a promise not to let so much time pass before our next visit.

With Mark and David in Long Beach.

With Mark and David in Long Beach.

It was wonderful to get to know Carlene and Greg, as we stayed up late talking about the Filipino American history and community in Los Angeles. The conversation continued the in the morning over a leisurely Sunday brunch. I’ve since read through some of the pieces in their anthology. What a wonderful labor of love and gift to the community to preserve the stories and highlight the vibrant lives of Filipino Americans in Los Angeles, which notably includes Carlos Bulosan, who spent time in the City of Angels.

The beginning of historic Filipinotown.

The beginning of historic Filipinotown.

Unidad Park in historic Filipinotown.

Unidad Park in historic Filipinotown.

Panoramic shot of Eliseo Art Silva's magnificent mural.

Panoramic shot of Eliseo Art Silva’s magnificent mural.

Close-up of the mural with Carlos Bulosan.

Close-up of the mural with Carlos Bulosan.

Me before Philip Vera Cruz and Larry Itliong.

Me in front of Philip Vera Cruz and Larry Itliong.

Before and after the event at SIPA, Greg and Carlene took me on a tour of historic Filipinotown, which sits so close to downtown Los Angeles that it still astonishes me to recall the skyline bearing down on this part of town. Downtown continues to encroach with the inevitable gentrification. I was left to imagine what that bustling community of Echo Park was like in the 1940s and 1950s. I got to see Eliseo Art Silva’s wondrous mural, which is located at Unidad Park in Filipinotown. The mural, which he painted in 1994, was recently restored. It was an honor for me to see it in person after coming across it many times in photos on the Internet. Carlene and Greg also gave me a tour of Los Angeles and the surrounding cities.

Larry Itliong Day in historic Filipinotown.

Larry Itliong Day in historic Filipinotown.

Los Angeles Larry Itliong Day
The Story and Legacy of the Delano Manongs: A Community Celebration in honor of Larry Itliong Day in Los Angeles and in commemoration of the 50-year Anniversary of the Great Delano Grape Strike was a well-attended, boisterous, and fabulous event. Gerald, Tina, and Councilmember O’Farrell formally welcomed everyone. Dr. Ronald Buenaventura, who represented the Los Angeles chapter of FANHS, also spoke. Marissa’s documentary was screened, and then she participated in an informative and educational panel, The Legacy: A Community Conversation, which included Johnny Itliong, Larry’s son and founder of the Larry Itliong Foundation for Education; Linda Susana Terrazas, secretary to Larry Itliong in the summer of 1969; and moderator and retired Judge Casimiro Urbano Tolentino.

Honoring Larry Itliong.

Honoring Larry Itliong.

Educational panel.

Educational panel.

In one poignant story, Johnny shared how one person in the audience at another event disdainfully told him that his rendering of Cesar Chavez was not the Chavez that he knew. At first, Johnny lightheartedly told of how Helen and Cesar Chavez changed his diapers and babysat him and his siblings. And then he said, in an emotional moment, that it wasn’t his fault that Chavez behaved as he did – publicly misconstruing his father’s legacy – and that it wasn’t something that he saw coming, given his memories of Chavez as a child. That was a powerful moment. Good on Johnny to create the foundation to honor his father. He has spent years trying to bring recognition to his father’s legacy. We in the community see the fruits of his hard work today, especially in this historic year, but he faced a lonely, uphill battle in those early years.

A great table, with Filipinotown: Voices from Los Angeles, my novel, and the DVD of Marissa's documentary.

A great table, with Filipinotown: Voices from Los Angeles, my novel, and the DVD of Marissa’s documentary.

The third part of the event, The Celebration: Community Expressions, featured music, poetry, and readings by Carlene, Greg, and Gerald. Gerald was kind to insert my reading of an excerpt from my novel into the event program. It was only fitting that I read the scene where my protagonist, Fausto Empleo, who is reluctant to join the union, meets Larry Itliong. The audience included Sandra Itliong-Bowman, Larry’s daughter, and Larry’s former secretary, both of whom I was conscious of their presence during my reading. They both came up to talk me after the reading, which was an honor for me.

After more sightseeing – which I would have been happy to have continued if not for my flight home – Carlene and Greg dropped me off at the airport. I came away with more than just participating in historical events and seeing old friends. I made new friends in what turned out for me to be a bit of a homecoming. I’m not sure when I’ll return to Los Angeles, but I feel like I reconnected. I’ve happily discovered the unexpected gifts of publishing my novel – finding my roots, reconnecting, and coming home.

Good night, City of Angels!

Good night, City of Angels!

San Francisco Book Review: 5 stars for A Village in the Fields

“Have you ever gotten a bad review, Master Huud?”
“Hundreds of them.”
“Do they hurt?”
“Of course. But you get over it. Critics are just people, lad. They’re entitled to their opinions. They’re not the enemy.”
“Who is the enemy?”
“Censors.”
– Katie Waitman, American science fiction writer, from The Merro Tree

On November 3rd, the San Francisco Book Review posted a review of my debut novel, A Village in the Fields. Authors published by independent publishers don’t get reviews as plentiful as well-known writers with traditional publishers. This same week, my publisher informed me that a review of my book will be included in the upcoming summer/fall issue of Amerasia Journal, published by the Center Press at the University of California at Los Angeles. As the Amerasia Journal is the leading interdisciplinary journal in Asian American Studies, I am looking forward to this review! And, of course, I will share.

Impassioned reading of an excerpt of my novel at the October 22nd book reading at the Ethnic Studies Library at UC Berkeley.

Impassioned reading of an excerpt of my novel at the October 22nd book reading at the Ethnic Studies Library at UC Berkeley.

Pondering a thoughtful question in the Q&A after my reading. My friend Lori took a ton of pictures - Maraming salamat po! - and I chose this one because it reminds me of a familiar look on my mother's face, and I have been thinking a lot about her these last few months.

Pondering a thoughtful question in the Q&A after my reading. My friend Lori took a ton of pictures – Maraming salamat po! – and I chose this one because it reminds me of a familiar look on my mother’s face, and I have been thinking a lot about her these last few months.

LUNAFEST 2015-2016: supporting diverse voices and visions

One of the common themes you will read in interview after interview is the call to keep fighting for your vision. This is a message to women directors, producers, writers – anyone who wants to work in the business. Your voice counts. Your vision matters.
― Melissa Silverstein, American writer and founder and director of Women and Hollywood, from In Her Voice: Women Directors Talk Directing

When October sneaks up on us, we realize that the light has been changing ever so subtly and the leaves on the trees have been turning colors seemingly right before our eyes. The month also signals the start of the LUNAFEST film festival with the worldwide premiere in San Francisco. The lovely Herbst Theater hosted this year’s event. It’s been years since I’ve set foot in the theater, which features panels of murals painted by Frank Brangwyn for the 1915 Panama-Pacific International Exposition. It’s a beautiful and cozy venue for such a special event.

The beautiful Herbst Theater.

The beautiful Herbst Theater.

Kit Crawford, co-owner and co-chief visionary officer of Clif Bar & Company and strategic advisor to LUNAFEST, welcomed the full house to the 15th year of the film festival, “by, for, and about women.” Four of the six filmmakers made the premiere, coming from Paris and London and Los Angeles and our own backyard of Oakland.

Looking up at the balcony and murals.

Looking up at the balcony and murals.

Along the side walls of the Herbst Theater.

Along the side walls of the Herbst Theater.

And the ceiling.

And the ceiling.

Two years ago, at my first LUNAFEST premiere, Dr. Stacy L. Smith, PhD, director of the Media, Diversity, & Social Change Initiative at the USC Annenberg School for Communication & Journalism, was invited to discuss the state of women filmmakers in the industry. This year, Dr. Smith was invited back to talk about Gender & Short Films: Emerging Female Filmmakers and the Barriers Surrounding their Careers. With a grant from LUNAFEST, Dr. Smith and her team gathered data from the 10 top film festivals worldwide – Cannes, Sundance, Venice, Berlin, Telluride, TIFF, SXSW, IDFA, IFFR, and NYFF – from 2010 to 2015, and also gathered data from LUNAFEST filmmakers from 2002 to 2014.

Dr. Stacy Smith telling it like it is.

Dr. Stacy Smith telling it like it is.

Women filmmakers: an empirically sobering reality
From the top film festivals worldwide, Dr. Smith and her team focused on short films that were relevant to mainstream directing careers in television and film. Of the 3,933 short films, females filled almost a third of the directing pipeline in short films (32 percent women versus 68 percent men), which is a gender ratio of 2.13 male directors to every 1 female director. Dr. Smith also wanted to determine if storytelling genre was related to gender, which she categorized under narrative, documentary, animated or other. She and her team discovered that females are more likely to direct documentaries (37 percent versus 63 percent of men), but female directors are least likely to direct narrative shorts (28 percent versus 72 percent). Given the activism and interest in women filmmakers over the past several years, Smith and her team wanted to find out if an increase in female directors had occurred. “I’m just going to give you the data plain and simple – there has been no change over the last five years,” Smith revealed.

The data she and her team gathered, which included data from the Directors Guild of America, empirically showed a 10-percent drop in women directing short films to directing independent dramatic features, a 12-percent drop in women directing short films to directing episodic television, and a 24-percent drop in women directing short films to directing studio-level or top-grossing films. “I refer to this deep descent [the career pipeline of female directors from shorts to studio films] as the fiscal cliff,” Smith said matter-of-factly.

An illuminating study.

An illuminating study.

LUNAFEST directors rock
The other major part of the study, however, was determining how LUNAFEST directors fared in this gender terrain and what the career trajectories looked like for the LUNAFEST alumnae – to date, 115 directors. “The results reveal that the pedigree of LUNAFEST directors is actually very impressive,” Dr. Smith was happy to report. Seventy-two percent have attended film school or a film program, 36 percent have had their films shown at one of the top film festivals worldwide, 72 percent have won awards or accolades for their work, 24 percent have made a narrative or documentary feature, and 25 percent have directed, produced, or written for television.

Where do LUNAFEST directors land in terms of career paths: 25 percent go on to work onscreen or behind the camera in film and television, 27 percent are entrepreneurs, starting their own businesses and freelance enterprises, 20 percent are employees working for a variety of organizations, 11 percent are on faculty at post-secondary institutions, and 16 percent were not apparent from online sources. “Together, 75 percent of the alums are moving into industries and spaces outside of mainstream Hollywood storytelling. Clearly, this is a problem,” Smith noted. “Why? Because women directors, like the ones participating in LUNAFEST from 2002 to all the way to tonight, may actually be the solution to the lack of diversity onscreen that we see in Hollywood film.”

Furthermore, Dr. Smith and her team looked at the demographic profile of characters in the 115 LUNAFEST films and compared them to 2014’s 100 top-grossing films at U.S. box offices. They catalogued every speaking character (at least one word to be included in the analysis – which is, Smith pointed out, “a very low bar”). They measured each character according to demographics characteristics (age, gender, race/ethnicity), domesticity traits (parental status, relational standing), LGBT status, and hypersexualization (sexually revealing clothing, nudity). They compared the top 100 grossing films of 2014 to the 115 LUNAFEST films from 2002 to 2014. Dr. Smith and her team discovered two major findings. In the category of onscreen gender prevalence, 28 percent (4,610) of speaking characters are females in the top-grossing films, only 21 percent of the leads or co-leads are girls and women, and 21 percent are narrators. “This is surprising because the last time I checked women were 50 percent of the population and 50 percent bought tickets at U.S. box offices,” Smith remarked.

Diverse voices for a diverse population
As expected, LUNAFEST films fared better: 63 percent of onscreen-speaking characters are girls and women, 81 percent of the leads or co-leads are girls and women, and 79 percent are female narrators. “LUNAFEST short films feature women onscreen in abundance,” she concluded. But the kicker, according to Smith, is the data revelation outside of gender: 27 percent of the top 100 grossing films were from underrepresented ethnic or racial groups and only 17 percent of leads or co-leaders were from an ethnic or racial group. In LUNAFEST films, however, 38 percent of speaking characters were from underrepresented ethnic or racial groups and 37 percent of leads or co-leads are of minority status. These findings are important, Smith emphasized, because 37 percent of the U.S. population can be classified as coming from an underrepresented racial or ethnic group and these individuals bought 45 percent of the tickets at the U.S. box office. Additionally, approximately half of the zero to five age population in this country are not white. “When females are behind the camera, they not only increase the depiction of girls and women onscreen, but they take other groups that are marginalized and make them move from invisible to visible,” Smith noted.

We learned a few things from the study. “We now know where the career pipeline starts for female directors and we know what it means to their career trajectories,” Smith said. “We also know how female directors’ content is unique from what we see in mainstream storytelling. Together, we understand more where problems start for female directors and why it’s so important to support them, especially financially and early in their careers. In doing so, as the data illuminates, diverse voices working behind the camera can change the landscape of what we see on the screen.”

Jeanne walking off stage after her talk, as Kit Crawford asks for and is easily obliged with a round of applause for Jeanne.

Jeanne walking off stage after her talk, as Kit Crawford asks for and is easily obliged with a round of applause for Jeanne.

Turning on the ‘advocacy gene’
Dr. Smith is a tough act to follow on stage, but when Jeanne Rizzo, RN, president and CEO of the Breast Cancer Fund, takes the stage, you know you’re in good hands. I had the honor and privilege of interviewing Jeanne last year for my blog (in two parts, no less, because she’s such a wonderful and inspiring role model), as she was a special guest at LUNAFEST East Bay 2015.  So I knew we the audience were going to be treated to a rousing narrative. “Tonight is a perfect example of women expressing their own form of advocacy and being nurtured and supported in telling their stories, our stories,” she began.

Jeanne talked about her Aunt Minnie as a nurturing and supportive role model for her when she was growing up and the advocacy gene that was inherent in the both of them. When Jeanne was a child, she wanted to play Little League with the boys, whom she played with in the neighborhood. When she was told she couldn’t, Aunt Minnie told her to start her own team and give a piece of her mind to those who said no to her. “Give ’em hell,” Aunt Minnie advocated. So Jeanne cheered the momentous event when the first girl was admitted to Little League and with the passage of Title IX, which states in part that “no person in the United States shall, on the basis of sex, be excluded from participation in, be denied the benefits of, or be subjected to discrimination under any education program or activity receiving federal financial assistance.”

Jeanne and Pali Cooper’s advocacy genes were turned on when they had to fight for the right to be married in California. Fittingly, it was Aunt Minnie who was the first in Jeanne’s large Italian Catholic clan to welcome her partner, Pali, into the family. After Jeanne helped to make a documentary film about a women’s climbing expedition in Denali, AK, and helped to establish subsequent climbing expeditions on Mt. Shasta, she continues to honor her Aunt Minnie. Every year, she asks one of the women climbers to carry her Aunt Minnie’s wedding ring. “I want her to know that it [the ring] goes as high as it can, carried by a strong woman, one step at a time, to remind us all that we have power and strength and we have both the privilege and the obligation to help carry each other,” Jeanne said.

“We stepped up, channeling the rights in Women’s Voting rights, the women who pushed corporate ceilings to try and get into the film industry,” she went on. “LUNAFEST embraces the advocacy work of the Breast Cancer Fund and our work on behalf of women and women’s health and environmental health through LUNAFEST and its proceeds.” She paused and took in the room full of people who gave her their rapt attention. “Aunt Minnie could never have imagined a film festival by, for, and about women. Consider what else we all can imagine together, and let’s do it,” she entreated.

And now for 6 inspiring stories
I won’t say too much about the fantastic lineup of movies this year because we want everyone to come to our March 19th screening. But I will give a brief intro to each film:

Anna by her poster.

Anna by her poster.

Finding June by Anna Schumacher of Los Angeles. “Through the eyes of a deaf woman just diagnosed with breast cancer, communication’s role in understanding one another is explored.” Anna is the daughter of our fellow committee member, Laurie Schumacher, and we are just as excited and proud as Laurie is!

Balsa Wood poster

Balsa Wood by Dominique Lecchi of London. “A lighthearted slice of life about two mixed-race siblings visiting their extended Filipino family for lunch.”

Boxeodora poster

Boxeadora by Meg Smaker of Oakland. “One woman defies Fidel Castro’s ban on female boxing to follow her dreams of Olympic glory and become Cuba’s first female boxer.”

Raising Ryland poster

Raising Ryland by Sarah Feeley of Los Angeles. “An intimate look at parenting with no strings attached – a journey inside the transgender experience as lived by a six-year-old boy and his two loving parents.”

First World Problems poster

First World Problems by Hanna Maylett of Helsinki. “A tired housewife loses her car in a shopping mall – sometimes problems can open a door to a whole new world.”

Beach Flags poster

Beach Flags by Sarah Saidan of Paris. “A young Iranian lifeguard, determined to participate in an international competition in Australia, experiences an unexpected obstacle when a new team member arrives.”

City Hall at twilight.

City Hall at twilight.

Interest piqued? Save it and save the date! It’s going to be an even better LUNAFEST film festival this year.

City Hall at night, across from the Herbst Theater.

City Hall at night, across from the Herbst Theater.

 

Green Apple Books: reunion time

When I visit a new bookstore, I demand cleanliness, computer monitors, and rigorous alphabetization. When I visit a secondhand bookstore, I prefer indifferent housekeeping, sleeping cats, and sufficient organizational chaos . . .
― Anne Fadiman, American essayist and reporter, from Ex Libras: Confessions of a Common Reader

For weeks I was stressed out about my book reading event at Green Apple Books (506 Clement Street, San Francisco, CA 94118, 415.387.2272). Would enough people show up? At a certain point, after numerous local media listings, FB posts, and tweets and retweets from family friends, I told myself to go and have fun. And I did.

My old neighborhood indie bookstore in the Inner Richmond district in San Francisco.

My old neighborhood indie bookstore in the Inner Richmond district in San Francisco.

We met our dear friends Alex and Victor for dinner at King’s Thai Cuisine a block away from the bookstore in the Inner Richmond district. That put me at ease. When we walked into Green Apple Books, which I haven’t set foot in since I lived in the neighborhood after returning from grad school in Syracuse 25 years ago, I felt as if the shop hadn’t changed at all ― the scarred, uneven hardwood floors. Shelves bursting with books. The tight staircase leading us to the second floor and then around the corner to a tiny room, the reading room. The room was wallpapered with shelves of books.

Isn't this a great little room? Books, books, and more books!

Isn’t this a great little room? Books, books, and more books!

Reading in a cozy reading room.

Reading in a cozy reading room.

The room was cozy enough that the 18 people there, including Green Apple Books’s Ray, who introduced me, made the reading a full house. But if I had to pick 18 people to the reading in San Francisco, everyone who was there would have been on that list. Stephen from the American Friends Service Committee (AFSC), which is a Quaker organization that promotes peace and justice, was already there with his partner. AFSC supported the farm workers during the strike in the 1960s, and in the late 1990s and early 2000s, Stephen helped me with some research. So it was great to finally meet him. There was a time when he sent me an email out of the blue a number of years after helping me, asking me if my novel had been published. Um, no, I had to tell him back then. But when my novel was accepted to be published, he was one of the first ones I reached out to so I could share the news.

Reading close-up.

Reading close-up.

Ali, my Jesuit Volunteer Corps. mentor, when I was a Jesuit Volunteer in San Francisco from 1987-88, also came. Though she stayed in the City after her JVC service, I haven’t seen Ali in more than 20 years. I saw her slip in while I was reading, and I was so thrilled and couldn’t wait to catch up with her after the reading.

My JVC mentor Ali!

My JVC mentor Ali!

Andy, who was on the same dorm floor ― Struve II ― as I at the University of California at Davis, arrived just before the evening program started, and he looks the same. I haven’t seen Andy in more than 15 years, so it was great to see him.

Signing books for my college friend Andy.

Signing books for my college friend Andy.

My cousin Daniel came, which was sweet because he was at my book launch a few week earlier at Eastwind Books of Berkeley. One couple came, with the woman telling me that she is Filipino and grew up in Watsonville. She told me later that everything I’d read rang true to her, as she had grown up in the fields. David’s old structural engineering co-workers from a previous company also came, and we haven’t seen them in several years, either. So it was a reunion of sorts, not only with old friends but with my old neighborhood indie bookstore too.

Goodnight, Green Apple Books!

Goodnight, Green Apple Books!

3rd Filipino American International Book Festival: an Open Tomorrow

One only dies once, and if one does not die well, a good opportunity is lost and will not present itself again.
– Jose Rizal, national hero of the Philippines

The 3rd Filipino American International Book Festival was held in San Francisco, but it was my first time attending. Friday evening, invited Filipino/Filipino American and members of the Philippine American Writers and Artists (PAWA), Filipino American Center, San Francisco Public Library, and Philippine Consulate General of San Francisco enjoyed an opening reception, which included wine and lumpia, in the Koret Auditorium of the San Francisco Public Library. PAWA President Edwin Lozada gave the welcome, followed by a welcome to San Francisco by Henry S. Bensurto, Jr., Philippine Consul General, and presentations by Filipino American poets, film trailer, and musicians.

Edwin Lozada welcomes everybody to the Third Filipino American International Book Festival.

Edwin Lozada welcomes everybody to the Third Filipino American International Book Festival.

The two days of sessions were packed. I enjoyed listening to Dawn Mabalon (she introduced me at my book launch at Eastwind Books of Berkeley), Robyn Magalit Rodriguez (who blurbed my book), Lily Ann Villaraza (PhD candidate and City College of San Francisco instructor), Oscar Penaranda (long-time middle and high school teacher in the Bay Area and mentor to many current Filipino American academics in Asian American Studies) discuss Filipino American history. Oscar and Lilly Ann started an interesting conversation about the definition of Filipino American and Filipino, trying to get at identity and who defines us and how we are defined. This is important stuff to figure out for my second novel, actually, before starting my second novel.

Another session on Filipino American Literature was sobering because it brought up an admittedly depressing reality – are Filipino Americans reading us? A couple of Asian American Studies professors pointed out that none or one at best of their freshmen students have read any Filipino-American writer before enrolling in their classes. In fact, for one professor, he has more Hmong students than Filipino-American studies in his Filipino-American courses. Twice he has had to cancel because of low enrollment. He also noted that many tenured professors at his university will be retiring within the next five to 10 years, and if enrollment continues to decline, expect those positions to go away and be replaced with adjunct professors with no clear path to tenure. It was too much to tackle, this complex problem of determining why enrollment is declining at some schools and not at others, but suffice to say the dialogue is out there.

The opening reception Friday evening at the Koret Auditorium.

The opening reception Friday evening at the Koret Auditorium.

I’ll admit that before I took an Asian American Studies class at UC Davis, I hadn’t read any Filipino-American writers. I read Bulosan while there and Bienvenido Santos afterwards. Other panelists bemoaned the fact that Filipino-Americans aren’t reading Filipino-American writers. So what has to be done? It requires the incorporation of Filipino-American history and culture into the K-12 curriculum, which means somebody has to take the initiative to develop a strategy of implementing Assembly Bill 123. The bill, sponsored by Assemblyperson Rob Bonta of Alameda, requires that Filipino-American contributions to the farm labor movement be incorporated into the social sciences curriculum. The Filipino American Educators Association of California (FAEAC) is meeting at the end of the month to address that issue.

Hope, however, also abounds in cities like San Diego, in which the school district is establishing an advisory committee to “develop recommendations on how ethnic studies can be implemented and accessible to all students throughout their K-12 educational experience.” Los Angeles and San Francisco passed their ethnic studies requirements in 2014. For Los Angeles, ethnic studies will be a required course for graduation, while in San Francisco, its 19 high schools must offer ethnic studies courses. So this is a good place to start.

But it also means, as the poet Eileen Tabios pointed out as a panelist on Filipino American Literature, that we have to get creative about getting Filipino Americans to read Filipino-American authors. She suggested that various student organizations in the areas of, for example, engineering or medicine be given a book of fiction or poetry in their conference packet or dinner. Maybe the engineering student wouldn’t read it, but perhaps he or she could pass it on to someone who would. Tabios also entreated that we reach out to children, grandchildren to get them interested in Filipino American poetry and fiction.

Reading as part of the Hot Off the press panel.

Reading as part of the Hot Off the press panel.

Isabella was with me both days. And, as Jacob and Isabella did in Delano, she absorbed a lot of information and appreciated the readings. In the session on the Philippine diaspora and politics, Isabella was too shy to participate in the ice breaker of introducing ourselves and telling everyone who we are, what we do, and why we were in this particular session. I was informed by the earlier discussions that teaching and instilling appreciation for one’s culture begins in the home. Even if we have already been assimilated and don’t know the language of our parents, we need to do more than just, as I do on occasion, remind Jacob and Isabella that they are half-Filipino. So I emphasized that I hoped to be part of the solution by bringing my daughter to the festival.

I truly appreciated being among the many Filipino American writers. But even more so, it was fun meeting and listening to writers from the Philippines, Canada, and Great Britain. A reunion of revolutionary writers from 1971, including Juanita Tamayo Lott, Lozada, Penaranda, Lou Syquia, Tony Robles reading his father Al’s works, Emilya Cachapero, and Bill Sorro’s widow. It was a nice connection for me, with one of my characters, Teddy Enebrad, fitting in nicely with this group.

FilAm Intl Book Festival reading

While I never found the time to go to the bookstore area to sign books, I networked like a madwoman, and the connections I made were invaluable to me as a writer but also as a Filipino American who is still trying to find out where she fits within her community.

In honor of Filipino American History Month, the Asian Art Museum had a display of books. I was delighted to find that my novel was with the classics by Carlos Bulosan and Bienvenidos Santos in the museum shop's storefront window by the entrance.

In honor of Filipino American History Month, the Asian Art Museum had a display of books. I was delighted to find that my novel was with the classics by Carlos Bulosan and Bienvenidos Santos in the museum shop’s storefront window by the entrance. Honored to be among these pioneering Filipino-American writers!

On Sunday, Isabella and I got to the Asian Art Museum in the late morning to listen to the presentation of Filipino-American history and hear Vangie Buell play the guitar and sing a wonderful Filipino song with Tess Bautista. We caught the Pina: an Enduring Philippine Fabric exhibit, which is ending soon. Our friends Jack and Justin came for my reading, a decidedly abbreviated reading as part of nine writers participating in the Sunday edition of Hot Off the Press, writers whose books have come out recently or are coming out soon. Erin Estrada Kelly read from her YA novel Blackbird Fly, about a girl named Apple who has to navigate the already treacherous world of middle school, which is further exacerbated by being Filipino in a white world in southern Louisiana. When the book’s premise was announced on a Saturday panel, Isabella immediately tugged my arm and asked if she could get it. We think alike. I thought it would be a great book for her to read. And she had it signed, too!

My books at the entrance of the Asian Art Museum shop.

My books at the entrance of the Asian Art Museum shop.

Now I have to recover for my reading at Green Apple Books Monday evening. All the readings have been wonderful, and I look forward to many more. I also look forward to connecting with more writers and scholars and figuring out how we can reach and touch our Filipino-American community. As this festival’s theme, Bukas Na Bukas: An Open Tomorrow, suggests, the opportunity and challenge are certainly there. And one of the calls to action for the next book festival in 2017 is to get more people to attend the festival.

Book festival poster.

Book festival poster.

Book launch party: Eastwind Books of Berkeley

While we are living in the present, we must celebrate life every day, knowing that we are becoming history with every work, every action, every deed.
– Mattie Stepanek, American poet

I’m late in posting about my book launch party, which was held at my publisher’s bookstore, Eastwind Books of Berkeley (2066 University Avenue, Berkeley, CA), on Sunday, September 13th. I’ll admit that I was worried that not enough people would fill the tiny storefront. I’m happy to be wrong this time.

Professor Dawn Mabalon, who teaches history at San Francisco State and hails from Stockton, graciously introduced me to the crowd.

Professor Dawn Mabalon, who teaches history at San Francisco State and hails from Stockton, graciously introduced me to the crowd (photo credit: David Rossi).

Providing backstory before I begin reading from the novel.

Providing backstory before I begin reading from the novel (photo credit: David Rossi).

Crowd reaction, from Lunafest committee Rhoda and Raissa in the background.

Crowd reaction, from Lunafest committee Rhoda and Raissa in the background (photo credit: Robert Milton).

Harvey Dong, my publisher, teaches part-time at UC Berkeley’s Ethnic Studies department, and his students were in full force. Four of my Lunafest committee members came with a bouquet and a sweet note. Friends whom I haven’t seen in years came, which was a sweet treat for me. Neighbors, old and new friends, acquaintances, and strangers all helped me celebrate the release of my novel.

Reading as if I mean it. Reminds me of when I locked myself in the downstairs bathroom in my college apartment so I could hear how the words I wrote sounded.

Reading as if I mean it. Reminds me of when I locked myself in the downstairs bathroom in my college apartment so I could hear how the words I wrote sounded. (Photo credit: Robert Milton)

My old pal, Steve, whom I haven't seen in years and who I met when we were in the same workshop at the Squaw Valley Community of Writers in 2002.

My old pal, Steve, whom I haven’t seen in years and who I met when we were in the same workshop at the Squaw Valley Community of Writers in 2002 (photo credit: David Rossi).

I haven't seen my friend, Barbara and her husband, Matt, in years. So good to see them!

I haven’t seen my friend, Barbara and her husband, Matt, in years. So good to see them (photo credit: David Rossi)!

My artist/painter mom and good friend Tana. We inspire one another!

My fellow artist/mom muse and good friend Tana. We inspire one another (photo credit: David Rossi)!

Sid Valledor led a tour of Agbayani Village and other important places in Delano in 2002.

Sid Valledor led a tour of Agbayani Village and other important places in Delano in 2002 (photo credit: David Rossi).

Signing my friend Pam's copy.

Signing my friend Pam’s copy (photo credit: David Rossi).

Rhoda and me in B&W (photo credit: Robert Milton).

Rhoda and me in B&W (photo credit: Robert Milton).

My cousin Daniel and me (photo credit: David Rossi).

My cousin Daniel and me (photo credit: David Rossi).

Standing room only, plus overflow out the door.

Standing room only, plus overflow out the door (photo credit: Jeff Blyskal).

A big thank you to Braxtons’ Boxes for the sinfully delicious red-velvet and chocolate mini-cupcakes and to David and Isabella for all those chocolate chip cookies.  And once again, I am deeply grateful to family and friends who have helped me arrive at where I am today. Maraming salamat po!

The line for book signing grows, with my Lunafest family in front.

The line for book signing grows, with my Lunafest family in front (photo credit: Robert Milton).

Happy signing!

Happy signing! (Photo credit: Robert Milton)

Stack of books.

Stack of books (photo credit: Robert Milton).

I have arrived: New and noteworthy.

I have arrived: New and noteworthy (photo credit: David Rossi).