Book spine haiku, Volume 2

Trees are poems the earth writes upon the sky,
We fell them down and turn them into paper,
That we may record our emptiness.
– Kahlil Gibran, Lebanese-American writer, poet, and artist

April is National Poetry Month and to close the month out, I’m presenting another edition of book spine haiku for my last post in April. This volume features creations by Laurel Kallenbach, a good friend, classmate at Syracuse University’s Creative Writing Program many moons ago and blogger of Laurel’s Compass, which I praised in a previous blog; Anne-Marie Pine, friend and teacher at my daughter’s school (and my son’s third-grade teacher four years ago); John Farrell, emerging screenwriter and classmate in fiction at Syracuse University’s Creative Writing Program; and two more from me.

Laurel's first contribution.

Laurel Kallenbach’s first contribution.

Kallenbach's 2nd contribution.

Kallenbach’s 2nd contribution.

Anne-Marie Pine's contribution.

Anne-Marie Pine’s contribution.

John Farrell's contribution.

John Farrell’s contribution.

My first contribution for this volume.

My first contribution for this volume.

My second contribution.

My second contribution.

As Welsh poet Dylan Thomas wrote, "Do not go gentle into that good night." Be bold with black and white, and a dash of bright color.

As Welsh poet Dylan Thomas wrote, “Do not go gentle into that good night.” Be bold with black and white, and add a dash of bright color.

This vintage Danecraft scroll bracelet and vintage multi-strand glass necklace (antique shop, Kennebunkport, Maine) are spot-on accessories for this comfortable jersey shift.

This vintage Danecraft scroll bracelet and vintage multi-strand glass necklace (antique shop, Kennebunkport, Maine) are spot-on accessories for this comfortable jersey shift.

The components of the black scroll dress ensemble.

The components of the black scroll dress ensemble.

Dallas Museum of Art: Art Matters

Art is really about how someone else makes sense of the world and their place in it…the viewer connects with the artist in such a way that the two agree to share their humanity, their hopes, their fears.
– Robert Hoffman, art philanthropist

My Omni Hotel room with a view of downtown Dallas.

My Omni Hotel room with a view of downtown Dallas.

I flew into Dallas yesterday late afternoon for a morning executive roundtable event to cover and will be hopping on a plane to go back home in the afternoon – a very short business trip. It was fortuitous that I flew out on a Thursday because the Dallas Museum of Art (1717 North Harwood Street, 214.922.1200) is open until 9pm on this day of the week. It was a short walk from the Omni Hotel to the museum district, and a much-needed one after a bumpy descent and landing.

Cindy Sherman: Self-portrait of women
in society

DMA offers free general admission, which is really a gift. Admission to the two exhibits currently on display, Cindy Sherman (through June 9) and Chagall: Beyond Color (the only U.S. venue, through May 26), were $16, which is a bargain in the museum world. I will admit that I didn’t know who Cindy Sherman is, though she is “widely recognized as one of the most important contemporary artists of the last 40 years, and is arguably the most influential artist working exclusively with photography.” Throughout her career, Sherman has taken self-portraits that are a commentary on women in society. She is known for a series of black-and-white self-portraits called “Untitled Film Stills,” in which she portrays herself as various B-grade film characters – the vamp, the housewife, the actress, and so on. The exhibition included a series of recreations of her in famous paintings, as well as a series of beyond-life-size portrayals of the one-percent women in their wealthy splendor. It reminded me a little of Diane Arbus, who is famous for having taken photographs of “marginal” people in our society, because I came away from this exhibit feeling spooked and discomforted, which I’m sure Sherman would feel is a compliment to her art.

Dallas Museum of Art.

Dallas Museum of Art.

Marc Chagall: Way beyond color
I’m familiar with Marc Chagall, but seeing his paintings in person has given me a greater appreciation for his sense of color. Indeed, Picasso once said in the 1950s that when Matisse died, Chagall would be the only painter who understood what color really is. Chagall’s intense reds and blues have a life of their own. I sheepishly admit that I didn’t know Chagall did costume and set decorations for plays and ballets, both in his native Russia after the turn of the century and in New York City during WWII. I also didn’t know that he turned to pottery and collage later in his long career as another way to express himself. One quote of his was particularly moving to me: “Every artist has a homeland, a native town, and though other environments and spheres will exert their influence on him, he will remain forever marked by an essential trait: The scent of his homeland will always live in his work.” I was particularly drawn to his “Nude over Vitebsk.”

Quin Matthews and Sharon Benge share stories of their interviews at the DMA.

Quin Matthews and Sharon Benge share stories of their interviews at the DMA.

Art really does matter
I had the good luck to be in town on this particular Thursday. Locals Quin Matthews and Sharon Benge presented a 45-minute montage of interviews they had conducted with actors, writers, painters, sculptors, musicians, conductors, architects, dancers, and so on for their Art Matters radio show, a local show aired on WRR Classical 101, which debuted in October 1988. They are donating their more than 25,000 interviews and 100 hours of film spanning 25 years of covering the arts to DMA. One of DMA’s executives noted that it’s the single largest media gift, and DMA intends to make these available and searchable on the web so that these historic treasures are accessible to everyone. Stay tuned. (Attendees were given free CDs of interviews with various artists, which I look forward to hearing!)

Glass sculptures at the DMA.

Glass sculptures at the DMA.

I’ll share a few inspiring quotes that I got out of the snippets of interviews that were included in the montage. First of all, Quin Matthews is a filmmaker who devotes his life to telling stories. What I noticed right away in the interviews was that he is a good editor. He knew what to keep and what to leave on the cutting floor. It truly is an art to edit – what you leave out is just as important as what you show. How lucky for Matthews and Benge to have spent a quarter century learning about all of these artists and recording the artists’ own words for prosperity. And how lucky for their listeners through the years and now for everyone. Since college, I’ve harbored a secret desire to be a filmmaker, documentary and otherwise, as another medium for storytelling. For now, though, I’ll admire those who have really made filmmaking and storytelling an art.

Matthews and Benge didn’t just focus on local artists. They went to the ends of the world – The Czech Republic, Bolivia, China, Russia, and many other countries – to bring art to their listeners in North Texas. When I listened to the chamber choir, I was reminded of my time in choir in high school. I had forgotten how moved I could be, how my whole body responded and rejoiced when we sang Gregorian chants, Bach, even show tunes from the 1940s. I got the same shot of adrenalin and exuberance listening to classical music performed by the Dallas orchestra and other musical groups.

Happily, I was introduced to artists such as Rusty Scruby, who talked exuberantly about how math and the landscape that numbers make excited him. If you take a look at his art, you will understand how math and numbers are a part of his art. Vernon Fisher talked about how art is a way of understanding the world, how man makes maps, counts things, tries to make sense of the world, as a way to avoid death. Jean Lacey talked about how she wants people to look at art and respond. Dorothea Kelley, a musician who championed chamber music in Dallas, talked about how music can help your life by giving you joy, helping you out at times, and feeding you spiritually.

I came away from DMA nourished on a spiritual and creative level. Not a bad deal for a 36-hour business trip!

National Poetry Month: Book spine haiku, Volume 1

Poetry is what gets lost in translation.
– Robert Frost, American poet

April is National Poetry Month and to celebrate creation and beauty (amidst destruction and sadness but also hope and humanity in and outside of Boston), I’m posting volume 1 of book spine haikus. My friend Kathy introduced me to this very fun form of poetry making. You form the three-line poem by using the titles of three books, following the 5-7-5 syllable format. It’s also fun to find out what books people have on their bookshelves.

This post features six book spine haikus, two each by friends of mine and two by me. I’ll be posting subsequent volumes, so if anyone wants to contribute, I’m happy to receive them. I have more of my own to share, as well. This is a great exercise – not unlike a puzzle – to try to make some sense of three existing lines. Some of us were also trying to see if we could make two of the book titles describe or summarize the third title. Yet other suggestions included using books by just one author or married authors.

The first two are from my friend Kathy Verschoor. The next two are from my friend Barbara Hanscome (we go way back to my first job as an editorial assistant for a business-to-business publishing company in 1991). And the last two are mine.

Send in your contributions! And “like” and “share” these book spine haikus on Facebook if you enjoy them!

Kathy's first book spine haiku.

Kathy’s first book spine haiku.

 

Kathy's second book spine haiku.

Kathy’s second book spine haiku.

Barbara's first book spine haiku.

Barbara’s first book spine haiku.

Barbara's second book spine haiku.

Barbara’s second book spine haiku.

My book spine haiku.

My book spine haiku.

My second book spine haiku.

My second book spine haiku.

 

This outfit has a beatnik sensibility to it: Vegan leather and real leather, lace and ruffles, reclaimed vintage jewelry, and black and white.

This outfit has a beatnik sensibility to it: Vegan leather and real leather, lace and ruffles, reclaimed vintage jewelry, and black and white.

 

Beatnik outfit collage of opposites: Black and white, leather and lace, contemporary and reclaimed vintage.

Beatnik outfit collage of opposites: Black and white, leather and lace, contemporary and reclaimed vintage.

White vegan peplum top is the perfect canvas for this reclaimed vintage necklace by jewelry designer Michael Hickey (Feather, Austin).

White vegan peplum top is the perfect canvas for this reclaimed vintage necklace by jewelry designer Michael Hickey (Feathers, Austin).

Remembering my father on the anniversary of his birthday

I believe that what we become depends on what our fathers teach us at odd moments, when they aren’t trying to teach us. We are formed by little scraps of wisdom.
– Umberto Eco, Foucault’s Pendulum

I took a lot of photos of my father in his garden while taking a photography class in 1982.

I took a lot of photos of my father in his garden while taking a photography class in 1982.

Yesterday was my father’s birthday. Given that he was 55 when I was born, he would have been 106 years old today. He came to the United States in the mid-1920s, following his older cousins when he was a teenager. His relatives laughed at him because he didn’t know how to speak English, and his defiant response was, “I know ‘yes’ and ‘no.'” This should have told me a lot about my father. But I didn’t appreciate his courage and resiliency because first I had to overcome the generational and cultural gaps between us, which didn’t happen until I went away to college.

Dad liked making cakes. He lined the kitchen cabinet shelf with a row of Betty Crocker yellow cake mixes.

Dad liked making cakes. He lined the kitchen cabinet shelf with a row of Betty Crocker yellow cake mixes, 1985.

When I went to UC Davis and wrote stories in my fiction workshops, in a nod to youthful naiveté and indulgence, I modeled my writing after great writers such as Hemingway and Joyce. Not surprisingly, my stories were artificial and awkward. Prompted by an unknown reason, I wrote a short story about a father and daughter. In one scene, Emily, the protagonist, is embarrassed when her elementary school teacher mistakes her father for her grandfather and tries to hush him when he speaks in broken English and proclaims that he is so proud of his daughter – who helps him with his spelling when writing letters to his relatives – because he never made it past second grade in his home country. My classmates, and my professor, really liked the story. The father, they enthused, was endearing and human; they wanted to know more about him. They wanted more of his story. On the other hand, they disliked the girl, who was cruel and disrespectful to her father. In writing that first story, which I still have, I, too, wanted to know more about him. And I, too, disliked the girl, and I wanted her to change.

My father loved to read the newspaper every day. He always bought the Los Angeles Times.

My father loved to read the newspaper every day. He always bought the Los Angeles Times, 1988.

Confronting the past
Growing up, he was already an old man to me, retired by the time I was 10. As a child, I couldn’t appreciate his idiosyncrasies. He thought the new microwave we bought would blow up the house. I can still see him scurrying in his house slippers after the delivery men – from the truck, through the garage, and into the family room – telling them that the new color television console they were carrying would make us go blind. Sleeping with socks on would make our feet grow big (my sisters and I have big feet, so perhaps he was right). Sweeping the kitchen floor at night would disturb the fairies that ventured out at night. When I would come home from high school with severe menstrual cramps, he would follow me all the way to my bedroom, insisting I got sick because I went to bed with wet hair the night before. And yet, as soon as I crawled into bed, he would rush to the kitchen to boil water for my hot water bottle.

My father posing with one of my Christmas presents to him - a Giants baseball cap, 1994.

My father posing with one of my Christmas presents to him – a Giants baseball cap, 1994.

Instead of admiring the fact that he actually watched Babe Ruth play in Yankee Stadium, my sisters and I focused on how old that made him out to be! He loved major league baseball, loved the San Francisco Giants, though we grew up in Los Angeles Dodger territory. His favorite player was Willie McCovey. Once when McCovey hit a home run during a televised game, he stood up from his recliner – his version of the Wave long before the Wave became popular – and threw up his arms, yelling, “Home run!” When the network replayed the swing of McCovey’s bat and the ball sailing over the fence, he stood up again, waving his arms, and yelling, “Another home run!” This happened on more than one occasion with different players and teams. My sisters and I would laugh in a painful kind of way, and scold him, “Dad! That was a replay, not another home run!” He would look at us, confused, his eyes foggy through his forever-smudged reading glasses. We just rolled our eyes at him.

Life before fatherhood
I never learned about his life before he became a father until I took a number of Asian American Studies classes at Davis. That’s when I saw some parallels of his life to Carlos Bulosan’s America Is In the Heart. When I was home from college, I would ask him about his life. He didn’t like talking about the bad things – just as many of my relatives didn’t like to do – though when I pressed him, he admitted that he had experienced bigotry in America. “They called us monkeys,” he said, his lower jaw jutting out. While you could hear his wounded voice, he was an apologist, adding that there were some bad-seed Filipinos who ruined it for the rest of them who were no trouble at all to the whites.

Laura Leventer of Personal Pizazz showed me how to pair this maize-colored skirt with appliques with a chocolate brown blouse.

Laura Leventer of Personal Pizazz showed me how to pair this maize-colored skirt with appliques with a chocolate brown blouse.

It wasn’t until after his funeral, after his passing on Christmas Day 1995 that my sister Heidi and I learned why he was so eccentric. (Another example: When I was in college, coming home from spring break, I came home to find out that he had imagined the bus driver who was taking him and his relatives to Las Vegas to gamble was instead going to take them to the desert and kill them. So he hopped into a cab once they got to Las Vegas and the car drove off; he was found three days later, wandering the oilfields outside of Bakersfield, 280 miles away, without his trousers and wallet.) Whenever his imagination ran wild, such as the time he insisted that fish were swimming in his bed, even as he threw back the covers and shined his flashlight on his empty wrinkled sheets, my relatives would click their tongue against the roof of their mouth and say, “That’s your dad!” I had this secret fear that his zany behavior was hereditary, and that at a certain point I, too, would be saying and doing loony things. Our uncle, his cousin, in fact told us that he was perfectly normal before the war, but that he had fought in the Battle of Leyte, which was one of the bloodiest battles in the Pacific Theater during World War II. He was never the same.

Upon hearing this revelation, I was relieved and then profoundly moved and saddened. What was he like before the WWII? How much of my father’s life would I have to piece together from relatives whose ability to recall was faltering, recognizing that he himself was an unreliable narrator when he was alive and I prodded him for stories? How much had I missed for good?

A Gorgeous & Green reclaimed vintage necklace made of chandelier pieces goes well with a contemporary glass bracelet.

A Gorgeous & Green reclaimed vintage necklace made of chandelier pieces goes well with a contemporary glass bracelet and textile earrings by Paz Sintes of Spain.

One of my greatest regrets is not having published a book and delivered it into his open hands. While my mother wanted me to go into nursing or business school in college, my father appreciated my writing. He proudly wrote letters to his relatives about my modest accomplishments. After his funeral, when we were cleaning out his possessions from my parents’ bedroom, we pulled out an old green Samsonite luggage from beneath his bed. Among the papers inside was a yellowed clipping – dated 10 years earlier – of a UC Davis Aggie newspaper article and picture of the chair of the undergraduate English department standing beside me after having given me an award for one of my short stories. It was a painful reminder that I didn’t give him the gift of a published book after all. But more importantly, it affirmed his belief in me.

And in celebrating his birthday yesterday, I keep the faith alive in my borrowed mantra: Keep writing, keep writing, keep writing. And my echo: Yes, yes, yes.

Vintage floral purse mixes well with maize, chocolate brown, and contemporary and vintage jewelry.

Vintage floral purse mixes well with maize, chocolate brown, and contemporary and vintage jewelry.

Beyond the seven-year plan

I never made one of my discoveries through the process of rational thinking.
– Albert Einstein, theoretical physicist

Now that the weather's warm, unabashedly throw lace and flowers together.

Now that the weather’s warm, unabashedly throw lace and flowers together.

The other night I was thinking about what I would blog about for Friday’s entry. I have several irons in the fire, so to speak, but none fully formed to post. I told myself that I can always “go fishing” again if I wasn’t inspired. And then my sister Heidi called yesterday morning, and in our conversation she marveled at the fact that three months ago she would have scoffed if someone had told her she would be spending her retirement from elementary school teaching, at age 53, investing and working on new business ventures. We were talking about what we had planned to do and what things we stumbled into. It got me to thinking about my “seven-year plan,” which I had never told her about but shared with her on our call.

When I was a senior in high school, my two older sisters were already in college. My mother told all of us that she and my father, retired since I was 10 years old, could not afford to send any of us to a four-year university. We had to attend the junior college in the next town over for two years and then transfer to a university. Fair enough. I held a 20-hour-a-week job at a dry-cleaner shop and loaded up on classes every semester. There was not much to do in either my hometown of Terra Bella or the next town over, Porterville, but I was bound to be productive. And I was bound to get over my painful shyness and introversion, and bust out of my small town. I dreamed big and developed this seven-year plan, which commanded that after graduating from Porterville College, I would attend UC Davis, join the Peace Corps for two years, work for a year to earn money since I wouldn’t have any after volunteering, and then go to a creative writing program (see my Welcome to the Dress at 50 page).

Trying out my vintage dance card pencil pin with reclaimed vintage button ring, and vintage Weiss earrings.

Trying out my vintage dance card pencil pin with reclaimed vintage button ring, and vintage Weiss earrings.

I ended up staying in school three years at Davis, working a year at the UCD law library the year after graduating, and going to Alaska and then San Francisco for my two years of volunteering with the Jesuit Volunteer Corp. instead of Africa with the Peace Corps. Minor adjustments. But I would stick to my plan of attending a creative writing program, which I did. I had met my first husband while a JVC volunteer in San Francisco. Our organization, a prisoners’ rights union run by a Jesuit priest, worked with my husband’s criminal justice nonprofit, and I very much admired his passion and commitment to social justice. His family was from Syracuse, and I chose Syracuse’s creative writing program because of a certain well-known writer in residence and the fact that the university paid my way via a teaching assistantship. The location ended up being central to cementing the relationship, as I grew very close to his parents.

Navy and orange go well together. Think Syracuse! A nude Mad Men pump ties it all together.

Navy and orange go well together. Think Syracuse! A nude Mad Men pump ties it all together.

After graduation, I returned to San Francisco. It was the natural thing to do. But it was also the end of my seven-year plan. I did not have goals or concrete plans after that very precise list of things to accomplish. I assumed I would get married, get a job, buy a house, and raise a family. Indeed, on the cross-country drive home, my husband proposed to me. I have asked myself a number of times long ago – and then recently while on the phone with Heidi – why I slipped into the pattern of get married, get a job, buy a house, and raise a family. It was a comforting life plan, and perhaps I didn’t trust myself enough at the time to think I could really succeed as a writer. Sure, I could write stories in an undergraduate fiction class or get into a creative writing program. That wasn’t hard, and at times it didn’t seem like “the real world.” It seemed, at least or me at times, that we were just pretending to be writers in this artificial environment. But could I get published? Could I be bold enough to say, I am a writer, and really mean it? Did I have the perseverance and patience?

You can make lace on lace work by mixing the colors.

You can make lace on lace work by mixing the colors.

The short answer was no. I was too much of an amateur. I didn’t trust myself or have confidence in myself, especially after being told in my last semester by a cantankerous poet and professor that I didn’t know how to write. This manifested itself in my not writing at all. I remembered the nervous laughter my fiction-writing friends and I exchanged when we told one another to keep writing after leaving Syracuse. Of course, we would. More nervous laughter.

Another way to break up lace on lace is with accessories: The Edwardian-era purse and mottled brown (animal print) bring more texture and interest in vintage and contemporary.

Another way to break up lace on lace is with accessories: The Edwardian-era purse and mottled brown (animal print) bring more texture and interest in vintage and contemporary.

There is a certain comfort, after going bold, in burrowing in a secure place. What if I had stopped myself and said, this is not where I should be going. When I told my co-worker – at her wedding reception, no less – that my husband and I had separated, all she could say was, “Oh, Patty!” in a forlorn yet knowing voice that deflated me. Months later, she brought up a time during my wedding planning when we were riding up an escalator at the Union Square Macy’s during our lunch break. I had looked off into space and said to no one in particular, “Is this all there is?” My heart broke when she told me. Soon other co-workers reminded me of the many times I showed up to work in the mornings with red eyes and a swollen face from crying. We were not compatible in marriage and indeed had different ideas of marriage. I was unhappy, stunted in every aspect of my life, and I did not know what to do.

I remember scoffing at my husband at the time of our separation when he concluded that one of the problems was that I had married too young, had only been in two serious relationships, and had never really lived on my own. I was 29 years old at the time; how could that be too young? But he was right. I should not have stopped at seven years with my dreams. I should not have entered a place that I wasn’t ready to be. In fact, I had retreated to this place.

A bejeweled collar ties together a striped pink and cream casual blouse and green faux ostrich handbag.

A bejeweled collar ties together a striped pink and cream casual blouse and green faux ostrich handbag.

To be clear, I am not advocating not getting married or having a family. I am advocating getting married because you and your partner love one another very much and want to spend the rest of your lives together, learning, exploring, sharing dreams big and small, and helping each other achieve those individual and combined dreams. And if one of those dreams is to buy a house and raise a family, that’s fantastic. But at the same time, job, marriage, home ownership, and family should not be taken on because that’s what people do, that’s what our parents did. Or because at the time it was safe and comfortable. All of those things should not blunt who you are or want to be.

The dreams, the goals, of becoming the person we are meant to be should never end. Don’t stop at a certain timeframe. First and foremost, take time to bloom as a person – the other stuff will either happen or not. But don’t force it. Instead, focus your energies on dreaming big. Go bold. Never give up. It’s never too late, no matter your age, so long as you are young in spirit.

A close-up of the bejeweled collar (Anthropologie) and Carmela Rose bird and sphere earrings.

A close-up of the bejeweled collar (Anthropologie) and Carmela Rose bird and sphere earrings.

Spring break: Rejuvenating my muse

There is no place for grief in the house which serves the Muse.
– Sappho, Greek lyric poet

A portrait of Kathy's daughter Fiona, surrounded by her mask (in frame) and vintage collection of vessels.

A portrait of Kathy’s daughter Fiona, surrounded by one of her handmade mask (in frame) and vintage collection of vessels on the desk.

On my last visit with my friend Kathy five years ago, we had talked about writing a renga together – an ancient Japanese form of poetry comprising a series of short verses linked into one long poem and composed in a collaborative fashion. When I returned to the Bay Area, she sent me detailed instructions on how to write a renga, along with a beautiful blank book. The idea was for me to start the first verse, consisting of three lines, and then send the book to her, and after she wrote her lines, she would send it back to me, and we’d start the process all over again.

The book sits on my shelf, blank. Even the band around it has never been removed. The rules of the renga seemed too complicated for me at the time, and then I was overwhelmed by my work and constant, snowballing deadlines and family obligations. When I reminded Kathy about the collaborative project, she didn’t remember. Despite the failed attempt to creatively collaborate and inspire one another, with the blame rightfully on me, this time we parted with another poetic project to dive into, though it was purely an act of spontaneity (more on this in a later blog entry). My stay with Kathy was meant partly to lift my flagging spirits and find my muse again. Little did I know that Kathy would be my muse this past weekend.

Kathy's mural in the living room.

Kathy’s mural in the living room.

New music to listen to
I listen to the same limited playlist of artists – okay, mostly nostalgic bands from the 1970s and 1980s – on Pandora when I hop on my wind trainer-equipped bike in the early mornings. As the rain came down outside in Mount Vernon, we listened to what Kathy categorized as indie folk music. She introduced me to a handful of her and her son Patrick’s favorite artists via YouTube: John Butler Trio, The Decemberists, Mumford & Sons, and Zoe Keating. We were treated to John Butler’s Ocean on YouTube, and later on Skype Patrick, who had spent months learning the song, played it for us. It’s an amazing piece of music and quite the workout for the fingers.

Taking a peek inside Kathy's homemade sketchbook.

Taking a peek inside Kathy’s homemade sketchbook.

New books to read
Kathy is a voracious reader, and through the years she has recommended books to me. She has a penchant for fantasy, and I remember some of her favorites in high school and college were The Hobbit and Richard Adams’ Watership Down. This time around, Kathy recommended poemcrazy by Susan Goldsmith Woodridge and Buffalo Yoga by Charles Wright. I was most interested, however, in Indiespensable, a membership program she belongs to through Powell’s Books. Every six weeks, she receives a newly published book, with a nod to independent publishers. The book is signed by the author, slipcovered, and accompanied by a unique surprise. One book had some connection to honey, and the book was packaged with a jar of honey. Another surprise was a box of chocolates. What a great program and a way for an indie bookstore to differentiate itself from the likes of Barnes & Noble and be just as mighty.

Steampunk-inspired wall art in Kathy's living room.

Steampunk-inspired wall art in Kathy’s living room.

Kathy's latest sketchbook, which she bound by hand.

Kathy’s latest sketchbook, which she bound by hand.

When we were at Village Books (1200 11th Street, Bellingham, 360.671.2626) a few days earlier, I relished leisurely walking through the store – something I haven’t done in years. I picked up the latest novel by Ruth Ozeki, Tale for the Time Being. It was signed and the clerk told me Ozeki had just given a reading at the store the weekend before! One of my recent favorite novels is her All Over Creation, which dealt with genetically modified organisms, among other themes. I made a vow to Kathy that I would dedicate time for reading, which means I have to schedule it, put it on my to-do list so it doesn’t get pushed aside by other pressing tasks.

Detail of the mural Kathy did for 1st Street Cabaret and Speakeasy, Mount Vernon, Washington.

Detail of the mural Kathy did for 1st Street Cabaret and Speakeasy, Mount Vernon, Washington.

The cover of Kathy's hand-bound present to Peter.

The cover of Kathy’s hand-bound present to Peter.

Binding books by loving hands
Lastly, I was inspired by Kathy’s artwork, which is displayed all over her home – paper mache masks, murals, a wall hanging constructed of fiber and other mixed materials, an easel holding the early stages of a portrait of her 22-year-old daughter Fiona. She has painted murals for various community organizations and her most recent one is on display inside the 1st Street Cabaret & Speakeasy (612 S. 1st Street, Mount Vernon, 98273, 360.336.3012). Kathy took a class in book binding, and now binds her own sketchbooks. She recently finished her sixth book, which features a picture of her mother in a frame cast out of clay from another frame. She has covered other sketchbooks with thrift-shop finds – leather from old jackets and knits from sweaters, complete with the label tag on the cover. My favorite is a hollowed-out “book” she made for her husband Peter. Titled Peter’s Midnight Musings, the book features a working light, a notebook nestled in a box, and chains and gears, giving it a steampunk vibe.

The inside of the book Kathy made for her husband Peter.

The inside of the book Kathy made for her husband Peter.

I’m in awe of her talents and creative energy. My restful time in Mount Vernon seems long past, now that I’m in the middle of deadlines, soccer and baseball practices, an orthodontist appointment, tae kwondo lessons, tax season, and trying to squeeze in time for a blog. As Kathy and I hugged goodbye at the airport, my muse took a long drink from the well before diving back into my being. Refreshed, I meet those obligations head-on, muse on my shoulder.

Saying goodbye at the airport, while my muse leaps from Kathy back to me.

Saying goodbye at the airport, while my muse leaps from Kathy back to me.

With sad eyes and flattened ears, Jeely, the family dog, says goodbye.

Meanwhile, back at the house in Mount Vernon, Jeely, the family dog, says goodbye with sad eyes and flattened ears.