A Valentine’s Day ode to The Way We Were

Can it be that it was all so simple then?
Or has time rewritten every line?
If we had the chance to do it all again
Tell me, would we? Could we?
– Alan Bergman and Marilyn Bergman, lyricists, and Marvin Hamlisch, composer

Me at 11, 6th grade, Fall 1973, when the movie came out.

Me at 11, 6th grade, Fall 1973, when the movie came out.

When I saw that our local movie theater, the Cerrito Theater (10070 San Pablo Avenue, El Cerrito, 510.273.9102) was going to show The Way We Were on Valentine’s Day, I knew where I was going to be eating dinner that night. But it took some time to convince David to go. He agreed to go, and it’s one of the most sentimental Valentine’s Day “gifts” he’s given to me. It’s hard to believe that the movie celebrates its 40th anniversary this year. I remember seeing it in the theater when I was 10, and subsequent times after that (although I will say that I forgot a lot of the details of the movie). While the movie is flawed (read the Wikipedia entry on it; it’s fascinating) and those flaws were more evident tonight, it brought me back to the 1970s, to a nostalgic period in my life.I had created this acronym to describe myself when I was growing up – RISS, which stands for romantic, idealistic, sentimental, and sensitive. So you can imagine how this movie played out to a girl with that kind of hard wiring. I had a big crush on Robert Redford back in the day. And while I never considered Barbra Streisand beautiful, I admire her tenacity, passion, comedic impulse, and her sensuality, especially in the way she twisted her lips and worked her long fingers around Hubbell’s neck and shoulders and those blond locks.

The type of outfit Katie would wear at the radio station.

The type of outfit Katie would wear at the radio station.

I confess I had a little Katie Morosky in me in college. There is a scene in which Katie expects her story, which she crafted for three months, to be publicly praised in her creative writing class; instead, Hubbell’s story is read aloud. The next scene shows her dashing through the campus and stopping at a trashcan to tear up her story and throw it away. In one of my early creative writing classes at UC Davis, I modeled one of my stories after James Joyce’s Araby. The problem was that I stupidly mentioned it in class after a classmate asked me about technique. My professor, whom I admired greatly back then and still do to this day, said in his very formal tone of voice that it is fine to write like James Joyce but only if one is James Joyce. Everyone in the class laughed, and I was mortified. After class, I dashed across the quad to my dorm room, where I literally threw myself on my bed and cried. After my weeping, I sat up and told myself, well, you wish to be a writer, and if you want to write you have to put yourself out there. You have to accept the criticism, and learn and grow from it. It has never been easy, but it’s still true.

The perfect outfit to pass out leaflets in.

The perfect outfit to pass out leaflets in.

The second affinity I have with Katie is my sense of social justice and activism, which I confess was much grander and more passionate when I was younger, especially in high school, college, and in my twenties. I was very big on Greenpeace. In the same way Katie was handing out strike leaflets on the college campus,  I was distributing Greenpeace cards that said “Club sandwiches, not seals” and “No veal this meal” in the dorm dining hall. The back bumper of my lemon of a Volkswagen Rabbit was covered up with various stickers about saving whales and other such sentiments.Lastly, the college scenes reminded me of my own crush on a fellow English Department student, whom I scared away with my intensity. I asked him out to lunch and relived the encounter when reading about it in my college journal this past holiday. I had to laugh at the remembrance. He ordered the Steinbeck Salad, which astonished and delighted me because Steinbeck was one of my favorite authors at the time. But the kicker? He told me he wanted to join the Peace Corps. Just like I wanted to do. I remember meeting my roommate after lunch for the scheduled debriefing. I was head-over-heels in love. Steinbeck, the Peace Corps. It was meant to be. Only in my head. And so I completely empathized with Katie’s college crush on Hubbell.

An outfit Katie would wear to a screening of a movie for which Hubbell wrote the screenplay.

An outfit Katie would wear to a screening of a movie for which Hubbell wrote the screenplay.

One thing I appreciated in viewing the movie this time around was Streisand’s fashion sense through the decades. I thought I had more retro outfits, but not one that more closely matches the aesthetics of Katie Morosky. But I’ll give it a go, with an Enrado twist.

The kind of coat Katie would be wearing as she dashes across New York City streets. Tocca coat from Personal Pizazz (Berkeley, CA).

The kind of coat Katie would be wearing as she dashes across New York City streets. Tocca coat from Personal Pizazz (Berkeley, CA).

Watching the movie was a total indulgence for me. A walk down memory lane, making for a memorable Valentine’s Day evening. Next stop? The Mel-O-Dee Bar (240 El Cerrito Plaza, 510.526.2131) on karaoke night to sing Babs’ song!

Vintage brocade jacket reminiscent of the 1950.

Vintage brocade jacket reminiscent of the 1950.

1950s retro: structured jacket, wide-leg pants, and antique handbag.

1950s retro: structured jacket, wide-leg pants, and antique handbag.

Exploring Seattle’s Space Needle and Pike Place Market

In wisdom gathered over time, I have found that every experience is a form of exploration.
– Ansel Adams, American photographer and environmentalist

From Austin, I was supposed to head to Los Angeles and then Seattle on my five-city business trip, but I didn’t end up going to the last two destinations because of rescheduling issues. Still, since David and the kids were slated to join me this past weekend, we decided to stick with our original travel plans, and we flew just for the weekend to visit with good friends of ours, John and Kris. John and David have been friends since nursery school, and John was one of the groomsmen at our wedding. It’s a testament to their enduring friendship, though we haven’t seen them in two years and it’s been several years since we have traveled to the Pacific Northwest to visit them.

I’ve been to Seattle seven times. When I was on assignment in Seattle and Portland to cover an article on venture capitalism (VC) in the Pacific Northwest many years ago, I was able to conduct research on my novel. My father, his cousins, and many of his fellow compatriots traveled by steamship from Manila and entered the United States at the Port of Seattle. If the Filipinos didn’t have relatives already in the States to pick them up, most of them stayed in hotels in the International District, home of the citySeattle’s Chinatown, only to be conned by foremen into signing away their lives to migrant farm work. After my VC interviews, I was lucky enough to be in that area of town and found a couple of the infamous hotels where the men were given room until they were carted off to various parts of the country to pick whatever fruit or vegetable that was currently in harvest.

My view of the Space Needle through a web of tree branches.

My view of the Space Needle through a web of tree branches.

Atop the Space Needle
In all the times I’ve been to Seattle, I’ve never been to the Space Needle (400 Broad Street, 206.905.2111). It’s something you do, though, when you have kids, and after the fact, I’m glad that we went. I knew that it was built for the 1962 World’s Fair and celebrated the young city’s vision for its and the country’s future in space exploration, but that’s pretty much the extent of my knowledge of the iconic symbol of Seattle.

Of course, once there, I learned more. The theme of the World’s Fair was Century 21. This was the time of the Cold War, and the U.S. was in a race with the Soviet Union to determine who would dominate the space program. President Kennedy was supposed to attend the closing ceremony on October 21, 1962, but canceled due to a “cold,” which later turned out to be a cover for his having to handle the Cuban Missile Crisis.

A view of downtown Seattle from the Space Needle.

A view of downtown Seattle from the Space Needle.

After several attempts at finding the right centerpiece that would define the city long after the event was over – in the same way the Eiffel Tower did for Paris after the 1889 World’s Fair – Edward Carlson, president of Western International Hotels and chairman of the fair, found inspiration in the Stuttgart Tower in Germany. Several architects and versions of drawings later, as a result of trying to make the model structurally sound, the Space Needle’s current form came to be. Finding a location and financing – at a cost of $4.5 million – became the next obstacles. Both were obtained, and the Space Needle was constructed in just 13 months – just in time for the opening of the World’s Fair.

Every day nearly 20,000 people took the elevator to the top of the Space Needle, for a total of 2.3 million visitors for the duration of the fair. The Space Needle paid for itself in short order, and continues to be Seattle’s number one attraction. It takes 41 seconds to reach the top via the elevator, and your stomach definitely drops during both the ascent and descent. The 360-degree view of the city is wonderful. While we didn’t go to any of the other venues in the area such as the Pacific Science Center and the Experience Music Project (though we did go to the Chihuly Garden, which I’ll highlight in Wednesday’s blog entry), you could easily spend a day in the area.

Wandering around Pike Place Market at night.

Wandering around Pike Place Market at night.

Wandering through Pike Place Market
After a late lunch, we headed over to Pike Place Market, which has always been a destination every time I’ve come to Seattle. I enjoy walking up and down the stalls, sampling the jellies and other goodies and admiring the various goods crafted by local artisans. We also returned in the morning after Sunday brunch and were entertained by two street musicians, Whitney Monge and Morrison Boomer, whom we really enjoyed. Monge has a soulful voice, and the band had a kick to their music.

Kicking it up a notch with street band Morrison Boomer.

Kicking it up a notch with street band Morrison Boomer.

We picked up a salve that is supposed to clear up eczema, which my daughter has, and skin irritation, which David has, so we’ll see if the product by the Fay Farm – “handcrafted natural body products” – works (913 Tomchuck Lane, Greenbak, WA 98253, 360.222.3036, soapmaker@thefayfarm.com). Claudia Rice Kelly (Claudia Kelly’s Collection, 1916 Pike Place #12-341, Studio 253.941.2665) made some beautiful scarves, bow ties, and velvet jackets made of silk and velvet. Micks Peppourri (P.O. Box 8324, Yakima, WA 98908, 800.204.5679) had an overwhelming number of tasty pepper jellies, namely lime, pomegranate, and the cabernet. David and the kids went crazy over the Woodring Northwest Specialties spicy pickles and pepper and specialty jellies.

Admiring the scarves while being chatted up by the scarf lady.

Admiring the scarves while being chatted up by the scarf lady.

As usual, the weekend was too short, but John and Kris let us know there is plenty more to Seattle we’ve yet to see, including the Boeing Museum. So that just means we have to come back, which is always a good reason to me.

Drawn to an Art Nouveau-style scarf that had different colors on either side.

Drawn to an Art Nouveau-style scarf that had different colors on either side.

One thing I’ve embraced is that wherever I go, especially if I’ve been there before, I want to find something new to see, appreciate, and learn about. Whether it’s a vintage shop or a historical landmark or a novel destination – a hidden gem – suggested by a local or a visitor, find something new. It makes the usual special again and our world ever more expansive.

Seafood does not get any fresher than this at Pike Place Market.

Seafood does not get any fresher than this at Pike Place Market.

In search of Sunday brunch at Pike Place Market.

In search of Sunday brunch at Pike Place Market.

Discovering the Contemporary Jewish Museum

I wanted to convey the joy of being a little boy alive on a certain kind of day.
– Ezra Jack Keating, American author and illustrator

We had planned to celebrate my daughter’s belated 10th birthday “party” this past Saturday with a requested family horseback riding excursion. Due to safety issues over the muddy trails, however, we had to come up with alternative. My daughter, who was inviting a good friend of hers to join us, decided on the Yerba Buena Park and the carousel in San Francisco. David suggested that we include going to the Contemporary Jewish Museum (736 Mission Street, San Francisco, CA 94103, 415.655.7800), since it’s located across the street from the Yerba Buena Center. My daughter was less enthused than my son. She announced in a much-too-early preteen tone of voice that she was “done” with museums – which is surprising coming from someone who loved museums and always brought a sketchbook to draw and take notes. We promptly added the Contemporary Jewish Museum to our itinerary.

The architecture of the Contemporary Jewish Museum is stunning (seen from the western end of the building).

The architecture of the Contemporary Jewish Museum is stunning (seen from the western end of the building).

The Contemporary Jewish Museum is a beautiful piece of architecture. There are only five exhibits in the spacious museum, but it’s the right number of exhibits and square footage to soak in the art and not get overwhelmed.

The Snowy Day
One of the current exhibits is “The Snowy Day and the Art of Ezra Jack Keats” (ongoing through February 24th), which we thought the kids would enjoy. Who doesn’t have a copy of the classic urban story about a young African American boy delighting in the beauty and wonder of snow? I read it as a child and read it to my kids when they were young. “I wanted to convey the joy of being a little boy alive on a certain kind of day,” Keats had written of the genesis of the book, which won the Caldecott Medal in 1963. We were treated to original sketches, storyboards, and final illustrations of his many books, which allowed us to see the individual materials that made up his collages, the printed paper he cut out, the thickness of his paint strokes, and the different techniques he employed, including dipping paper into a mix of paint and other liquids to produce a marbled effect.

Breaking up an all-denim foundation with earthy colors - a textured moto jacket and beloved Frye boots, and embellished with hoop earrings from Lava 9 (Berkeley, CA).

Breaking up an all-denim foundation with earthy colors – a textured moto jacket and beloved Frye boots, and embellished with hoop earrings from Lava 9 (Berkeley, CA).

Of The Snowy Day, and also his other written works, he wrote that he was more concerned with “capturing a mood” than in developing the plot of his stories. Given that he admired haikus, you can see the influence. Especially in The Snowy Day, readers understand Peter’s deepest feelings and his world beyond the snow in the spare but evocative words Keats chose to give us.

Displays of letters provide us with a snapshot of the era. The Snowy Day was published in 1962, during the Civil Rights Movement. Many people thought Keats was African-American, and he noted that African-Americans especially were disappointed that he was not. Keats responded to a racist review of his book, which was displayed along with letters of support. Most poignant is a series of letters between Keats and a Japanese mother whom he had met during a book trip to Japan and whose son cherished an autographed copy of one of his books. She wrote to let him know how much her son loved that book – it was his most prized possession and he showed it proudly to all his friends and acquaintances. Keats’s most recently published book was the last book her son read before he was fatally injured in a traffic accident the following day. Keats’ letter to her was achingly heartfelt. He never wrote the book that was to memorialize her son, but his letters paid tribute and the exhibit includes a black-and-white photograph of him offering his respects at the boy’s grave.

Styling an outfit around a necklace by Israeli jewelry designer Ayala Bar.

Styling an outfit around a necklace by Israeli jewelry designer Ayala Bar.

I had no idea that Keats was such a prolific writer and illustrator, with more than 80 books to his credit, and author of 22 of those books. I found his Good is in the Mountain, which was published in 1966 and comprises excerpts of texts from different religions, spiritually nourishing. I have a new and deep appreciation for Keats’ artistry and life – born as Jacob Ezra Keats to poor Eastern European Jewish immigrants in Brooklyn in 1916. Bay Area locals should see this exhibit and his wonderful paintings and illustrations before it closes on February 24th. One hopes this exhibit travels to other cities. Keats and his work deserve a wider audience.

The Radical Camera and Black Sabbath exhibits
The other exhibits appealed to both David and me and the kids, which is a rarity to find a museum that appeals to all family members across all exhibits. “The Black Sabbath: The Secret Musical History of Black-Jewish Relations is in a big open room – conducive to dancing, in which my daughter and her friend indulged – with an antique piano and four tables equipped with iPads and headphones. You had a choice of listening to three African-American musical genres from the 1930s to the 1960s, which were influenced by Jewish music, life, and culture. In the playlist “Heebie Jeebies,” for example, you can catch the integration of Yiddish and Black jive during the swing era by such artists as Cab Calloway.

Keeping it simple to showcase Ayala Bar's necklace - J. Crew hot pink velveteen blouse, Club Monaco gold pleated mini and sparkly clutch, Elizabeth and James platforms in a neutral color, Carmela Rose earrings, Sundance bracelet, and rings by Lava 9 (Berkeley, CA) and BCBG Max Azria.

Keeping it simple to showcase Ayala Bar’s necklace – J. Crew hot pink velveteen blouse, Club Monaco gold pleated mini and sparkly clutch, Elizabeth and James platforms in a neutral color, Carmela Rose earrings, Sundance bracelet, and rings by Lava 9 (Berkeley, CA) and BCBG Max Azria.

David, who shares an appreciation of black-and-white photography with me, loved “The Radical Camera: New York’s Photo League, 1936-1951.” The exhibit comprises the work of more than 50 Photo League members, who embraced an aesthetic that honored realism and the documentary, and married social activism and art. The photographs capture the harshness of the Depression, World War II, Jim Crow, and the Red Scare periods of our history. This exhibit celebrates historical documentation through the beauty of black-and-white photography.

StoryCorps
Finally, I’m glad we ventured down one short wing of the museum on the first floor. At the end of a well-curated exhibit by contemporary Jewish architect Stanley Saitowitz is the StoryCorps StoryBooth. Amazingly and lucky for us locals, the Contemporary Jewish Museum is the first museum to host one of its recording booths. If you have listened to some of the recordings on National Public Radio (NPR), you are familiar with the largest oral history project in the country, capturing ordinary people’s lives and histories in their own words. A TV monitor played a loop of recordings that were translated into animated shorts. David and I wanted to keep watching, too, after shedding a few tears over some of the stories – particularly the one of the older couple from Brooklyn whose love remained strong throughout their many decades of marriage, even after his untimely death by cancer; the letters he wrote to her every day of their time together was replaced with the thousands of letters she received from NPR listeners when they heard about his passing, which she reads one a day. But we had to pull the kids away in order to see the rest of the museum. I brought home a postcard with information to reserve an interview time. Hopefully, the booth will still be there in the summer when my sister visits from San Antonio and we can record and preserve our parents’ immigrant lives.

We will certainly return to the Contemporary Jewish Museum. For locals, if you’ve never been, I highly recommend it. If you’re planning a visit to San Francisco, this should be on your list of destinations.

Ayala Bar's three-in-one necklace comprising glass beads, Swarovski crystals, mineral stones, fabric, and metal. It has a boho feel to it.

Ayala Bar’s three-in-one necklace comprising glass beads, Swarovski crystals, mineral stones, fabric, and metal. It has a boho feel to it.

Redefining supermom

“Mama exhorted her children at every opportunity to ‘jump at the sun.’ We might not land on the sun, but at least we would get off the ground.”
– Zora Neale Hurston, folklorist and writer, from Dust Tracks on a Road

I was 38 when I became a mom for the first time and then gave birth to my daughter when I was two months shy of my 41st birthday. One thing I’ve learned – in a nod to the wonderment of motherhood, parenthood: You can never stop learning parenting lessons, no matter what your age, if your heart and mind are open to them.

Supermom wears sparkly tights, an ombre velveteen shift, and ruffled booties.

Supermom wears sparkly tights, an ombre velveteen shift, and ruffled booties.

When David and I found out I was pregnant with our son, we made plans for me to continue working until his birth and then allow me to work on my novel, but morning sickness was taking its toll and my job as a business development writer for a health insurance carrier was neither enjoyable nor fulfilling. I quit in my third trimester. I had been writing articles on the side for a good friend from graduate school and was expecting to rely on increasing freelance assignments to replace my regular paychecks, which we needed. By not commuting or having an office job with set hours, we reasoned, I could stay at home and work around my son’s schedule.

It wasn’t easy. The experience of being a first-time mother was amazing, magical, confusing, exhausting and a whirlwind. Speaking for myself only, I could not imagine dropping him off in the mornings and picking him up in the afternoons, and I cherished being with him during the day. At the same time, however, it was stressful to conduct phone interviews, hoping he wouldn’t wake up, as he stirred in the motorized swing on the other side of the bedroom, my makeshift office. Once, I even nursed him during an interview. Surely a combination of sleep deprivation and the determination to multi-task whenever I could resulted in this jaw-dropping lapse of judgment. I remember halfway into the interview when the interviewee, thankfully a woman, asked me if I was nursing. She recognized the sound and marveled that I could do these two things at once. I vowed never to put myself in an embarrassing situation again, though she and I had a good laugh over it and she told me I shouldn’t apologize at all. That’s what women – mothers – had to do to make things work. It didn’t stop me from finding other ways to multi-task.

In the fog of early motherhood, I remember feeling disconnected from the rest of the world. I missed talking with adults face to face. There came a time when I could no longer handle the many assignments and take care of him full-time, and my mother was no longer able to stay for a week each month to watch him while I worked. I reluctantly agreed to David’s suggestion that we find a nearby family daycare so I could be more productive and not be up all hours of the night to make up for the work that I couldn’t get done during the day. I felt guilty and angry with myself – an early admission that I failed as supermom. I couldn’t take care of him full-time and help contribute financially. At first, and at the same time, it was difficult to be alone in the house and to admit that I could be so productive in this new situation.

Supermom gets her energy from crystal - reclaimed vintage chandelier parts strung on brass chains from End of Century (NYC).

Supermom gets her energy from crystal – reclaimed vintage chandelier parts strung on brass chains from End of Century (NYC).

But give supermom an inch and she’ll take a foot. I was going to make up for this shortcoming. Being highly organized, I made sure that everything was done before David came home from his long day at the office. The laundry was folded, ironed and put away. Dinner was on the table and the kitchen cleaned up. The house was always neat and clean (we had two dogs who shed a lot, so I vacuumed every day). I will admit that I even ironed the bed sheets. Groceries and other errands were done during the day. Bills were paid and filed. Weekends were supposed to be cleared so we could have family time. The only problem was that while the house was in shipshape order, I was still working round the clock and I was even more exhausted and sleep deprived.

The opportunity to go back to an office job came when my freelance editorial work for a magazine that covered people, technology and capital turned into a full-time position. I was thrilled to join the adult world, really enjoyed the work itself and overcame my guilt of having a set workday away from home. I negotiated to be able to come in early and leave early, so I could pick up my son at a reasonable hour in the afternoon. I still remember clock watching and the mad dash of pushing the stroller three blocks to the family daycare and then running to the BART station to catch my train into San Francisco. Few of my colleagues were married, and I endured a few snide comments when I left for the day because many of them stayed past dinnertime, when our editor brought takeout to the employee lunchroom. Never mind that after I put my son to bed and the house was in order, I parked myself in front of the computer to write my feature-length articles late into the night.

By the time my daughter arrived in December 2002, my work situation had worsened, mostly due to my boss’s irrational behavior, low morale and the high-tech industry bubble bursting. Overcome with morning sickness, increasing workload, politics and new management due to the bank taking over the company, I quit ahead of my due date. Again, the goal was to get back to my novel, return to freelance work full-time and stay with my daughter while she was an infant. When my son turned two, he transitioned to a preschool and when my daughter was six months old – much younger than I had thought she’d be for her first transition, I put her in my son’s old family daycare to be able to get more work done.

Supermom ready for action in blue faux fur.

Supermom ready for action in blue faux fur.

As the kids got older and into elementary school, the workday got shorter because the school day was shorter than the preschool and family daycare hours. When my son was in second grade, he drew a picture and wrote a few sentences about his family, which was displayed at the school’s Open House. He wrote: “This is my family. My mom works wen [sic] I am at school… My dad workes [sic] the whole day.” I remembered feeling somewhat cheated. I worked all the time, but it seemed I was a victim of my own success. I could set the dinner menu for the week in 20 minutes and go to the dry cleaners and two grocery stores in less than an hour and a half. By dinnertime, the kids had completed and I had corrected their homework and I had given or supervised their baths. I rocked them in bed, and then began my second shift of work. Nothing was out-of-order in the house. Except for me.

Gradually, I let go of things. The wrinkles in the clean bed sheets don’t bother me as much as they used to. I relented and let David do the weekly menus and get the groceries. I ignore the dust bunnies made of our dog Rex’s fur. The kids rake the leaves, pick up the dog poop, empty out the dishwasher, clean the bathrooms, dust, strip their own beds and so on. (Yes, it helps when the kids are older and take up chores!)

But the biggest thing I did was redefine what it means to be a supermom. There’s nothing wrong with being a supermom, but I wanted to personalize the qualifications to suit me. Last year, I asked my daughter if she wanted to be a writer because she has quite an imagination and loves to write and make up stories. She flatly said no. She didn’t want to be a writer because she said I worked too much, I was up late and I was always tired (read: cranky). That was my wake-up call.

Abloom with resin and satin and tulle roses.

Abloom with resin and satin and tulle roses.

While I value being able to work my schedule so I can walk them to school in the mornings, pick them up after school, be at home with them when they get sick (last winter they both came down with pneumonia on separate occasions and were sick for two weeks each), chauffeur them to their various sporting and other extracurricular activities, and most importantly, make home-cooked meals and have dinner together as a family, I don’t want either my son or my daughter to think that this is the norm for moms or that moms who opt for this lifestyle have to give up who they are. To be sure, all moms make different sacrifices for the family life they choose or that are chosen for them. But in making sacrifices, we can’t let go of what gives us, as women and persons, life.

So when I took a week of vacation this past April to work on the revision of my novel, I talked with my son and daughter about sticking with something despite the barriers, finding a passion and nurturing it, and doing something that truly makes you happy. They saw how happy, how buoyant and energetic, I was. This past June, when my son graduated from sixth grade, we had a long discussion about motivation and perseverance. I told him that fear of failing had kept me from buckling down and finishing the novel but that I was guaranteed to fail if I didn’t try. Wide-eyed, he asked me, “So you mean if you hadn’t been afraid, you would have finished the novel already?” I nodded, and then he nodded slowly and walked away in silence. It remains to be seen when he’ll fully appreciate that nugget of wisdom. But I’m hoping that the notion of a fearless mom has new meaning for my kids.

Tunic - not cape - and leggings.

Tunic – not cape – and leggings.

Also helping me to meet my goal of becoming who I want to be is writing this blog. I’m discovering that my blog has created another valuable by-product, in addition to providing exercise for my writer’s muscles and sharing the challenges and beauty of this time of my life with a bigger community. My posts reflect many of the things I want to tell or share with my kids and, thanks to the Internet and technology, my words and photos are accessible and permanent, relatively speaking. It is, I’ll admit, a form of multi-tasking.

My definition of a supermom has evolved to this: One who loves her children unconditionally, supports them and is always there for them in whatever capacity she can, and pursues her hopes and dreams so that they see and know that the pursuit makes her a whole and happy mom and person. Under those conditions can she love and support fully. These traits are not mutually exclusive. They are also not the traits of anyone else’s but mine.

More importantly, no ironing bed sheets required.

Grayling earrings from Jenny K (El Cerrito, CA) and 3D ring from MOMA (NYC). (The ring, however, is not made of Kryptonite.)

Grayling earrings from Jenny K (El Cerrito, CA) and 3D ring from MOMA (NYC). (The ring, however, is not made of Kryptonite.)

 

Fifteen years later: On becoming a writer

Celebrating with glimmering gold.

Celebrating with glimmering gold.

The highest reward for a person’s toil is not what they get for it, but what they become by it.
– John Ruskin, British art critic

In 1997, when I began researching and then writing my first novel, I could not have imagined that in 2012 I would still be working on the umpteenth draft. If I had known how much time would pass, I might have given up. Thomas Edison was credited as saying, “Many of life’s failures are people who did not realize how close they were to success when they gave up.”

The thing is: I did give up.

The first draft was 1,000 pages. It was easier to write when my husband and I didn’t have children and my job was not demanding. My son came, I changed jobs a few times, job demands grew, and sleep deprivation was my companion in the middle of the night when I sat in front of the computer screen, writing articles instead of fiction. I finished another draft when I went into labor with my daughter. In 2006, I was finally done and sent the trimmed-down (at 650 pages) manuscript off to literary agents, only to get rejected by 60 of them. One writer friend exclaimed, “I didn’t even know there were 60 different agents to be rejected by.” The manuscript was too long and there was no market for a novel about Filipino immigrant farmworkers, labor unions and grape strikes, I was told. And I believed them. I also believed that a more talented writer would have made the novel more compelling. I understood that I was not good enough to have made it work against any and all odds.

So I gave up. I put the manuscript away. I stopped reading fiction and book reviews. I didn’t go into bookstores anymore. I did other worthy and necessary things in my life. I had some inkling that I would come back to the writing, maybe to the novel. Every now and then, through the years, my two high school best friends would ask me when I was going to resurrect Fausto, my main character, and his story.

For anyone who has known the passion of creating, who has experienced the ecstasy of getting the emotion or moment right with the precise words in the only order that makes exquisite sense, who has stopped whatever ordinary activity she is doing because she has solved a niggling and bottlenecking problem with a character’s motivations or actions, the desire to create is never abandoned. Somewhere deep inside me, I knew that.

When we are ready on the inside, it may still take time for that desire to radiate outward and make us aware of its awakening. Sometimes it takes an event in our lives that turns the key or opens the window, and the desire is unleashed and demanding to be nurtured and given the tools to create anew. I took a week of vacation in April to start the next major revision of the novel, and my happiness was palpable. I did not want to lose it again. Getting stuck on a word or a sentence was a gift, not something to agonize over or dread as a tedious task. Carving out time to reintroduce myself to my characters was a gift.

Gold accessories on gold brocade - my own vintage early 90s tassel earrings and M.E. Moore reclaimed vintage bracelet and necklace.

Gold accessories on gold brocade – my own vintage early 90s tassel earrings and M.E. Moore reclaimed vintage bracelet and necklace.

In May I submitted the manuscript to a local independent book publisher’s annual contest. I had high hopes, but my novel wasn’t chosen. I was disappointed to be sure, but undaunted. Last month, I heard from my undergraduate professor who, along with his partner, is an independent book publisher. I asked him to consider my manuscript, and while he didn’t accept it, he told me that he and his partner “enjoyed it and admired the sometimes quite lyrical prose” and that they “liked the rendering of the setting, at once exotic and universal.” This time I was ecstatic. He was one of the best creative writing professors I’ve ever had, and he gave me the gift of his time and his advice for the next and hopefully last revision. His response – the outside world’s response, so to speak – validated what I’d been feeling inside: I’m getting there, I’m on the right track.

In September I sent the manuscript to the Poets & Writers’ California Writers Exchange contest. Last week, I received an e-mail announcing the winning poet and fiction writer. I honestly did not expect to win, but there was an itch of disappointment. Yesterday, however, I received a letter, letting me know that I was one of 15 finalists whose manuscripts, out of a total of 609 fiction manuscripts, were sent to the fiction judge for his final selection. I was quietly happy. I felt a warmth growing inside of me.

Fifteen years later, this is what I know: In 2006, the novel was too long and I was not a skilled enough writer to make Fausto’s story resonate. I am a much better writer now and the novel is almost there. All these years of toil have made it thus.

A love of mixing textures again - thrifted embroidered purse, faux fur, Frye leather booties, textured tights, and bold jewelry by M.E. Moore.

A love of mixing textures again – thrifted embroidered purse, faux fur, Frye leather booties, textured tights, and bold jewelry by M.E. Moore.

Welcome to The Dress at 50

A new dress doesn’t get you anywhere;
It’s the life you’re living in the dress,
And the sort of life you had lived before,
And what you will do it in later.
– Diana Vreeland, fashion columnist and editor

When I turned 49 in February 2011, my family and I had recently lost our beloved 12-year-old dog Bailey and I began to think about and fear turning 50. I asked myself what it was about reaching this milestone birthday that made me apprehensive. The answer was simple: I had not accomplished what I had imagined for myself when I was in my idealistic 20s. In my fifth decade, I was sure that I would be on my fifth successful novel and my kids would be high school age. I had mapped out my life when I was a senior in high school – go to college, join the Peace Corps, go to a creative writing program and then the usual get a job, get married and have children.

Life has a way of twisting and turning, especially for people who have their lives mapped out quite early. A marriage, a divorce, another marriage, two children, two dogs and a handful of jobs later, I found myself in 2011 wanting to live fully and creatively. The novel that I had started in 1997 – which went through several major revisions, several hundreds of pages, kind and careful eyes of good friends – languished in 2006 when many literary agents said it was too long and not marketable. Creatively speaking, I sat down by the roadside and never got up. But I did not sleepwalk through life. I threw myself into raising my two children, volunteered at their schools – started an enrichment program and helped to raise funds, among other duties – and honed my editing and writing skills in the healthcare information technology industry.

Something was missing, and though I knew it, I needed to wait until I was ready to get up from the roadside. When 50 crept closer, I felt it was time. In 2011 I began to work on the novel again and thought of a lifestyle blog that celebrated creativity in every facet of my life. There were roadblocks along the way, but I slowly made progress. And then a few months before I turned 50, my 85-year-old mother was stricken with pneumonia and on New Year’s Eve we made the painful decision to take her off the ventilator.

I had always imagined handing my first published novel to my father, who appreciated my writing ability and was proud of my college degrees because his education in the Philippines stopped in the second grade, but he passed away in 1995. I began my novel in 1997 as an homage to his and his cousins’ immigrant lives in America. I had hoped to be able to hand this novel in published form to my mother. Instead, her passing lit a fire in me to finally finish my novel and to get that blog up.

The Dress at 50 seeks to embrace Diana Vreeland’s quote. Live fully and creatively. Make the world a better place. Feel good about yourself. Celebrate creation. It’s everywhere – in the way you choose to dress, make your house your home, spend time with your family and friends. It’s how you live your life.

So, here is my interpretation of living the creative life at 50. Every day I hope to share what inspires me.

Monochromatic dressing incorporating different textures and celebrating the color of winter

Wintery adornments, featuring earrings by Carmela Rose and Sundance rings and necklace

Blending different textures and materials in a neutral palette