LUNAFEST premier kicks off the 2016/2017 season

…[the gender imbalance in directing is] a bit like a country not being filmed – and that country not having a voice. It really does matter.
– Lynne Ramsay, Scottish film director, writer, producer, cinematographer

The 16th annual LUNAFEST: a Film Festival By, For, About Women premiered on September 29th and returned to last year’s venue, the Herbst Theater in San Francisco. The LUNAFEST East Bay Committee members attended in near full strength, including our newest member. This year, 180 cities – up from over 175 last year – will host the national traveling film festival and raise money for the Breast Cancer Fund and their local community nonprofit organizations.

View from across the Herbst Theater - San Francisco's City Hall.

View from across the Herbst Theater – San Francisco’s City Hall.

Whereas last year the films were longer and therefore only six films were shown, this year nine shorter films premiered, with the shortest clocking in at four minutes and six of them being under 10 minutes long. Another interesting fact is that while three of the filmmakers are international – Belgium, Jordan, and Scotland –  the rest are based in Los Angeles, with the exception of one in San Francisco.

The always-inspiring Jeanne Rizzo, RN, president and CEO of the Breast Cancer Fund.

The always-inspiring Jeanne Rizzo, RN, president and CEO of the Breast Cancer Fund.

Kit Crawford, strategic advisor to LUNAFEST, opened the evening with a welcome. Crawford, along with her husband Gary Erickson, is owner and co-chief visionary officer of Clif Bar & Company. Fan favorite Jeanne Rizzo, RN, president and CEO of the Breast Cancer Fund, gave a brief but powerful talk, especially timely for this upcoming election. “We have the right to know and the ability to act,” she entreated. “Level the playing field, model to be transparent.” Rizzo encouraged the full house to “take some action tomorrow about voting.” Furthermore, she said, “Be conscious about this particular time. Have a deep sense of inquiry. Be conscious and vote.” Amen.

To whet your appetite and have something to look forward to, here’s a brief summary of all nine films.

Free to Laugh film poster.

Free to Laugh film poster.

Free to Laugh (8 minutes) by director Lara Everly of Los Angeles is “a documentary that explores the power of comedy after prison.” The film has been screened at the Beverly Hills Film Festival, Brooklyn Film Festival, and the Santa Barbara International Film Festival.

Director Diane Weipert by her film poster.

Director Diane Weipert by her film poster.

Niñera (13 minutes) by director Diane Weipert of San Francisco is “a story that looks at the bitter irony many nannies face: raising the children of strangers for a living while their own children are virtually left to raise themselves.” LUNAFEST is Niñera‘s first film festival.

Dr. Patricia Beckman-Wells by her film poster.

Dr. Patricia Beckman-Wells by her film poster.

“Through love, loss, and determination, the definition of family is rewritten” in the film Family Tale (8 minutes) by Dr. Patricia Beckmann-Wells. Family Tale has been screened at Animafest Zagreb, Green Bay Film Festival, Inspired Faith Film Festival, Los Angeles International Children’s Film Festival, and Tricky Women Film Festival.

Director Theresa Moerman Ib by her film poster.

Director Theresa Moerman Ib by her film poster.

“Ten years after breaking all ties with her father, a daughter sets out to find his grave – and redemption” in The Third Dad (10 minutes) by director Theresa Moerman Ib of Glasgow, Scotland. The film has been screened at Belo Horizonte Short International Film Festival, DocuWest Documentary Film Festival, Edinburgh International Film Festival, London Short Film Festival, and Shortcutz Amsterdam.

Partners film poster.

Partners film poster.

“Professional and life partners must confront how intertwined their lives have become” in the film Partners (6 minutes) by director Joey Ally of Los Angeles. Partners has been screened at the Aspen Shortsfest, Frameline Film Festival, Los Angeles Film Festival, Outfest, and Sundance Film Festival.

Director Frederike Migom's film poster.

Director Frederike Migom’s film poster.

“After a fight with her boyfriend in the street, a woman escapes into a hair salon in Brussels” in the film Nkosi Coiffure (15 minutes) by director Frederike Migom of Brussels, Belgium. Nkosi Coiffure has been screened at the Brussels Short Film Festival, Filmfest DC, Flickerfest, Tribeca Film Festival, and Raindance.

Join the Club film poster.

Join the Club film poster.

In Join the Club (5 minutes) by director Eva Vives of Los Angeles, “a writer’s dilemma of whether or not to join a networking club unfolds during one therapy session.” The film has been screened at the Atlanta Film Festival, Dallas International Film Festival, Maryland Film Festival, Palm Springs International Shortest, and the Sundance Film Festival.

Another Kind of Girl film poster.

Another Kind of Girl film poster.

“A 17-year-old girl meditates on how her refugee camp has opened up new horizons and given her a sense of courage that she lacked in Syria” in Another Kind of Girl (9 minutes) by director Khaldiya Jibawa of Jordan. Jibawa was the only director who couldn’t make the premier because she wasn’t allowed to leave the camp.

Director Veena Rao by her film poster.

Director Veena Rao by her film poster.

And finally, “members of a synchronized swim team for seniors describe the freedom of the water” in the film The Honeys and the Bears by director Veena Rao of Brooklyn. The film has been screened at DocuWest Documentary Film Festival, DOXA Documentary Film Festival, Indy Film Festival, Long Beach International Film Festival, and the Lower East Side Film Festival.

The LUNAFEST East Bay screening is Saturday, March 18th, 7:30pm, at the El Cerrito High School Performing Arts Theater, 540 Ashbury Avenue, El Cerrito. Mark your calendars. I’ll be posting profiles of the filmmakers in future blog posts and providing more details about our great event. Stay tuned!

LUNAFEST East Bay committee member Carol and me with Veena Rao.

LUNAFEST East Bay committee member Carol and me with Veena Rao.

The fading garden

We know that in September, we will wander through the warm winds of summer’s wreckage. We will welcome summer’s ghost.
 – Henry Rollins, American musician, actor, comedian, and television and radio host

We head into autumn with school having begun and thoughts of cutting back the straw-like stalks of dahlias. But wait! The dahlias dried up back in July, and I begged and coaxed the remaining ones that were fighting the perennial powdery mildew to please allow their buds to bloom and not turn black and wither on the stem.

Ginger plant, hydrangea, alstroemeria, dianthus, and dahlia bouquet.

A mid-June bouquet of ginger plant, hydrangea, alstroemeria, dianthus, and dahlias.

New dahlia on the left reminds me of sherbet. Unfortunately, only two blooms came from this dahlia plant.

New dahlia on the left reminds me of sherbet. Unfortunately, only two blooms came from this dahlia plant. And the white dahlia petered out early, too.

One of my favorite dahlias - dark red cherry in color - only gave a few blooms before drying out.

One of my favorite dahlias – dark red cherry in color – only gave a few blooms before drying out.

Each week, as I cut the meager flowers, I didn’t think that I would make it to my tenth week of delivering the middle school auction bouquets. But I did, and I believe my last bouquet of the season turned out to be the last bouquet of the auction.

A 4th of July bouquet with a rare gladiola. Our gladiola patch produced maybe five blooms at the most this season, which is unheard of all the years we've been in our home.

A 4th of July bouquet with a rare gladiola. Our gladiola patch produced maybe five blooms at the most this season, which is unheard of all the years we’ve been in our home.

The light yellow dahlia, which is the first ones to come up, hung tough this season. And another dark magenta bloom!

The light yellow dahlia, which is the first ones to come up, hung tough this season. And another dark magenta bloom!

Another sherbet dahlia. That's two this season!

Another sherbet dahlia. That’s two this season!

And each week, I saw the blooms shrink in size. As I was compiling the last six bouquets of the season, I saw photographs of previous seasons. Many of those dahlias never came up. Many of the ones that did come up never bloomed, or gave a few blooms and then went barren. Even the new dahlias that I planted withered within weeks.

Alstroemeria is still going strong for this mid-July bouquet.

Alstroemeria is still going strong for this mid-July bouquet.

First blooms from my dark red and white dahlia on the left and a small dark magenta bloom at the top.

First blooms from my dark red and white dahlia on the left and a small dark magenta bloom at the top.

Deep purple dahlia from Costco came up strong, but only gave a few blooms this season. At least this was dinner-plate size.

Deep purple dahlia from Costco came up strong, but only gave a few blooms this season. At least this was dinner-plate size. Flanked by scabiosa anthemifolia and alstroemeria.

The third sherbet bloom of the season peeking out in this bouquet.

The third sherbet bloom of the season peeking out in this bouquet.

We battled a gopher in our backyard. Could the varmint be eating the roots of my beloved dahlias? Or could the squirrels who are chewing off branches from our ginkgo and magnolia trees – something we’ve never seen happen before – be messing with my flowers?

Thank goodness for the large hydrangea blooms, which filled the vase when the dahlias began petering out for this third-week July bouquet. But even the hydrangeas started turning brown.

Thank goodness for the large hydrangea blooms, which filled the vase when the dahlias began petering out for this third-week July bouquet. But even the hydrangeas started turning brown.

Or could the dahlia tubers have drowned in the clay soil during our El Nino winter, which was quite wet in November through January? I won’t know until I dig them up and see if they are shriveled up.

End of July bouquet: the height of the vase gets shorter. This bouquet is helped with a new hydrangea plant in a beautiful blue hue and my neighbor's purple succulent blooms.

End of July bouquet: the height of the vase gets shorter. This bouquet is helped with a new hydrangea plant in a beautiful blue hue, centaurea cyanus, and my neighbor’s purple succulent blooms.

Two different hydrangea blooms.

Two different hydrangea blooms.

This bouquet is helped with our smaller dahlias, which are planted in pots that flank our courtyard. They remained healthy and produced nice blooms until powdery mildew crept in by late July.

This bouquet is helped with our smaller dahlias, which are planted in pots that flank our courtyard. They remained healthy and produced nice blooms until powdery mildew crept in by late July. The centaurea cynamus at the top left are growing nicely with the peach tree providing nice shade.

Another close-up with the perfect orange dahlia bloom.

Another close-up with the perfect orange dahlia bloom.

Wide swathes of dirt made the side yard look like a desert. Perhaps some blight swept through the side yard. I’ll have to take a sample to a local nursery and find out what I’m doing wrong. I mourn my garden of years past.

A volunteer gladiola sprouted in our front yard. I took it before the deer could!

A volunteer gladiola sprouted in our front yard. I took it before the deer could!

The first bouquet of August.

The first bouquet of August with an abundance of scabiosa anthemifolia and centaurea cyanus complementing the peach-colored gladiola.

Close-up of this early August bouquet.

Close-up of this early August bouquet.

A rare pink dahlia with a rare dianthus.

A rare pink dahlia with a rare dianthus and nice-sized scabiosa anthemifolia.

Next season I vow to bring the garden back. But in the meantime, I’ll enjoy the bouquets that I managed to create.

The final bouquet of the season is helped tremendously by our friend's fragrant rose!

The final bouquet of the season is helped tremendously by our friend’s fragrant rose!

The modest backside of this bouquet. Note the much-smaller blooms.

The modest backside of this bouquet. Note the much-smaller blooms.

Close-up at an angle.

Close-up at an angle.

Final bouquet of the season. Last close-up.

Final bouquet of the season. Last close-up.

Love, Portland and Stonington, Maine

In the life of each of us there is a place remote and islanded, and given to endless regret or secret happiness.
– Sarah Orne Jewett, an American novelist and short story writer, best known for her local color works set in or near South Berwick, Maine, from The Country of the Pointed Firs and Other Stories

Outside of Scales Restaurant, 68 Commercial Street, Portland.

Outside of Scales Restaurant, 68 Commercial Street, Portland.

Happily and luckily, I’ve been coming to Maine for a week in the summer for the last 10 years. The company that I work for – HIMSS Media – was originally MedTech Publishing, which was co-founded by my good friend, Jack Beaudoin in 2003. He and his business partner, Neil Rouda, lived and still live in Maine, which is why the Summer Summits were based there. Every first week of August, the remote workers – I was a freelance writer until I became an FTE in 2010 – would descend upon the company headquarters in New Gloucester and have editorial and sales and marketing meetings. While the out-of-towners stayed at the beautiful Merrill Farmhouse on Pineland Farms, I stayed with Jack’s family. We had wonderful employee-bonding activities such as geocaching (the non-technology kind) and cheese and wine tasting on the Pineland grounds and having a lobster bake on Peak’s Island, a ferry ride away from Portland.

After a cross-country red-eye flight, nothing better than to have Sunday brunch with old coworker Eric Wickland at Sonny's Restaurant, 83 Exchange Street, Portland. Eggs, potatoes, and grilled cornbread.

After a cross-country red-eye flight, nothing better than to have Sunday brunch with old coworker Eric Wickland at Sonny’s Restaurant (83 Exchange Street, Portland). Eggs, potatoes, and grilled cornbread.

The whole company took the ferry to Peak's Island to enjoy the sunset, play deck games, and drink and eat.

The whole company took the ferry to Peak’s Island to enjoy the sunset, play deck games, and drink and eat.

In time, the company was renamed MedTech Media and then sold to minority owner HIMSS and later became HIMSS Media. Jack moved on, and the Summer Summits ceased in 2013. Thankfully, I still return to Maine, but as part of the Summer Sales Meetings, which are now held in July. Every time I return, I am reminded of my initial wonderment when my plane first descended into Portland and I saw these quaint cottages and summer mansions perched on the banks of the many islands off of Casco Bay. And how I fell in love with the land and the lifestyle. It gets me every time.

My sixth-floor room with a view at the Hyatt Place, overlooking Casco Bay.

My sixth-floor room with a view at the Hyatt Place, overlooking Casco Bay.

Sunday evening dinner with the sales team: What's for dinner at Scales Restaurant? Lobster, of course.

Sunday evening dinner with the sales team: What’s for dinner at Scales Restaurant? Lobster, of course.

I’m told that Portland boasts more restaurants per capita than any other city in the United States. I will take it. There are wonderful restaurants around every corner. And there are great little shops all clustered together, which makes for a great Sunday afternoon of wandering around and checking out local and state artisan goods. Love, Portland.

Looks like I found someone at HIMSS Media, my coworker Claretha, who also loves statement earrings, at Tica's on Commercial Street.

Looks like I found someone at HIMSS Media, my coworker Claretha, who also loves statement earrings, at Tica’s on Commercial Street.

Penthouse deck views from The Press Hotel at 119 Exchange Street. Formerly headquarters of The Press Herald newspaper, it's now a boutique hotel with a very distinct journalism aesthetic. No, the seagull did not photo bomb me; he just wouldn't get out of the way.

Penthouse deck views from The Press Hotel (119 Exchange Street). Formerly headquarters of The Press Herald newspaper, it’s now a boutique hotel with a very distinct journalist aesthetic. No, the seagull did not photo bomb me; he just wouldn’t get out of the way.

Last meal in Portland at Solo Italiano, 100 Commercial Street - very good pasta.

Last meal in Portland at Solo Italiano (100 Commercial Street) – very good pasta.

After a very packed Summer Sales Meeting week, I met up with Jack and family dog, Holly, and we set out for a three-hour drive northeast to their second home in Stonington, a quaint and beautiful town on a bridged island in Penobscot Bay. The road to Stonington, once we got off the highway, is not really winding as it is up and down, which didn’t sit well with my stomach. Let’s just say that Jack drove much more slowly and cautiously than he’d normally drive, and taking Dramamine on the return trip to Portland eliminated my motion sickness.

Jack and Fay's lovely home in Stonington, complete with a white-picket fence.

Jack and Fay’s lovely home in Stonington, complete with a white-picket fence.

The attic, which has been converted to Jack's writing room, which was a perfect place for me to "work" on a Friday.

The attic, which has been converted to Jack’s writing room and was a perfect place for me to “work” on a Friday.

Jack tells the story of how he and Fay would rent a house in Stonington for vacation early in their marriage. They fell in love with the town and a few years ago bought the home of the former town librarian, who is still alive at the young age of 104 years. They have been slowly and lovingly remodeling the house, which is a stone’s throw from the popular Friday farmer’s market, the downtown area, and the coast. Fay did a beautiful job with the landscaping – everything looks lush and healthy. She has a great eye and is an avid gardener.

Five minutes away to the Friday Farmer's Market, where local crafts and artisan goods, wildflower bouquets, and artisan foods are on display.

Five minutes away to the Friday Farmer’s Market, where local crafts and artisan goods, wildflower bouquets, and artisan foods are on display.

One of the things I really enjoyed about Stonington is that it is a destination for true rest and relaxation. Like my hometown and our visits with my cousin Janet and her husband, Tim, when I am there, I forget about yesterday and tomorrow. I am in the moment, and I take deep breaths and immerse myself in enjoy mode. So it was with Stonington. What I very much appreciated was staying up late Friday evening and Saturday afternoon talking about novels and writing with Jack. Talking shop, as he called it. I don’t have a writing group back home. Most people I trust are the ones with whom I spent two years in Syracuse, who know me and my writing, and who have my best interest at heart. But they are all dispersed. When I was at Syracuse, I was, really, just learning how to write, so I looked up to my more worldly, wiser classmates. But there were only a few writers whose class discussions about craft I listened to with rapt attention and took plenty of notes. Jack was one of them. I valued his commentary on my short stories because he cared and wanted you to do right by your stories and characters. And that’s because Jack is a wonderful writer whose prose is beautiful and precise and whose human insights are startling and real. He believes in the beauty, power, and integrity of story, of fiction. One who has such a writer for a mentor and a friend is twice blessed.

At any rate, here, to have that time talking about, say, structural issues with our current work and discussing how our favorite authors have handled plot or character was magical and so very instructional. I appreciated the immediacy of talking one on one versus communicating via email. So thank you for that, Jack. It made me want to read more and get back to my novel-in-progress.

The inviting view from the kitchen door.

The inviting view from the kitchen door.

I love wraparound porches for their welcoming you to sit and enjoy the view and talk about writing and novels.

I love wraparound porches for their natural ability to welcome you to sit and enjoy the garden and view beyond, and talk about writing and novels.

Just a little bit about the town of Stonington. The lobster and fishing industry support the economy of Stonington and the nearby town of Deer Isle. Many of the fishermen revert to being carpenters or contractors in the off-season. I’m told that these two towns lead Maine in pound and dollar value of lobster landings. The two towns’ waters support some 300 lobster boats during the season. The island is also known for its granite quarries, which go back to the late 1800s and are still being mined today. The granite from John F. Kennedy’s memorial at Arlington National Cemetery was supplied by Stonington’s quarry.

Along the bay is a statue honoring the men who work in the granite quarries.

Along the bay is a statue honoring the men who work in the granite quarries.

In many a front yard of a home in Stonington, you will find stacks of lobster traps and buoys, which mark the lobster fisherman's territory in the bay. Colorful that.

In many of the front yards of homes in Stonington, you will find stacks of lobster traps and colorful buoys, which mark the lobster fisherman’s territory in the bay.

More lobster? Yes, please!

More lobster for dinner on a Friday evening? Yes, please!

One never gets tired of lobster while in Maine.

One never gets tired of lobster while in Maine.

One of the things I loved about our walk to the downtown was the historic homes that bore the names of their original owners. Some were weathered, giving way to their age. Others were happily restored to a gleaming white, which blazed in the July sun, and stood out against the blue sky, blue bay, and green hills. There were B&Bs, a wine shop, art houses and galleries, little shops, and the historic Stonington Opera House. But there were no touristy shops – the shop that did sell t-shirts and the like was low-key and, I dare say, dignified.

On the walk from Jack and Fay's house to the waterfront, there is a wonderful art installation of a weathered window and two Adirondack chairs positioned in front of the window. Brilliant.

On the walk from Jack and Fay’s house to the waterfront, there is a wonderful art installation of a free-standing weathered window and two Adirondack chairs positioned in front of the window. Brilliant.

The other side of the window and two chairs, with a beautiful spacious white house in the background.

The other side of the window and two chairs, with a beautiful spacious white house in the background.

A view of the bay, which, when coming around the bend, takes your breath away.

A view of the bay, which, when coming around the bend, takes your breath away.

I think this is a B&B set back from the road. Beautiful, isn't it? Imagine the bay views from the bedrooms and front porch!

I think this is a B&B set back from the road. Beautiful, isn’t it? Imagine the bay views from the front bedrooms and porch!

Colorful flowers everywhere.

Colorful flowers everywhere.

A home with an art studio.

A home with an art studio.

A “Mini Village” is nestled beneath a pine tree downtown. The sign on the tree tells of its origins: “Stonington’s Mini Village set up in this little park area was the creation of Everett Knowlton (b. April 7, 1901, d. March 17, 1978) who began building the houses in 1947 as a hobby. He continued to build them at a rate of one a year and slowly grew his ‘perfect peaceful village’ portrayed in these old pictures and portrayed in its original entirety at the Knowlton homestead. After Everett’s death, the new owner of his home donated to the town the Mini Village where each year residents take home the little houses for the winter and bring them back in spring for people to enjoy.”

Part of the "Mini Village."

Part of the “Mini Village.”

On Saturday, we timed the low tide so we could walk to one of the islands. It was a beautiful day, if a tad bit warm. We traversed a woody and ferny path of tangled roots and spongy soil, breathing in every now and then the smell of aromatic pine, before reaching the sand bar that led us to the island. The cloud formations were spectacular, especially against the blue skies and waters. This was quintessential Maine. The water was cold, the island rocky, the pines plentiful. Breathtaking. I’ll let the photos speak for themselves.

A woody walk to the island.

A woody walk to the island.

Rock, water, pine, sky and clouds.

Rock, water, pine, sky and clouds.

Walking across the sand bar to the island.

Walking across the sand bar to the island.

Those clouds! They are mesmerizing.

Those clouds! They are mesmerizing.

Heaven.

Heaven.

Can't get enough of these views.

Can’t get enough of these views.

On the way back, a peek at the shoreline.

On the way back, a peek at the shoreline.

On my last night, Jack, Fay, and their daughter Genny treated me to dinner at Aragosta (27 Main Street, Stonginton), the farm-to-table restaurant overlooking Stonington Harbor whose chef, Devin Finigan, is Vermont born and raised. Aragosta is cozy inside – wide-plank wooden floors, sofa seating along the walls, white-washed wooden walls – with a stunning view and a walk-down expansive outdoor deck. Stonington lobster ravioli was calling my name. As I took in the views, savored every bite, and enjoyed relaxing dinner conversation, I kept thinking how David would have loved this restaurant, to say nothing of the views. Aragosta, by the way, is the Italian word for lobster. Of course.

Twilight on the bay, on the walk to Aragosta.

Twilight on the bay, on the walk to Aragosta.

Oysters and salad.

Oysters and salad.

My very delicious lobster ravioli.

My very delicious lobster ravioli.

Fay and me after dinner - happy and sated.

Fay and me after dinner – happy and sated.

Jack and his talented daughter Genny, actress, playwright, singer, musician, songwriter. We know where she got her artistic talent! Dad is a wonderful writer whose prose is beautiful and precise and human insights are startling and real.

Jack and his talented daughter Genny, actress, playwright, singer, musician, songwriter. We know where she got her artistic talent! Is that Jack’s author pose? Methinks it is!

Okay, twist my arm. I'll order dessert - a strawberry tart with strawberry ice cream.

Okay, twist my arm. I’ll order dessert – a strawberry tart with strawberry ice cream.

I will admit that photos are a poor substitute for being there. Photos can’t let you hear the lively rain at night or the early morning shower that gently wakes you up. They can’t let you breathe in the lavender in the garden and the pine all over the island. What they can do is make you say: This is where I want to go next. And come back to again and again. Thank you, Jack and Fay, for the beauty, the shop talk, the meals, the rest and relaxation I craved and received with open arms.

Last night on the waterfront in Stonington.

Last night on the waterfront in Stonington.

Ghostly ships on a gray foggy Sunday morning.

Ghostly ships moored in the bay on a gray foggy Sunday morning.

A little fog and rain, grassy hills, and a view of the bay.

A slightly different view: a little fog and rain, grassy hills, and the bay dotted with ships.

Crossing the bridge on our way out of Stonington.

Crossing the bridge on our way out of Stonington.

Early morning Sunday: a quiet pond after the rain. Goodbye, Stonington.

Early morning Sunday: a quiet pond after the rain. Goodbye, Stonington.

New York, New York: Whitney Museum, the High Line, and Empire State Building

There is no place like it, no place with an atom of its glory, pride, and exultancy. It lays its hand upon a man’s bowels; he grows drunk with ecstasy; he grows young and full of glory, he feels that he can never die.
 – Walt Whitman, American poet, essayist, journalist, and humanist

We celebrated Father’s Day on our fifth day in New York. It was another great outing – except that David didn’t get the Father’s Day gift I was hoping to give him, but more on that later. In the morning, we headed to the Whitney Museum of American Art (99 Gansevoort Street, 212.570.3600), in the Lower Village and Meatpacking district sections of lower Manhattan. As we walked through Chelsea Market, we passed Budakkan (75 9th Avenue, 212.989.6699), a cavernous Asian fusion restaurant where David and I had a memorable dinner back in September 2008. It was one of the best meals I ever had. We went to the Budakkan in Philadelphia a few summers back, but it was not as good as the one in New York.

View from the Whitney Museum terrace (photo by David).

View from the Whitney Museum terrace, with the World Trade Center Tower in the background (photo by David).

View from the left of the Whitney Museum terrace. You can see the southern entrance of the High Line Park (photo by David).

View from the left of the Whitney Museum terrace. You can see the southern entrance of the High Line Park (photo by David).

You can see the Empire State Building to the right (photo by David).

You can see the Empire State Building to the right (photo by David).

The Hudson River is behind the museum (photo by David).

The Hudson River is behind the museum (photo by David).

The Whitney Museum: for modern art aficionados
The Whitney Museum, which was founded in 1931 by socialite, sculptor, and art collector Gertrude Vanderbilt Whitney, moved into its fourth home in May 2015, along the Hudson River. The new main building of glass and steel, designed by Renzo Piano, comprises nine stories and spans a total of 200,000 square feet for indoor galleries, outdoor exhibition spaces, theater, research areas, dining, and other spaces. It is an impressive piece of architecture, embracing industrial, sculptural, and contemporary aesthetics. The top floor boasts an outdoor terrace with amazing views of Lower Manhattan buildings before us and the South entrance of the High Line Park below us. The next two levels below feature outdoor galleries, and all three floors are connected by exterior stairways.

Outdoor sculpture.

Outdoor sculpture.

David's architectural shot.

David’s architectural shot, looking down at one of the terraces.

My interpretation of the terrace below.

My interpretation of the terrace below.

The museum’s collection focuses on 20th and 21st century American art, with more than 3,000 artists – mostly living, which is an emphasis – represented. More than 22,000 paintings, sculptures, photographs, drawings, prints, videos, films, and other artifacts compose the museum’s permanent collection. Back in 1907, recognizing that American artists with new and innovative concepts were finding it difficult to show and sell their artwork, Whitney became their advocate by purchasing their art and building a formidable collection. In 1914, she opened up the Whitney Studio in Greenwich Village to showcase these artists. When the Metropolitan Museum of Art declined Whitney’s offer to contribute more than 500 pieces of art from her personal collection and the newly opened Museum of Modern Art’s collection focused on European modernism, she decided to exhibit her art by founding a museum in 1930. The first museum, which was located in Greenwich Village, opened in 1931. The museum moved in 1954 to a building connected to the Museum of Modern Art on 53rd Street, but moved again to Madison Avenue on the Upper East Side in 1966 when it needed more space for its growing collection. Growth was again the reason for its move to its current location, which is such a lovely, open-feeling space.

Self-portrait by Edward Hopper (photo by David).

Self-portrait (oil on canvas), 1925-1930, by Edward Hopper (photo by David).

Summer Days (oil on canvas), 1936, by Georgia O'Keefe.

Summer Days (oil on canvas), 1936, by Georgia O’Keefe.

Metropolitan Life Insurance Building (gelatin silver print), 1955, from the series The Americans, by Robert Frank.

Metropolitan Life Insurance Building (gelatin silver print), 1955, from the series The Americans, by Robert Frank.

Nine Jackies (acrylic, oil, and screenprint on linen), 1964, by Andy Warhol.

Nine Jackies (acrylic, oil, and screenprint on linen), 1964, by Andy Warhol.

Cool wire art that is reflected against the wall (photo by David).

Cool wire art that is reflected against the wall (photo by David).

This enormous statue is made of wax that continuously burning (photo by David).

This enormous statue is made of wax that is continuously burning (photo by David).

While I’ll admit that some of the artwork didn’t resonate with me – I’m thinking of the videos of this one Chinese-American artist who put together vignettes of her mother’s life in an enclosure surrounded by objects from her childhood and home – I did appreciate the opportunity to be exposed to these types of avant-garde works. When the kids and I descended one flight of exterior stairs to the lower level and were confronted by a flat-screen television exhibiting (literally) one artist’s penis-filled video, they turned around and smirked at me. Isabella wanted to know how this was art. I just shrugged. It’s in the Whitney Museum, so it must be art!

Jacob, David, and Isabella with New York skyline.

Jacob, David, and Isabella with New York skyline.

Next stop: The High Line Park, below the Whitney Museum.

Next stop: The High Line Park, below the Whitney Museum.

High Line Park: revitalization at its best
As I mentioned earlier, the southern entrance to the High Line Park is right next to the Whitney Museum, so once we were finished with the museum, we ascended the steps to the linear park, which was a great revitalization project that began in 1999. In its heyday, the early 1930s, the train line was part of the West Side Improvement Project, running from 34th Street to Spring Street’s St. John’s Park Terminal. “Designed to go through the center of blocks, rather than over the avenue,” trains on this line carried goods to and from Manhattan’s largest industrial district, according to the park’s site. The interstate trucking industry all but displaced the trains by the 1980s. When a group of property owners banded together to get the train line demolished, Peter Obletz, a Chelsea resident, activist, and railroad enthusiast, went to court to preserve the line.

Along the walk you can see the old rails with vegetation happily filling in (photo by David).

Along the walk you can see the old rails with vegetation happily filling in (photo by David).

Interesting buildings all around. Here are three different styles side by side, with a block in black seemingly inserted into the brown building (photo by David).

Interesting buildings all around. Here are three different styles side by side, with a block in black seemingly interlocked into the brown building (photo by David).

And artwork rising up from the grasses.

And artwork rising up from the grasses.

More cool buildings (photo by David).

More cool buildings (photo by David).

In 1999, Joshua David and Robert Hammond, who lived in the High-Line neighborhood, founded Friends of the High Line, a nonprofit dedicated to preserving the High Line and converting it into a public open space. Design competitions took place, the transportation agency that owned the line donated it to the City in 2005, and groundbreaking began in 2006. The entire process took 15 years, with section 1 from Gansevoort Street to West 20th Street completed in 2009, section 2 from West 20th Street to West 30th Street completed in 2011, and the final section, which is the northernmost section of the park, to the Rail Yards, completed in September 2014.

All different styles of buildings along the High Line - some modern, some older (photo by David).

All different styles of buildings along the High Line – some modern, some older (photo by David).

Art on buildings in between buildings (photo by David).

Art on buildings in between buildings (photo by David).

Echinacea flowers abloom along the way.

Echinacea flowers abloom along the way.

Two twin block-long buildings of an older vintage (photo by David).

Two twin block-long buildings of an older vintage (photo by David).

Various activities are scheduled throughout the High Line, from dance parties to performances to star-gazing and arts events to horticulture tours. A covered section of the High Line features vendors peddling organic popsicle, gelato, and other tasty treats, as well as photographs, artisan goods, and High-Line swag. We walked almost to the end, getting off to make a direct beeline for our next destination of the Empire State Building. The temperatures were climbing and at some points we were walking in a line like bumper-to-bumper traffic, but we had our moments of just enjoying a walk through this elevated park and enjoying the fruits of preservationists’ labor.

While Jacob and I shopped, David played with his camera (photo by David).

While Jacob and I shopped, David played with his camera (photo by David).

More experimentation with the camera (photo by David).

More experimentation with the camera (photo by David).

Steel walkway with Jacob in the foreground and me in the background (photo by David).

Steel walkway with Jacob in the foreground and me in the background (photo by David).

Greenery everywhere.

Greenery everywhere.

I noticed when we were heading from our apartment to our friend Mason’s condo in the Queens along the Hudson River an abandoned elevated stretch of train tracks that ended abruptly. As this part of town, the Hudson, is being built up, I’m imagining another such park in the sky waiting in the wings.

Cool modern building (photo by David).

Cool modern building (photo by David).

Pedestrians beware!

Pedestrians beware!

Resting under the shade of trees.

Resting under the shade of trees.

Preservation at its best.

Railway and plants living harmoniously together.

Empire State Building: the center of Midtown Manhattan
When I think of the Empire State Building (350 5th Avenue between West 33rd and 34th streets), I am reminded of a story my father told me and my sisters when we were young. Every morning on his way to work, he used to walk by the Empire State Building as it was being built. My father was in New York around 1929, and construction began in March 1930. My father loved New York. He called it the City. When he and his cousins moved to Los Angeles in the 1950s, after WWII, he called Los Angeles the country, and when he moved to Terra Bella – between Bakersfield and Fresno in the Central Valley of California – he called it the camp. At the time of his storytelling, my initial reaction was, “Wow, Dad, you’re old!” Since then, however, I marvel at what he was witnessing – the building of this great building. Once construction began, the building rose 4 ½ stories each week. In 1931, the building, with its beautiful art-deco interior, opened, with President Herbert Hoover hitting a button in Washington, DC, that turned on the lights of the Empire State Building.

Restored art-deco interior of the Empire State Building (photo by David).

Restored art-deco interior of the Empire State Building (photo by David).

As far as the eye can see (photo by David).

As far as the eye can see (photo by David).

David singles out the Flatiron Building.

David singles out the Flatiron Building.

Close-up of the Chrysler Building (photo by David).

Close-up of the Chrysler Building (photo by David).

Thankfully, we encountered short lines and small crowds. Again, I think this is because it was mid-June and people hadn’t all gone on vacation yet. We ascended to the 86th Floor observatory. I’ll admit to being acrophobic, so I took photos with caution. The sky was clear and you could truly see forever. According to the guides, you can see five states on a clear day – New York, New Jersey, Massachusetts, Pennsylvania, and Connecticut. The views were amazing, and the kids were in awe of all those buildings all around us. As we descended, David and I mentally crossed off going to the Empire State Building from our list of things to do in New York.

Hudson River in the background (photo by David).

I believe that is the East River in the background (photo by David).

Coming around with the view (photo by David).

Coming around with the view (photo by David).

Moving to the left (photo by David).

Moving to the left (photo by David).

Hudson Bay (photo by David).

I believe this is the Hudson River in the background (photo by David).

Inglorious ending to Father’s Day
The only blot on our day was planning our evening around what we thought would be a Golden State Warriors Finals victory and celebration. We bypassed the recommended Katz’s Deli (205 E. Houston, 212.254.2246) on our way home. We walked in, but nobody was in the mood for foot-tall sandwiches that just seemed too much of a good thing. Instead, we grabbed Subway sandwiches – slumming it – back to our apartment. Suffice it to say, the Warriors lost the championship that was theirs to win, and there went my Father’s Day present to David. Not that Isabella cared in the least. We tried to remember that we were still on vacation. By morning, at least for me, I woke up thinking about the day’s adventure before us.

Building close-ups down there.

Building close-ups down there, looking like building blocks.

More close-ups with the Chrysler Building peeking out.

More close-ups with the Chrysler Building peeking out.

The smaller skyscrapers!

The smaller skyscrapers!

Fox on a building on our way home (photo by David).

Fox on a building on our way home (photo by David).

New York, New York: Lady Liberty, Ellis Island, 9/11 Memorial Museum

There is something in the New York air that makes sleep useless.
– Simone de Beauvoir, French author and philosopher

When I was a child, we took trips to Los Angeles, where many of our relatives still lived after we moved to Terra Bella. A bunch of our families went to Morro Bay and Cayucos in the summertime for a few years; we kids swim or played in the cold water and watched as our parents fished. I spent a summer in the Philippines when I was ten years old – right before Ferdinand Marcos declared martial law. But outside of that, we didn’t have traditional family summer vacations.

We got spoiled on our cross-country flight - this Southwest Airlines plane was less than 24 days old! More leg room and they put those darn pamphlets on the upper part of the backs of chairs. Plus the overhead compartments are more streamlined. Thumbs up (photo by me)!

We got spoiled on our cross-country flight – this Southwest Airlines plane was less than 24 days old! More leg room and they put those darn pamphlets on the upper part of the backs of chairs. Plus the overhead compartments are more streamlined.

As a parent, I look at family summer vacations as opening up the world for my two kids. Since I’m an urban lover, we focused on exposing them to major cities in the United States – San Diego, Los Angeles, Seattle, Las Vegas, Boston, Chicago, and Philadelphia. Since I was going to be attending the FANHS 2016 Biennial Conference in New York in June, we decided to tack on a family vacation before my conference. I’m a little late in posting about this vacation. Usually, as many of you know, I’m up late the night of each vacation day, tapping away at the laptop to capture my memories and all the details, to keep everything fresh, mostly for my kids’ sake. But there wasn’t time during our trip, so August is a good time to reflect on this family vacation.

I’ve been to New York on business a number of times, and David joined me for one trip. We didn’t go to some of the obvious points of interest because we knew at some point we would take the kids. Let’s just say that we packed it all in this family summer vacation. One thing we did was purchase the City Passes, which was a great deal because we used every pass in the book, which is something we also did when we were in Chicago.

Welcome to the neighborhood!

Welcome to the neighborhood!

Airbnb in Little Italy
We stayed at our first Airbnb apartment on Mulberry Street right in the middle of Little Italy, which was a great location to catch many subway lines and to walk around in the evenings. When you walk out of our apartment building, you basically step out into Little Italy. The streets are blocked off to traffic on the weekends, big Little Italy signs flashed overhead, tourists walked up and down the street, and aggressive maître d’s tried to lure us to dine at their establishment. This scene reminded me of North Beach in San Francisco.

Our apartment with a view - the Empire State Building.

Our apartment with a view – the Empire State Building (photo by David).

Walking around the neighborhood in the evenings.

Walking around the neighborhood in the evenings.

The view from our bedroom. Impressive art (photo by me).

The view from our bedroom. Impressive art.

We were on the 7th floor, and we had a nice view of the Empire State Building. There were eight floors with four units on each floor. Our little apartment comprised one small bedroom, a closet-sized bedroom, bathroom, and a kitchen/living space, which was just right for us. The only thing about being on the 7th floor – without an elevator – is that at the end of the day, when you’re an exhausted tourist, you have seven flights of steps to your bed and sofa. If we had Fitbits, we surely would have logged thousands of steps each day. That first evening, we ate at Café Habana (17 Prince Street, 212.625.2001), a Cuban restaurant several blocks down; we were advised by our Airbnb owner that you don’t want to eat in any of the touristy Little Italy restaurants. We enjoyed the Cuban sandwiches – fresh citrus marinated roast pork, ham, Swiss cheese, and pickles on hero bread with chipotle mayonnaise – while the kids had roast pork plate with yellow rice and black beans. On the way home, we found the local grocery store so we could stock up on breakfast food and bottled water. I’m surprised that they don’t have a plastic bag ban in the City, especially since people shop more often during the week because there isn’t a lot of storage in people’s homes and most take public transportation to and from the grocery stores. That’s a lot of plastic bags. At any rate, we truly experienced the Airbnb marketing slogan: “Experience a place like you live there.” And so we did.

Looking up at Lady Liberty (photo by David).

Looking up at Lady Liberty (photo by David).

‘Liberty Enlightening the World’
The next day, we headed to the ferry at Battery Park in Manhattan to catch the boat to the Statue of Liberty. The beauty about going on vacation soon after school lets out is that it’s not too hot yet and many schools elsewhere haven’t been let out yet. As a result, neither the ferries nor the destination points were crowded. It was great to see in person such a famous statue and symbol that we’ve grown up knowing all our lives. We have tons of photos of Lady Liberty from all angles across the bay, Liberty Island, and the observation level (we didn’t have crown access). What was most interesting was walking through the museum and learning so many interesting things such as the face of Lady Liberty belonged to the sculptor Auguste Bartholdi’s mom and Gustave Eiffel designed the statue’s internal framework. At the time, 1886, the Statue of Liberty – atop its pedestal – was the tallest structure in New York City and the tallest statue in the world.

My teenagers with Manhattan in the background (photo by David).

My teenagers with Manhattan in the background (photo by David).

Up close (photo by David).

Up close (photo by David).

In 1865, a group of French intellectuals led by Edouard de Laboulaye, who were protesting political representation in their country, decided to honor the ideals of freedom and liberty with a symbolic gift to the United States, who was looking toward its centennial. Given the hot topic of immigration in our country these days, it was important for the kids to see what the Statue of Liberty meant at the time. While the country was grappling with massive immigration in the late 1800s, it was responding with a growing number of restrictive immigration laws. In 1883 young writer Emma Lazarus wrote a poem for the statue’s pedestal fundraiser called “The New Colossus,” after the Colossus of Rhodes, which was an ancient statue that became Bartholdi’s inspiration. In 1903, the poem was inscribed on a bronze plaque on the pedestal, which really remains true today as it was back then:

The New Colossus
Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breath free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door.”

No, it's not a Trump political poster. It's a post-1980 Peace Corps Volunteers campaign that ends with: There are those who think you can't change the world in the Peace Corps. On the other hand, maybe it's not just what you do in the Peace Corps that counts. But what you do when you get back (photo by me).

No, it’s not a Trump political poster. It’s a post-1980 Peace Corps Volunteers campaign that ends with: There are those who think you can’t change the world in the Peace Corps. On the other hand, maybe it’s not just what you do in the Peace Corps that counts. But what you do when you get back.

Life-size model of the statue's face (photo by David).

Life-size model of the statue’s face (photo by David).

In all her majesty (photo by David).

In all her majesty (photo by David).

Back on the ferry with Manhattan before us (photo by David).

Back on the ferry with Manhattan before us (photo by David).

I asked the kids what they remembered most about their trip to Liberty Island. Jacob remarked that he didn’t realize how it was built – that the hammered copper pieces were riveted into place on the internal cast iron and steel framework. He says he isn’t interesting in studying engineering, but he certainly has a mind for it. Isabella, on the other hand, touched on an ironic fact that I was excited that she noted. It stood out for me, too. At the 1886 dedication, women were not allowed to participate in the unveiling or the parade. Imagine that! However, an enterprising and determined group of women took several boats out to Hudson Bay to celebrate. Good on them!

I got chills when we disembarked and approached the entrance of Ellis Island's Main Building (photo by me).

I got chills when we disembarked and approached the entrance of Ellis Island’s Main Building.

Ellis Island: first step to America
We hopped on the ferry to our next destination – Ellis Island, a place I was really looking forward to seeing. The Ellis Island Immigration Museum is big – I’m sure we didn’t see every little room. Stepping into the Registry Room, or the Great Hall, you get a sense of what it must have been like being an immigrant coming off of the ship and being herded into this enormous room, hoping that you’ll be able to walk out and onward to New York City. The island was named after its owner Samuel Ellis, who purchased the land in 1774. The federal government purchased the island for harbor defense in 1808 and built Fort Gibson in 1811. Between 1855 and 1890, individual states processed immigrants. Castle Garden, which is now Castle Clinton National Monument, served as the immigration station for New York State.

The Registry Room from the ground floor (photo by David).

The Registry Room from the ground floor (photo by David).

The Registry Room from the second floor (photo by David).

The Registry Room from the second floor (photo by David).

In 1900 the current Main Building opened. From 1901 through 1910, some 8.8 million immigrants arrived in the United States, with 6 million being processed at Ellis Island alone. A record 11,747 immigrants arrived there on April 17, 1907. When WWI broke out, immigration was curbed and enemy aliens were detained at Ellis from 1914 to 1918.  In the 1920s, federal laws set immigration quotas based on national origin. When WWII broke out, German, Italian, and Japanese aliens were interned at Ellis Island. In 1954, the Ellis Island immigration station closed permanently. In 1965, national quotas were abolished and Ellis Island became part of the Statue of Liberty Monument. The buildings sat deserted and in a state of decay, but restoration began in the 1980s and the Main Building opened as an immigration museum in 1990.

Lookey here! Filipinos are mentioned twice in the Ellis Island Museum timeline.

Lookey here! Filipinos are mentioned twice in the Ellis Island Museum timeline.

Second reference to Filipinos in America (photo by me)!

Second reference to Filipinos in America!

A total of some 12 million people came through Ellis Island. In the Registry Room, inspectors grilled immigrants with up to 31 questions. They had to give their name, hometown, occupation, destination, and amount of money they carried. One “trick” question asked was whether the immigrant had a job lined up already. You would think that the answer would be yes, but that isn’t what the inspectors wanted to hear because it meant that the immigrant was taking away a citizen’s job. While a third of those who “passed” stayed in New York City, the rest headed to other destinations. Those who were deemed mentally unfit were marked by chalk with an X on their lapel, which meant that they were going to have a difficult time getting through. While 20 percent were held back for further medical or legal examination, according to our guide, only about two percent were denied entry. One such denial was recorded by the granddaughter who retold the story in an audio file. Everyone in her family was let in, but her grandmother was sent back to Russia. The family never saw her again. That story haunts me still. And the granddaughter, now an elderly woman, wept with the retelling.

Goodbye, Ellis Island, as we chug back to Battery Park (photo by David).

Goodbye, Ellis Island, as we chug back to Battery Park (photo by David).

Alexander Hamilton's grave in Trinity Church's cemetery, near the World Trade Center (photo by David).

Alexander Hamilton’s grave in Trinity Church’s cemetery, near the World Trade Center (photo by David).

9/11 Memorial Museum: ‘a place of solemn reflection’
Who knew that we still had plenty of time left when we docked at the ferry station at Battery Park? With the new World Trade Center building rising in the sky before us, we decided to take in the 9/11 Memorial Museum. My sister Heidi and I saw the 9/11 Memorial in September 2012, when the museum was in a tiny space and we had to wait in a long line to walk through the small building that housed the artifacts from the attacks. At the Memorial Plaza, David and the kids took in twin waterfall memorials somberly and in silence. It’s quite a scene to behold, and all you want to do is stare into the bottom of the memorial and still not quite imagine what happened here. The first time I came to New York in 2008, I couldn’t help staring at the enormous crater as my Super Shuttle van zoomed by. Yes, that’s Ground Zero, my driver told me. Still a gaping hole.

The Memorial pool with the Museum in the background (photo by David).

The Memorial pool with the Museum in the background (photo by David).

The new World Trade Tower (photo by David).

The new World Trade Tower (photo by David).

The design of the lower part of the new World Trade Center tower pays tribute to the fallen towers (photo by David).

The design of the lower part of the new World Trade Center tower pays tribute to the fallen towers (photo by David).

The flow of the memorial pool water into the basin pays tribute to the design of the original Towers (photo by David).

The flow of the memorial pool water into the basin pays tribute to the design of the original Towers (photo by David).

Close-up of the lower part of the new World Trade Center tower (photo by David).

Close-up of the lower part of the new World Trade Center tower (photo by David).

The gleaming roof of the 9/11 Memorial Museum (photo by David).

The gleaming roof of the 9/11 Memorial Museum (photo by David).

Jacob in contemplation (photo by David).

Jacob deep in contemplation (photo by David).

The 9/11 Memorial Museum is an impressive, cavernous building, which is unique looking on the outside with all that shiny steel glinting in the June sun. It houses 110,000 square feet of exhibition space and is located within and surrounded by remnants of the original World Trade Center site. When you first walk into the entry of the Pavilion, you are in the atrium, which allows for a view of the South and the North memorial pools. The Foundation Hall, which is the largest space within the museum topping 60 feet at its highest point, contains remnants, including the slurry wall and the iconic Last Column.

The Tridents - two 80-foot tall steel columns that was part of the North Tower's exterior facade (photo by David).

The Tridents – two 80-foot tall steel columns that was part of the North Tower’s exterior facade – in the Pavilion’s atrium. Taken while going up the escalator (photo by David).

The 36-foot Last Column is covered with memorial inscriptions, mementos, and missing posters affixed by rescue workers, ironworkers, and others (photo by David).

The 36-foot Last Column is covered with memorial inscriptions, mementos, and missing posters affixed by rescue workers, ironworkers, and others (photo by David).

September 11, 2001, is the main historical exhibition, which comprises “three parts that explore the day of 9/11, what led up to the attacks, and the immediate aftermath.” Tribute Walk is a long hallway or alleyway with multiple artistic expressions created in response to 9/11. Memorial Hall is situated between the Twin Tower footprints. The quote – No day shall erase you from the memory of time – from Book IX of The Aeneid by Virgil, the ancient Roman poet, is emblazoned across the wall. The letters of the quote were forged by New Mexico blacksmith Tom Joyce from steel recovered from the World Trade Center. Surrounding the quote is a beautiful art installation around it called “Trying to Remember the Color of the Sky on That September Morning” by reflecting artist Spencer Finch. Comprising 2,983 individual water-color drawings, the art installation captures a unique shade of blue representing all the victims of both the February 26, 1993, and September 11, 2001, victims.

Virgil's enduring quote and Spencer Finch's beautiful art installation (photo by David).

Virgil’s enduring quote and Spencer Finch’s beautiful art installation (photo by David).

Understanding that everything about this museum is moving, one of the most emotional exhibits is the Memorial Exhibition. Along several walls are portrait photographs of all the victims. Housed in the middle of these walls of faces is an inner darkened chamber where you can sit on the bench lining the wall of the room and listen quietly to shared stories – by turns heartbreaking, heartwarming, amusing, and somber. “In Memoriam,” is a “quiet, contemplative space that invites you to honor and to learn more about each person killed in the two attacks.” When a family member, friend, or former colleague spoke, a picture of their loved one was projected on the wall, with a short biography and story. I remembered one story in particular that struck me as tragic among the tragic – of a young man in his twenties who worked his way up from being a janitor at the World Trade Center to being a trader for one of the firms there. He left a wife and three young children. I couldn’t help thinking, if only he were still a janitor, he would have already done his job the night before and not been in the building that fateful morning.

A moment of silence (photo by me).

A moment of silence and reflection.

The Museum opened on May 15, 2014. At the Museum’s one-year anniversary, the National 9/11 Flag, which is a tattered flag that was recovered from Ground Zero and, through the work of the nonprofit New York Says Thank You Foundation, subsequently restored via “stitching ceremonies” held across the U.S. was displayed. It is a heartfelt artistic endeavor that shows how united our various communities can be and how much love can be showered in a world darkened by fear and hate.

Remembering and not forgetting (photo by me).

Remembering and not forgetting.

I was so glad we as a family got to experience the 9/11 Memorial Museum. It’s a loving tribute to all the victims, their family and friends, the responders and their families and friends, and the resilient city of New York. Isabella wasn’t even born and Jacob wasn’t quite fifteen months old at the time. David and I were glued to the television set, watching CNN 24/7, and worried that Jacob would never live to adulthood because all we heard about was the threat of bioterrorism being unleashed around the world. Nearly 15 years later, there’s more hope in the world, despite the ever-present roiling dark clouds. Still, Virgil’s words are alive in my head: “No day shall erase you from the memory of time.” Amen.

With the Museum in the background....(photo by David).

With the Museum in the background….(photo by David).

A Pinoy State of Mind: Building with Our Roots, Part II

Our Theme “A Pinoy State of Mind: Building with Our Roots” was chosen because we wanted to recognize that as Filipino Americans become more visible and successful across all sectors (e.g., academia, arts and entertainment, law and government, etc.) that we always remember where we came from, as well as the struggles of those who came before us.
– Kevin L. Nadal, PhD, FANHS National Trustee, FANHS 2016 Conference Coordinator, Associate Professor, John Jay College of Criminal Justice, CUNY

This is Part II of my reflections on attending the Filipino American National Historical Society (FANHS) 2016 16th Biennel Conference held in New York, June 22-25. To access Part I, you can click here.

The Honorable Lorna Schofield.

The Honorable Lorna Schofield.

Thursday was packed with what I felt like was a day-long star-studded program. Keynote speaker, the Honorable Lorna Schofield, holds the distinction of being the first Filipino American federal judge in U.S. history. Originally from Indiana, she is a U.S. District Judge for the U.S. District Court for the Southern District of New York. She received her JD from New York University School of Law and served as an assistant U.S. Attorney for the Southern District of New York, prosecuting domestic terrorism, smuggling, and tax fraud. Prior to her appointment in 2012, she was a partner in a law firm where she specialized in complex civil litigation and white-collar criminal defense. One interesting story Schofield shared with us was of her mother wanting her to assimilate: while her Filipina mother ate rice, she made variations on the potato for her daughter. Schofield certainly was driven and I appreciated her articulateness and her direct, no-nonsense sensibility. We are lucky to have her represent us in the federal judicial system. One hopes that there are others in the pipeline.

This designer pays homage to the traditional Filipina gown with butterfly sleeves.

This designer pays homage to the traditional Filipina gown with butterfly sleeves.

Fashion show highlights Filipino American designers
Thursday evening’s fashion show kicked off with members of FANHS chapters, including San Francisco chapter’s own Jason Agpaoa, interpreting their version of Filipino and Filipino American fashion style. Veejay Floresca, “islandwear” fashion designer Twinkle Ferraren, and Rafé Totengco, award-winning fashion designer and owner of his namesake handbag collection Rafé New York and creative director for handbags with the Nine West Group Inc., served as guest judges. The main contest featured designs by Iris Gil Vilacrusis, John Soriano, Katrina Delantar, Maria Velez, and Stephanie Gancayco. I didn’t keep track of who designed what, but my favorites were the two accessories designers – one who designed purses and the other who designed necklaces and matching purses. Although all had pieces that I found beautiful and would certainly have proudly worn, the accessories designer whose intricate necklaces and matching purses – made with organic fibers – won. It was a treat to see these designers incorporate natural materials and interpret Filipino traditional style in their designs.

One of the winning accessory designer’s distinctive necklaces.

One of the winning accessory designer’s distinctive necklaces.

I attended the session “Language, Labor, and Longing: Three Fulbright Experiences in the Philippines,” in which, as the title reveals, three academics shared their experiences in the Philippines as Fulbright scholars. Jason Reblando, photographer and artist based in Chicago and teaches photography at Illinois State University, exhibited his photographs. He captured the images of Filipinas who work overseas and congregate in the financial district in Hong Kong on Sundays, as well as a town filled with homes mirroring Italian architecture, which reflected the world of the Filipino overseas workers who work in Italy and return home to take care of their families. Grace Talusan, essayist and fiction writer who teaches writing at Grub Street and Tufts University, spent her time connecting with her heritage. Joseph Legaspi, co-founder of Kundiman, a nonprofit organization serving Asian American literature and poetry, talked about the process of applying for a Fulbright, which appears to be a lengthy, complex, and arduous process. Still, the presenters certainly gained so much personally and professionally from their stay in the Philippines.

‘Filipino Americans making waves in mainstream’
One of the wonderful gifts of the conference’s location in New York is the ability to invite local high-profile Filipino-American leaders who represent so many different industries to be on panels. “Filipino Americans making waves in mainstream” featured those who have established themselves in their respective fields. Karla Garcia, New York City-based performer, choreographer, and teacher is currently in “Hamilton: A New American Musical,” which chronicles the life of American Founding Father Alexander Hamilton, with music and lyrics by Lin-Manual Miranda. The musical was nominated for a record-setting 16 Tony Awards – of which it won 11 – and won the 2016 Pulitzer Prize for Drama and the 2016 Grammy Award for Best Musical Theater Album. Garcia explained how as a “swing” she has had to learn thus far four of the five parts she was given, including the 50 songs written for the musical. The hardest part, she revealed, was remembering where to pick up and where to leave props on stage.

With Karla Garcia of Hamilton.

With Karla Garcia of Hamilton.

The millennial Matt Ortile started out in the Editorial Fellowship Program, Buzzfeed’s boot camp, after moving to New York. Ortile, who was raised in Manila, worked his way up to Editor of Buzzfeed Philippines, whose properties boast some 300,000 followers and is quite influential not just among Filipinos in the homeland but Filipinos around the world.

Jhett Tolentino, one-half of JoanJhett Productions and three-time Tony Award winning Broadway producer, is only the third Filipino to have won a Tony and the first Filipino Tony Awards voter. He won for co-producing “Vanya and Sonia and Masha and Spike,” the 2013 Tony winner for Best Play. In 2014, he won for co-producing “A Raisin in the Sun,” which starred Denzel Washington, as well as “Gentleman’s Guide.” Tolentino, who was born and raised in the Philippines, shared with us that he was an accountant who loved going to the theater and talking about it with his friends after the show. Upon his friends’ advice, he ran with his passion and became a critic, seeing more than 1,700 plays. His acumen as accountant served him well when he transitioned to producer. He was one of the producers of “Here Lies Love,” a rock musical about Imelda Marcos’s life and adapted from a concept album collaboration between David Byrne and Fatboy Slim. It was inspiring to hear him talk about not just following his true passion, but leveraging all his skills to become a successful producer, who, as he explained, wears many hats. After the session, I was able to meet and chat with all three, which was a treat for starstruck me.

Karla Garcia, Matt Ortile, and Jhett Tolentino respond to moderator Alexandra Thomas’s questions.

Karla Garcia, Matt Ortile, and Jhett Tolentino respond to moderator Alexandra Thomas’s questions.

Shining a light on little-known historical events in the Philippines
On Saturday, I attended the session “Forgotten Philippine and Filipino American History.” Sharon Delmendo, PhD, professor of English at St. John Fisher College in Rochester, NY, gave a presentation based on her research, “In Time of Need, an Open Door: Holocaust Rescue in the Philippines,” which looks at how Manuel Quezon welcomed some 1,300-plus Jewish refugees to the Philippines before World War II. “When the Time of Need Came: Manuel Quezon and Holocaust Rescue in the Philippines,” is a scholarly analysis of Commonwealth President Manuel Quezon’s efforts on behalf of Jewish refugees that is geared for the general public. Delmendo pointed out that local newspapers in the Philippines were reporting on Kristallnacht, the wave of violent anti-Jewish pogroms that swept through Nazi Germany in November 1938, and other atrocities, so Filipinos were well aware of the persecution of Jewish people. Quezon inserted a mandate on the promotion of social justice in the Philippines’ constitution, and that constituted the first of many instances of the Philippines stepping up and welcoming refugees who were being driven out of their homeland, according to Delmendo. I never knew about the Holocaust Rescue in the Philippines, so all this was fascinating to me, although one elder academic attendee pronounced that Filipinos are inherently and historically racist, which made for an interesting discussion on racist Philippines versus immigrant-friendly Philippines. Someone brought up the fact that the combined Spanish and American colonial rule lasting hundreds of years certainly played a big role in instilling racism on the islands.

Jeffrey Acosta, founding member of the FANHS Hampton Roads chapter and adjunct instructor of U.S. History at Tidewater Community College in Norfolk, Va., told the story of the Buffalo Soldiers who fought in the Philippine-American War, 1898-1902. In July 1899, the U.S. 25th Infantry Regiment was one of the first “colored” units to arrive in the Philippines to combat the First Philippine Republic, according to Acosta. He talked about the internal and external conflict that these soldiers endured, facing discrimination at home and relating to the Filipinos who were being similarly mistreated by racist American soldiers and political leaders. Trying to bring the story of the Buffalo Soldiers to a wider audience has been taken up by others, including FANHS East Bay emeritus president Evangeline Buell and Bay Area filmmakers. Actor Danny Glover, who also starred in the television movie, The Buffalo Soldiers, is lending support for a documentary that is in pre-production about the soldiers and their service in the Philippines.

Raymund Liongson, associate professor and coordinator of the Philippine/Asian Studies program at the University of Hawaii-Leeward, talked about the abuses he experienced for his opposition views against the Marcos regime, and Elissa Ortiz added her own anecdotes. I appreciated the speakers sharing information and their research about these different periods in the Philippines’ history.

Filmmaker Marissa Aroy produced a short film on Filipino voices, which was inspired by Kevin Nadal’s anecdote about the exclusion of Filipinos in a short film about the voice of Americans.

Filmmaker Marissa Aroy produced a short film on Filipino voices, which was inspired by Kevin Nadal’s anecdote about the exclusion of Filipinos in a short film about the voice of Americans.

New York, New York
The final event of this fabulous conference was the FANHS Gala on the Hornblower ship, which featured dancing to the music of Joe Bataan and his band, dancing with actor and singer Paolo Montalbán, and hearing the inspiring words of hostess Geena Rocero, supermodel/TV host, activist and founder of Gender Proud. Previously, I didn’t know anything about Rocero, but I learned that her Ted Talk “Why I Must Come Out” was viewed more than 2 million times in just a few months. It was great talking with FANHS members whom my sister and I met at the conference. The biggest star, however, was the New York skyline and the Statue of Liberty – all beautifully lit up – as the boat gave us a breathtaking tour of the Hudson River. It was the perfect ending to a really wonderful conference.

Heidi and I pose before boarding the Hornblower ship.

Heidi and I pose before boarding the Hornblower ship.

Twilight skyline.

Twilight skyline.

Selfie with a view.

Selfie with a view.

Beautiful traditional Filipino fashion.

Beautiful traditional Filipino fashion.

If there was one complaint that I had about the conference, it is two-fold but under the same theme. This was the first conference to hold a Filipino American film festival, which was put together by a team that included Emmy Award-winning filmmaker and friend, Marissa Aroy, whose documentary, Delano Manongs: The Forgotten Heroes of the United Farm Workers Movement, shines a light on Filipino American contributions to California’s farm labor movement. However, it ran concurrently all-day Thursday, which meant if you took in the sessions and keynote speaker sessions, you missed out on the films, which is what happened to me. There were some 60 education sessions in all spread across three days. I had to prioritize, and a few times I missed an interesting session in favor of another one. But I guess that’s a good problem to have.

Geena Rocero gives an inspiring talk about being true to yourself and your roots.

Geena Rocero gives an inspiring talk about being true to yourself and your roots.

I was lucky enough to be the last “box” dancer with actor Paolo Montalban to raise money for FANHS.

I was lucky enough to be the last “box” dancer with actor Paolo Montalban to raise money for FANHS.

Up close and rocking out to Joe Bataan and his band!

Up close and rocking out to Joe Bataan and his band!

What happens when you are on a boat with 500 Filipinos on the Hudson Bay….

What happens when you are on a boat with 500 Filipinos on the Hudson Bay….

Kudos to Kevin Nadal, who spearheaded the fantastic FANHS 2016 Biennial Conference! Cheers!

Kudos to Kevin Nadal, who spearheaded the fantastic FANHS 2016 Biennial Conference! Cheers!

My first FANHS biennial conference was magical, educational, and inspirational. I was in awe of the talent across so many areas in my Filipino American community. And I fell in love with New York all over again. As Alicia Keys aptly wrote and belted out: “New York, concrete jungle where dreams are made of/There’s nothing you can’t do/Now you’re in New York/These streets will make you feel brand new/Big lights will inspire you/Hear it for New York, New York, New York.” Then again, FANHS announced that FANHS2018 will be held in another one of my favorite cities – Chicago. While I’ll be surely going, the work now and ongoing will be all about telling our stories, advocating for so many causes impacting Filipino Americans, and remembering and honoring our pinoy/pinay roots.

Exactly.

Exactly.

The real star of New York – its skyline lit up.

The real star of New York – its skyline lit up.