Catching my breath, dangling carrots, and music therapy

If you want to live a happy life, tie it to a goal. Not to people or things.
– Albert Einstein, German-born theoretical physicist

Do you ever get so exhausted that it’s a struggle to breathe? This has been my current state since returning home from traveling. Around November through February is the busy season workwise for me, although David would probably argue that it’s the chaotic, sleepless season and the rest of the year is busy. It is the time of bouncing around from multiple deadlines to another round of multiple deadlines, only this season travel has been added to the mix. As fun and exciting as the travel has been, it takes a toll, especially when you’re older.

It's still winter, but creamy colors and flowers present the promise of spring.

It’s still winter, but creamy colors and flowers present the promise of spring.

As is usually the case, those four months are a complete blur to me every year. I come out of it in early March, wondering what happened to the beginning of the year. And then reality hits: Oh, right, I worked a lot, slept little. This time around, however, I didn’t want to come out on the other side, thankful that I survived, giving up those months so easily. The older you get, the harder it is to blithely not care, concede, and move on. The days seem to matter more.

Rightly or wrongly, I have found that the main reason I don’t sit down and read a novel, like I used to do not too many years ago, is that I feel as if I can’t sit still. It’s too luxurious. There are too many things within 20 feet of me that need to be taken care of. The library chair we got when we moved back into our house merely holds the stack of documents or magazines or Christmas letters from the past two years that I promised to respond to. I count only once the time when I reclined on the stuffed leather library chair and ottoman and worked on my novel and once when I read fiction. I tell myself that I should be multi-tasking. I am constantly in a race against time. One of these days soon, I will put reading a novel or book of short stories on my weekly list of things to do; only then will it be part of my routine and something I can do without feeling guilty. Writers need to read just as much as they write. That ought to be reason enough.

The fabulous 1914 globe watch with optical lens and keys that I got in Seattle earlier in February.

The 1914 globe watch with optical lens and keys that I got in Seattle.

This year was going to be different, I told myself. This season I made a pledge to myself. I was going to make sure I am doing something that is me-centered, something that makes me happy. That something is different for everybody. For me, it means I go to sleep at night knowing that I had a productive day doing something that was creative, something tangible. And that tangible thing is having stood up this blog and writing three times a week. It is the exercise that keeps my writer’s muscles toned. It is the platform for my writer’s voice. It is the diary and photo album for my kids, as well as for me. It has kept me buoyed even as I spent President’s Day Monday working on a white paper deadline.

Dressing up when I'm low energy can actually give me a boost.

Dressing up when I’m low energy can actually give me a boost.

The other thing that keeps me going is dangling carrots in front of me to stay motivated. I’m going to carve out a week of vacation in April and finally finish that last revision of my novel. Then I’ll have to figure out how to self-publish and market it on a platform such as Amazon. Marketing, one of my novelist colleagues has told me, is a constant job once you publish online. Once it’s up, though, I can finally return to the second novel that I started in 2006, before I allowed literary agent rejections to get to me. One of the carrots that I’m dangling in front of me to finish the first novel is the trip I’m going to take to Bolerium Books (2141 Mission St., #300 San Francisco, CA 94110, 415.863.6353), which specializes in rare and out-of-print books and other items on social movements. I discovered this fantastic bookstore while researching my first novel. It lies in the heart of the Mission district in the City, and it’s a place you will want to spend hours poring over the materials on the shelves on a rainy Saturday afternoon. I have e-mail alerts set up for books on the Philippines and amassed quite a number of relevant history books for my second novel. When I finish my first novel, I have told myself, I can take my long list and trek over to Bolerium Books to buy those rare books for my research. How motivating can that be? I love historical research; it puts me in the mood and fully immerses me in the time period.

There are a lot of things to do, but the thought of them and their promise are nourishing me now. And when you’re nourished, you are in a better position to help other people more fully and to push through onerous times. So these are the things that are keeping me going as I head into the home stretch of my busy season.

Adornments? Bring it on, piles of it. Mixing vintage (traveling walnut sewing kit from Treasury, Washington, D.C.), reclaimed vintage spider bracelet from M.E. Moore, and contemporary pieces (bow necklace from Gorgeous and Green, Berkeley, CA, and Art Deco scarab cuff from Alkemie, Los Angeles).

Adornments? Bring it on, piles of it. Mixing vintage (traveling walnut sewing kit from Treasury, Washington, D.C.), reclaimed vintage spider bracelet from M.E. Moore, and contemporary pieces (bow necklace from Gorgeous and Green, Berkeley, CA, and Art Deco scarab cuff from Alkemie, Los Angeles).

Last night, though, I really struggled with having to make dinner. It was a simple enough pasta dish with few ingredients. But I moved around the kitchen as if attached to a ball and chain. So what is the remedy when you need to take care of these mundane but necessary tasks? Looking forward to my near-future projects was not going to cut it. For a fleeting moment I thought to call David and say I’m exhausted so I’m going to grab takeout. Instead, I whipped out my iPhone and called up Pandora. I plugged it into my portable iHome system and the therapeutic music woke me up and gave me the energy to cook. And pretend I was at a karaoke bar. Saved by an endorphin rush, I thrived amidst another day in my busy season. My body felt vibrant and refreshed, so long as I sang.

I’m just about ready to reach for those dangling carrots….

Wearing red gives you more energy and empowerment.

Wearing red gives you more energy and empowerment.

Carmela Rose necklaces pop in this outfit, with earrings from Abacus (Portland, ME) and a simple band from In God We Trust (NYC) and statement ring from Juicy Couture.

Carmela Rose necklaces pop in this outfit, with earrings from Abacus (Portland, ME) and a simple band from In God We Trust (NYC) and statement ring from Juicy Couture.

The Sixth Floor Museum in Dallas: Reliving November 22, 1963

For of those to whom much is given, much is expected.
– John F. Kennedy, 35th President of the United States

My father was a huge Kennedy fan. We had one of those 1960s thick-padded, pleather ottomans in the family room closet that held my father’s Kennedy paraphernalia, which was mostly soft-cover, color books about the life and times – and assassination – of our 35th president. I don’t know whatever happened to those books, but I imagine my mother got rid of them, being the person who decluttered and constantly battled with my father’s Depression-era-induced hoarder mentality.

The corner 6th floor of the 7-floor Texas School Book Depository building is where Oswald shot JFK.

The corner 6th floor of the 7-floor Texas School Book Depository building is where Oswald shot JFK.

It was only fitting, then, that when I asked my sister, Heidi, what one thing I should see while in Dallas, she responded without hesitation – the Texas School Book Depository – now named the Sixth Floor Museum at Dealey Plaza (411 Elm Street, Dallas, 214.747.6660, $16 entrance fee for adults). This November marks the 50th anniversary of Kennedy’s assassination. I was only 21 months old at the time, but I remember the funeral processions of Robert Kennedy and Martin Luther King, Jr., on television years later. My father, of course, remembered and talked of the great tragedy. He was a New Deal FDR guy and like many people in the early 1960s was enchanted by the youth, charm, and vigor brought to the White House by Jacqueline and John F. Kennedy and their young children.The museum takes its name from the floor of the book depository where Oswald had shot the President.

Everything is on the sixth floor, though the seventh floor – which is the only area where you are allowed to take photographs – has a few more artifacts and informational placards. What is amazing is that the sixth floor holds approximately 40,000 artifacts, chronicling the JFK’s life and legacy. Everyone gets a headset to guide you through the maze of information. You get a very detailed history of the era from a political, cultural, and global perspective. And, of course, you get a very detailed accounting of that fateful day, which was poignant and left me bereft.The infamous corner was recreated, a large diorama depicts the location of the motorcade at the time of the shooting, and the conspiracy theories and the Warren Commission findings were treated thoroughly. The short films put you right at the center of times. The oral histories of eyewitness accounts were especially moving. One display held photos that eyewitnesses had taken, along with their cameras. And, of course, Abraham Zapruder‘s film of the assassination was displayed frame by frame. I confess that as I moved along in the museum, prompted by the audio recording, a sense of impending dread and agitation crept in the closer I got to the actual moment in time. It speaks to how well conceived and developed the museum is.

Photomosaic portrait of Jacqueline Kennedy on the 7th floor.

Photomosaic portrait of Jacqueline Kennedy on the 7th floor.

Pixels of JFK's image comprised Jacqueline Kennedy's large-scale photomosaic.

Pixels of JFK’s image comprise Jacqueline Kennedy’s large-scale photomosaic.

I was struck by Jackie Kennedy‘s grace and composure. I had forgotten how stunning and naturally beautiful she was, especially in her youth. When I looked at the many photos of the First Family and couple, it was easy to see why the nation was transfixed by them and buoyed by their love and support of the arts, her simple yet elegant sense of style, and their youthful idealism that spurred the younger generation to make better the world. On the seventh floor, two large-scale portraits hang. These photomosaics by Alex Guofeng Cao feature pixels of pictures that comprise the overall portrait. JFK’s portrait comprises pixels of Jackie, and her portrait comprises pixels of her husband.

JFK's photomosaic on the 7th floor.

JFK’s photomosaic on the 7th floor.

Pixels of Jacqueline Kennedy's photo comprise JFK's large-scale photomosaic.

Pixels of Jacqueline Kennedy’s photo comprise JFK’s large-scale photomosaic.

Looking down on the 7th floor where the motorcade was traveling by. The grassy knoll is in the background.

Looking down on the 7th floor where the motorcade was traveling by. The grassy knoll is in the background.

As I looked out the sixth floor window, onto the street where the motorcade passed and the grassy knoll farther out, I couldn’t help but wonder where we as a nation would be had JFK not been stricken. As one news report noted, it wasn’t just JFK who was shot, it was the President. And therefore the nation. I wandered around outside in the bright sunshine for a few moments, trying to get my bearings. The museum carefully, painfully records a historic moment in our history, and indeed the world. You come out of the Sixth Floor Museum somber and thoughtful. But if you are inspired by the many famous lines spoken by JFK and on display throughout the museum, you begin to walk forward briskly, with the notion that JFK’s legacy lives on in the good deeds you and I can do to sustain and respect our environment, help those less fortunate than we, appreciate our family and friends even more, and set worthy examples for our children. As JFK once said, “One person can make a difference, and everyone should try.” Words to live by.

A close-up of the Dallas cityscape.

A close-up of the Dallas cityscape.

Post script: Other points of interest
From the seventh floor of the museum, you can see the Margaret Hunt Hill Bridge, which was designed by the world-famous Spanish architect Santiago Calatrava, connects downtown to West Dallas. Rising above the Trinity River, the steel bridge spans 1,870 feet long and 400 feet high at its tallest point. If you are familiar with Calatrava’s work (I had to write a brief summary of him for a SHPE Magazine feature article on famous Hispanic engineers several years ago), you will recognize his innovative point of view and how his creations are imbued with a sense of movement, rhythm, and freedom.

The Margaret Hunt Hill Bridge by Spanish architect Santiago Calatrava.

The Margaret Hunt Hill Bridge by Spanish architect Santiago Calatrava.

Top Chef aficionados know that past chefs Tiffany Derry, Tre Wilcox, and Casey Thompson hail from Dallas. Also, this season’s Dallas Top Chef contestants included John Tesar (Spoon Bar & Kitchen, 8220 Westchester Dr., Plaza at Preston Center, 214.368.8220), Joshua Valentine (pastry chef at FT33, 1617 Hi Line Drive, 214.741.2629), and Danyele McPherson (The Grape, 2808 Greenville Ave Dallas, 214.828.1981). Apparently, Wilcox resigned last week from his position of executive chef from the Village Marquee Grill & Bar (33 Highland Park Village, Dallas, 214.522.6035) to spend more time with his 11-year-old daughter. I didn’t get a chance to check out Derry’s restaurant, Private | Social (3232 McKinney Avenue, Dallas, 214.754.4744), which is a combination of soul food, Asian fusion, and global. Perhaps on the next visit!

My room with a view in Dallas.

My room with a view in Dallas.

Transitions and Transformations: Pilar Zuniga of Gorgeous and Green

your slightest look easily will unclose me
though I have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skillfully,mysteriously)her first rose
– e.e. cummings, American poet, from “somewhere I have never travelled,gladly beyond”

Pilar setting up floral arrangements for a wedding. (Photo credit: JRotsenphotography.com)

Pilar setting up floral arrangements for a wedding. (Photo credit: JRotsenphotography.com)

I first discovered Gorgeous and Green (2946 College Avenue, Berkeley, CA 94705, 510.665.7974) after receiving a beautiful set of reclaimed vintage earrings for my 50th birthday last year. The earrings came in a box with the letters “GG” stamped on the lid. The letters were Art Deco in style – the first G backwards, as if mirroring the other G – and on either side was a flourish of Art Deco-style flowers and greenery. Curious, I asked my friend who gave me the present where she got the earrings. She explained that she was on San Pablo Avenue in West Berkeley and came upon a floral shop that sold unique jewelry. Intrigued, I made a little discovery trip, and I’ve been back to Gorgeous and Green many times since.

A colorful storefront display greets visitors to Gorgeous and Green.

A colorful storefront display greets visitors to Gorgeous and Green.

The warm and inviting entrance to Gorgeous and Green.

The warm and inviting entrance to Gorgeous and Green.

Step inside: A Mix of gorgeous and green goods
The majority of Gorgeous and Green customers are neighbors who live in West Berkeley, although commuters who work in the area also come in during the week. On weekends, the shop is filled with visitors to the East Bay. It’s not uncommon for people to walk in and be unsure of what the shop is selling, admits owner Pilar Zuniga. Her concept is a mix of goods that she and other artisans have created that embody her distinct style – encompassing color, attention to design, vintage feel, sustainability, and the ability to be marketed and displayed in a beautiful and creative way. The gifts in her shop are either one of kind or “embodies the intention of the artist,” she said.

A rustic display of greeting cards from local small presses.

A rustic display of greeting cards from local small presses.

Thus, greetings cards displayed on a white-washed picket-fence gate hung on the wall are made by local, small-scale printing presses. Colorful glassware reclaimed from thrift stores and antique and garage sales dot the shelves throughout the shop. Hand-blown glass by local artisans is re-envisioned as planters for succulents and other plants. Body and bath products are made with natural ingredients and produced in an environmentally friendly manner. Zuniga stocks her shop with goods crafted by artisans whom she researches and finds on the Internet. “I’ve gotten a lot of positive feedback,” she said, of her selections. She continues to stock what sells well, but tries to bring in new items.

Reclaimed vintage jewelry dangle from a suspended branch.

Reclaimed vintage jewelry dangle from a suspended branch.

She designs and sells her jewelry, which comprise vintage pieces that she incorporates into a new design. “I like to redo jewelry to make it better or to make it into something someone would enjoy,” she explained. “I’ve always been interested in art – painting, drawing, other craftwork, sewing, making jewelry – I got really into reusing reclaimed vintage. That was always a side thing,” she said. Zuniga showcases creations by other jewelry designers as well, most of which are fashioned from reclaimed materials. Gorgeous and Green carries M.E. Moore‘s jewelry, which I discovered in Zuniga’s shop.

Artwork on the wall seems to spill out of this beautiful arrangement.

Artwork on the wall seems to spill out of this beautiful arrangement.

Roots in sustainability
Sustainability is an important aspect, and Zuniga has ensured that it is expressed in her shop. The San Diego native developed her environmental consciousness when she was a student at UC Berkeley, which opened her up to thinking about the greater good of the world. Not surprisingly, she found her way into the nonprofit sector of public health as a career and remained in northern California because of the area’s “down-to-earth sensibility” and the fact that “everybody is really close.”

When Zuniga was planning her wedding in 2005, she had difficulty finding a sustainable florist, though today there are more environmentally conscious florists. She saw a need to fill and was energized by the concept. Though she enjoyed working with people and in the nonprofit sector, she was losing interest as she moved into management and got behind a desk. Zuniga started her company in 2007 with a focus on floral design and events while still working full-time. She took classes but didn’t go to school for floral design, though she also learned about the industry through her aunt, who was a florist. When she was younger, she helped her aunt with weddings. Zuniga was able to rely on various skills she had learned in her job – designing and evaluating marketing materials. She transformed her garage into her workspace and created gift items specifically for weddings, and her business took off in 2008.

Vintage suitcases hold unique gifts and treasures.

Vintage suitcases hold unique gifts and treasures.

Challenging times
“I really enjoyed the design and artistic piece of it, so I quit my job and opened up a shop,” she said. Zuniga had been eyeing her current storefront and convinced the landlord to rent the space to her in January 2010. Within three weeks, she had opened the first week of February, just in time to take advantage of Valentine’s Day. (In an anniversary of sorts and a repeat of history, Gorgeous and Green moved to its new location, 2946 College Avenue, near Ashby Avenue in Berkeley, this past February from its San Pablo Avenue location.)

Succulent terrariums featuring locally hand-blown glass.

Succulent terrariums featuring locally hand-blown glass.

At the onset, Zuniga faced significant financial challenges, which were exacerbated by the recession. She and her husband – who had started his business years before – had saved money, but in the beginning there were months when she made very little money or none at all. Zuniga logged 60 to 80 hours a week, seven days a week. Despite the grueling schedule and unstable earnings, by the end of the first year, when her lease was to be reviewed, she decided to try another two years. The holidays had buoyed her, and she added, with a laugh, “It could only get better from where it started.” That said, Zuniga burnt herself out the second year with her workload and made the strategic decision to hire people to help in the shop. Though staffing is one of the biggest line items in her budget, she believes the benefits outweighed the cost. Despite being “shackled” to the shop, she says the best thing about being a shop owner is flexibility. “I’m a hard worker, but I don’t have to keep going 110 percent all the time,” she said. She allows herself time to power down or take a break.

Wall-mounted terrariums and planters share a cozy corner of the shop with dried pressed flower earrings.

Wall-mounted terrariums and planters share a cozy corner of the shop with dried pressed flower earrings.

She has since pulled back doing events because of the time and effort involved and competition with larger events companies, and is investing more time showcasing her shop, which she feels needs her support to keep it going. This year she plans on cutting back on the number of events she produces in order to enjoy the few that she plans to take on. The wedding events that were the most memorable for her were the ones in which she was granted creative license. She has done a number of weddings at the Piedmont Community Center, but one in particular enabled her to use brilliant colors and planted materials such as succulents and ferns. “I really enjoyed having the space to do what I wanted to do,” she said. She also did a wedding in Moss Beach, which enabled her to enjoy the drive down the coast and then transform a garden into a vibrant place with washed-up wood that the bride had collected on the beach and had Zuniga incorporate into the floral arrangements.

The shelves are stocked with glassware, jewelry, natural bath and body products, and more goodies.

The shelves are stocked with glassware, jewelry, natural bath and body products, and more goodies.

Taking risks and “throwing up some dust and some dirt”
Zuniga touts the support of her husband as being very significant in her decision to start her own business. When she and her husband first got together, she was the breadwinner while he was trying to get his business going. When his San Francisco-based video production company, Corduroy Media, finally turned and grew, the strain of being the breadwinner eased. “We both have our own businesses now, but I don’t think I would have done it without his business doing well,” she said. When her husband’s business was going strong after its first decade, Zuniga felt it was now her turn.

Gorgeous and Green's San Pablo location before the shop moved to College Avenue.

Gorgeous and Green’s San Pablo location before the shop moved to College Avenue.

She never questioned her decision to open her shop, buoyed with the philosophy that things would take care of themselves. She didn’t worry about being saddled with debt should the business venture not work out. “I’ve been there before and I’ve paid it [debt] off. You just move on and you learn from it,” she said, simply. “It’s just money. But it’s also a chance to be happy and to enjoy what you do and give yourself a chance. You’ll regret it if you don’t [try]. You’ll always regret it.”

If she hadn’t made the change, Zuniga emphasized that she would have missed out on the entire experience – the difficulties and challenges, the enjoyable times, and especially the fact that she overcame so much to get to where she is now. “I continue to do so [overcome adversities], and I surprise myself,” she added. “You just have to put yourself out there.”

Turning serious for a moment, Zuniga noted that society teaches women to eschew being a risk taker. “Part of it is genetic, part of it is maintaining your uterus as a safe space because you want to have children at some point or you might not,” she said, with a laugh. “Evolutionarily, it works that way.” But Zuniga has grown comfortable with embracing risk. “It’s okay to take a risk and not be sure and make big mistakes,” she said. It may not work out, but she says, “At least I jumped on it. I threw up some dust and some dirt, and it will eventually settle.”

Spend a lazy Saturday afternoon checking out boutiques in West Berkeley in a comfy chemise and platform boots made for walking.

Spend a lazy Saturday afternoon checking out boutiques in West Berkeley in a comfy chemise and platform boots made for walking.

A Gorgeous and Green find - a rose necklace made from corn! (Earrings by Carmela Rose and ring from Lava 9, Berkeley, CA)

A Gorgeous and Green find – a rose necklace made from corn! (Earrings by Carmela Rose and ring from Lava 9, Berkeley, CA)

Close-up of the rose necklace made from corn from Gorgeous and Green.

Close-up of the rose necklace made from corn from Gorgeous and Green.

 

Remembering Bailey

If there are no dogs in heaven, then when I die I want to go where they went.
– Will Rogers, American humorist, social commentator, and actor

Our timid Bailey, winter 2000.

Our timid Bailey, winter 2000.

The Milo Foundation used to come to Fourth Street in Berkeley on weekends to adopt out rescued dogs, cats, puppies, and kittens. It was late summer 1999, and I persuaded David to “just take a look.” He was reluctant. I had given up my dog Sydney through my divorce four years earlier because I moved out of the house and into a large apartment complex, where I could not keep a large pet. I grew up with dogs throughout my childhood, and I couldn’t wait to be a homeowner so I could finally have a dog of my own.

I saw “Iggy,” a lab mix, with her sister in a pen. She’d been given that nickname when she arrived, sick with kennel cough, at the shelter. She was a puppy less than five months old, with mostly black fur with a little white on her chest. She was timid but wanting attention and affection. Iggy and her sister were found in a cardboard box, abandoned somewhere in Berkeley. I wanted her. I imagined sitting at my computer, working on my novel, while she slept at my feet. David was adamant. We were not going to be tied down with a puppy. I left, turning around to see her being held by a young woman. Iggy had an uncertain look on her face. I convinced David to return on Sunday, and if by chance the young woman hadn’t taken her and Iggy was still there, it was a sign that she belonged to us.

We went back on Sunday, and miraculously she was still there. We named her Bailey and brought her home. We deduced, when David rolled up a newspaper to swat at a spider on our bedroom wall, that Bailey had been abused. She cowered and her eyes were glassy with fear. She also had abandonment issues, which she never outgrew. It was difficult to leave her in the mornings. We ended up putting her in the kitchen, with sheets over the newly installed cabinets so she wouldn’t jump – she liked to jump – and scratch the panels.

One day I came home and she would not move. I coaxed her down the stairs from the kitchen to the utility room and out into the backyard. She made it to the backyard, but she stopped and winced. I waited for David to come home and then we took her to the vet, where we learned that she had broken her leg in two places. She had surgery and was in a cast. David put down grass in the middle of the yard, as advised by the vet, and we had one of our retired neighbors come by during the day to let her outside. We even left an Etta James concert in the City before it ended because we were afraid to leave her in the house by herself too long. The vet cautioned us before her cast came off that there was a chance her sciatic nerve would be damaged, which meant he’d have to amputate her leg. I saw a three-legged dog in the park and imagined that Bailey could still wag her tail and trot as if she had four legs, just like that happy-go-lucky dog. The whole medical episode cost somewhere in the neighborhood of $1,600, but she was able to walk again, work her paw out from a curled ball, and stop limping.

Walking Bailey the day before giving birth, June 2000.

Walking Bailey the day before giving birth, June 2000.

I was in heaven when I quit my office job in my first trimester. I worked on freelance projects, and on weekends, when pregnancy fatigue hit, I’d lie on the couch, with Bailey – who was a sedentary dog from the beginning – stretched out on her dog bed next to me, white belly up. Those were the salad days. We gave her long walks. She basked in our attention and the homebody lifestyle we took on, as we prepared for our first child’s arrival.

Bailey had slept in our room ever since she was a puppy. It was a game, before my son was born, to try not to stir on weekend mornings because the minute we did she would be at the side of our bed, wet nose poking into our faces. She was just as sleep deprived as we were when our son was born. And she’d let us know how irritated she was by groaning and slapping a paw over her face. With the bassinet in our bedroom, which also doubled as my office, we were feeling overwhelmed and crowded. Adding insult to injury, we put Bailey’s bed in the living room, and that is likely the time she retreated into a state of perpetual depression. Friends who came to our house often commented on how sad she looked, lying on her bed, staring at the world going past her.

Deceptive scene of Rex on top of Bailey.

Deceptive scene of Rex on top of Bailey.

When my son was 21 months old, we rescued our dog Rex, who was a puppy at the time, from the Berkeley Animal Control. Bailey despised him. If I had known anything about dog psychology, I would not have brought Rex home. I thought I was doing her a favor when I returned to work in the City by getting her a companion. The thing is, there were too many companions taking attention away from her. We had no idea until one weekend when I looked out the kitchen window and to my horror saw her chase and pounce on Rex. It is the reason to this day that he can’t be around other dogs. Rex barked all the time and was difficult to handle. Bailey lay on her bed like a cat. In her eyes, she was chiding us: “See, look at him! He’s such a bother! You should have stuck with just me. Look at me. I just lie on my bed and cause no trouble to anybody.” Their beds were side by side in the family room, and whenever Rex got up, Bailey would get up, too, only to stretch her body and take up half his bed. We had to scold her to get her to move back to her own bed. On weekend mornings, I would take Rex on his walk first, while Bailey sat dejectedly, snout sticking out in-between the pickets of the dog gate that kept them in the kitchen. While I walked Rex, she would howl and wake up the kids. No matter that I always returned to give her a walk. She never stopped howling. She never got over being left behind. When my daughter was born, Bailey was in such a state of melancholy that we joked about putting her on puppy uppers – and Rex on doggie downers.

Bailey in need of puppy uppers.

Bailey in need of puppy uppers.

I have fond memories of Bailey. She liked to slink up on the couch when she thought we wouldn’t catch her. One night, in the dark, David sat on her instead of the couch cushion. She used to beg for food at the kitchen table. One rainy Valentine’s Day dinner, we tried to keep her at bay by putting an open umbrella, which she was afraid of, at the kitchen entrance. She inched closer and closer, until her collar got tangled with the metal end of one of the spines of the umbrella. She drew back, and to her surprise, the umbrella came at her. She took off, dashing into the kitchen, under the table, shooting out of the kitchen and through the dining room and around the living room, her eyes bugged out, her hind legs whipping ahead of her front legs. Those are the times I wish I’d had a video camera on hand!

Bailey at rest - her usual state of being.

Bailey at rest – her usual state of being.

Many times when we came home from errands, coming up through the kitchen door, she would be on the other side, prancing around like a horse, her favorite stuffed hamburger squeaky toy in her mouth. I tried to let the dogs hang out upstairs with me in my office library during the day, but a knock, a doorbell ringing, or any other noise would send them barking up a storm. So they were gated in the kitchen. Sometimes I would leave the kitchen gate open, and at a certain time in the late morning she would venture up the stairs, her long nails clicking against the hardwood floors, and I’d wait for her to come around and into my office nook. I would give her a big greeting, to which she responded with a wagging tail, and satiated, she would trot back to her bed in the kitchen. She had the softest, velvety ears, behind which she liked being scratched.

One Friday evening in January of 2011, as we were preparing for our son’s basketball game, Bailey came around from the family room area to the kitchen. She looked tired. But I was in a hurry. I said a few encouraging words to her, and then we were gone. The next day she went on her walk, but she was lethargic. On Sunday, for the first time in her life, she would not get up for her morning walk. In fact, she hardly got up at all. When she did, she dragged herself into the kitchen and peed on the floor. David saw what was happening, but in my mind I thought, well, we’ll just get her pads. When David tried to entice Bailey outdoors to pee to no avail, he ended up resorting to lifting her up beneath her front legs. I’ll never forget the startled – even embarrassed and humiliated – look she exchanged with me as her hind legs dangled beneath her, her tail curled up. The kids spent the night on the couches in the family room next to Bailey and Rex’s dog beds.

I was grateful that we had a long weekend; it was Martin Luther King, Jr. Day and the kids were home from school. We took a lot of pictures of Bailey and made a video of her on the flip camera. I sat on the floor next to her and put her head on my lap, as I stroked her and told the kids stories about Bailey. It wasn’t until the end of day that I realized she had never slept, which was unheard of given how much she sleeps during the day. I was stricken by the understanding that she couldn’t sleep because she was in discomfort. Her breathing had became loud and raspy. It was then that I reached the conclusion that David had already arrived at on Sunday. At dinnertime, we had a family meeting. We would need to take Bailey to the vet in the morning. Numb and not thinking, I agreed to let both kids, who were sobbing over their meals, come with us.

Bailey's last day with us, January 17, 2011.

Bailey’s last day with us, January 17, 2011.

I was going to sleep on the couch that night. Both David and I were working on our laptops in the family room. He insisted that the kids could not go with us in the morning. And I secretly wished that she would pass away peacefully, if only her eyes would close and she would fall asleep. It was around 11 o’clock that night when her breathing turned rattled and sounded wet. She struggled to turn her back on us, and in that act I knew she was dying. I rushed to her side, calling out her name, stroking her head. I was torn because I wanted her to know I was there and yet I acknowledged that she had turned her back on us because she didn’t want us to see. I recalled someone telling me once that animals go into the woods to die alone. But I would not let her think she was alone. Within moments, she threw back her head, opened her mouth wide, let out a rattle, and she was gone.

I don’t remember what happened after that. We wrapped her up in a blanket and took her outside on the porch. We knew we had to move her to the van before the kids got up. So we woke up early in the morning and hurriedly transported her body, but by the time we returned inside, I found my daughter, eight years old, wailing in the middle of the family room, in the spot where Bailey’s bed used to be.

Bailey’s ashes were scattered somewhere in Napa. We held a family ceremony for her, burying a wad of her hair and the hamburger toy in the side yard.

Rex, newly crowned pampered pooch, with his blanket and bed in the library.

Rex, newly crowned pampered pooch, with his blanket and bed in the library.

People say you shouldn’t regret. But initially, regret is an involuntary feeling. It’s the wallowing in regret for a long stretch that steals our time and diverts our feelings for other things. And yet, regret can be a great lesson if we are open to it and know how to use it. I very much regret that we ignored Bailey all those years. She just wanted to be loved because when she came into this world, she was abused and abandoned. Those feelings never left her, no matter that she was safe and loved haphazardly in a household that took her for granted in the course of our busy lives.

Happiness is a warm bed, your Cal pillow, and sticking out your tongue when in a deep sleep.

Happiness is a warm bed, your Cal pillow, and sticking out your tongue when in a deep sleep.

Now we pamper Rex, who was not given a fair shake by Bailey. We’re making up for the abuse he received at the hands of a curmudgeon dog. Rex sleeps upstairs, gets a daily walk instead of only weekend walks, and accompanies me on errands – he gives me a stunned and hurt look when I don’t take him with me. He is photographed more than any other person under our roof. And he gets a lot of attention. He has become the dog who sleeps in the library and who I know won’t bark – though he still has a ferocious bark – while I’m on the phone for work.

Last winter, I noticed his hind legs slipping a little. He has had numerous skin conditions throughout the year that I thought perhaps might be the beginning of the end for him. Numerous vet visits and bills, thyroid and other medications later, and after a switch to non-grain dog food, his sandy coat is as soft as Bailey’s ears. He is still a nuisance around other dogs and manages to get in the way of whatever you are doing. He is nervous in unfamiliar situations and environments, his shaking hind legs a sure sign. I affectionately call him my “dysfunctional boyfriend.” Friends call him “Wreck.”

He is nearing 12 years old. He has been my house companion for a solid two years now. We have our daily routine.

I don’t know when his time will come, when he will join Bailey, who, as my kids joke, is up in doggie heaven, looking down and jealously barking, “No fair!” It will be much harder for me in one sense – though no less heartbreaking – when we reach the end of our walk together, but I know there will be no regret at all. Bailey taught me that lesson.

Ready to walk Rex on a winter morning with over-the-knee boots!

Ready to walk Rex on a winter morning with over-the-knee boots!

Layers, different textures such as waffle knits and flecked leggings, smooth and patent leather, faux fur, antique button ring by Elizabeth Ngo, reclaimed vintage rose earrings by Carmela Rose, and Sundance stack of rings.

Layers, different textures such as waffle knits and flecked leggings, smooth and patent leather, faux fur, antique button ring by Elizabeth Ngo, reclaimed vintage rose earrings by Carmela Rose, and Sundance stack of rings.

Discovering the Contemporary Jewish Museum

I wanted to convey the joy of being a little boy alive on a certain kind of day.
– Ezra Jack Keating, American author and illustrator

We had planned to celebrate my daughter’s belated 10th birthday “party” this past Saturday with a requested family horseback riding excursion. Due to safety issues over the muddy trails, however, we had to come up with alternative. My daughter, who was inviting a good friend of hers to join us, decided on the Yerba Buena Park and the carousel in San Francisco. David suggested that we include going to the Contemporary Jewish Museum (736 Mission Street, San Francisco, CA 94103, 415.655.7800), since it’s located across the street from the Yerba Buena Center. My daughter was less enthused than my son. She announced in a much-too-early preteen tone of voice that she was “done” with museums – which is surprising coming from someone who loved museums and always brought a sketchbook to draw and take notes. We promptly added the Contemporary Jewish Museum to our itinerary.

The architecture of the Contemporary Jewish Museum is stunning (seen from the western end of the building).

The architecture of the Contemporary Jewish Museum is stunning (seen from the western end of the building).

The Contemporary Jewish Museum is a beautiful piece of architecture. There are only five exhibits in the spacious museum, but it’s the right number of exhibits and square footage to soak in the art and not get overwhelmed.

The Snowy Day
One of the current exhibits is “The Snowy Day and the Art of Ezra Jack Keats” (ongoing through February 24th), which we thought the kids would enjoy. Who doesn’t have a copy of the classic urban story about a young African American boy delighting in the beauty and wonder of snow? I read it as a child and read it to my kids when they were young. “I wanted to convey the joy of being a little boy alive on a certain kind of day,” Keats had written of the genesis of the book, which won the Caldecott Medal in 1963. We were treated to original sketches, storyboards, and final illustrations of his many books, which allowed us to see the individual materials that made up his collages, the printed paper he cut out, the thickness of his paint strokes, and the different techniques he employed, including dipping paper into a mix of paint and other liquids to produce a marbled effect.

Breaking up an all-denim foundation with earthy colors - a textured moto jacket and beloved Frye boots, and embellished with hoop earrings from Lava 9 (Berkeley, CA).

Breaking up an all-denim foundation with earthy colors – a textured moto jacket and beloved Frye boots, and embellished with hoop earrings from Lava 9 (Berkeley, CA).

Of The Snowy Day, and also his other written works, he wrote that he was more concerned with “capturing a mood” than in developing the plot of his stories. Given that he admired haikus, you can see the influence. Especially in The Snowy Day, readers understand Peter’s deepest feelings and his world beyond the snow in the spare but evocative words Keats chose to give us.

Displays of letters provide us with a snapshot of the era. The Snowy Day was published in 1962, during the Civil Rights Movement. Many people thought Keats was African-American, and he noted that African-Americans especially were disappointed that he was not. Keats responded to a racist review of his book, which was displayed along with letters of support. Most poignant is a series of letters between Keats and a Japanese mother whom he had met during a book trip to Japan and whose son cherished an autographed copy of one of his books. She wrote to let him know how much her son loved that book – it was his most prized possession and he showed it proudly to all his friends and acquaintances. Keats’s most recently published book was the last book her son read before he was fatally injured in a traffic accident the following day. Keats’ letter to her was achingly heartfelt. He never wrote the book that was to memorialize her son, but his letters paid tribute and the exhibit includes a black-and-white photograph of him offering his respects at the boy’s grave.

Styling an outfit around a necklace by Israeli jewelry designer Ayala Bar.

Styling an outfit around a necklace by Israeli jewelry designer Ayala Bar.

I had no idea that Keats was such a prolific writer and illustrator, with more than 80 books to his credit, and author of 22 of those books. I found his Good is in the Mountain, which was published in 1966 and comprises excerpts of texts from different religions, spiritually nourishing. I have a new and deep appreciation for Keats’ artistry and life – born as Jacob Ezra Keats to poor Eastern European Jewish immigrants in Brooklyn in 1916. Bay Area locals should see this exhibit and his wonderful paintings and illustrations before it closes on February 24th. One hopes this exhibit travels to other cities. Keats and his work deserve a wider audience.

The Radical Camera and Black Sabbath exhibits
The other exhibits appealed to both David and me and the kids, which is a rarity to find a museum that appeals to all family members across all exhibits. “The Black Sabbath: The Secret Musical History of Black-Jewish Relations is in a big open room – conducive to dancing, in which my daughter and her friend indulged – with an antique piano and four tables equipped with iPads and headphones. You had a choice of listening to three African-American musical genres from the 1930s to the 1960s, which were influenced by Jewish music, life, and culture. In the playlist “Heebie Jeebies,” for example, you can catch the integration of Yiddish and Black jive during the swing era by such artists as Cab Calloway.

Keeping it simple to showcase Ayala Bar's necklace - J. Crew hot pink velveteen blouse, Club Monaco gold pleated mini and sparkly clutch, Elizabeth and James platforms in a neutral color, Carmela Rose earrings, Sundance bracelet, and rings by Lava 9 (Berkeley, CA) and BCBG Max Azria.

Keeping it simple to showcase Ayala Bar’s necklace – J. Crew hot pink velveteen blouse, Club Monaco gold pleated mini and sparkly clutch, Elizabeth and James platforms in a neutral color, Carmela Rose earrings, Sundance bracelet, and rings by Lava 9 (Berkeley, CA) and BCBG Max Azria.

David, who shares an appreciation of black-and-white photography with me, loved “The Radical Camera: New York’s Photo League, 1936-1951.” The exhibit comprises the work of more than 50 Photo League members, who embraced an aesthetic that honored realism and the documentary, and married social activism and art. The photographs capture the harshness of the Depression, World War II, Jim Crow, and the Red Scare periods of our history. This exhibit celebrates historical documentation through the beauty of black-and-white photography.

StoryCorps
Finally, I’m glad we ventured down one short wing of the museum on the first floor. At the end of a well-curated exhibit by contemporary Jewish architect Stanley Saitowitz is the StoryCorps StoryBooth. Amazingly and lucky for us locals, the Contemporary Jewish Museum is the first museum to host one of its recording booths. If you have listened to some of the recordings on National Public Radio (NPR), you are familiar with the largest oral history project in the country, capturing ordinary people’s lives and histories in their own words. A TV monitor played a loop of recordings that were translated into animated shorts. David and I wanted to keep watching, too, after shedding a few tears over some of the stories – particularly the one of the older couple from Brooklyn whose love remained strong throughout their many decades of marriage, even after his untimely death by cancer; the letters he wrote to her every day of their time together was replaced with the thousands of letters she received from NPR listeners when they heard about his passing, which she reads one a day. But we had to pull the kids away in order to see the rest of the museum. I brought home a postcard with information to reserve an interview time. Hopefully, the booth will still be there in the summer when my sister visits from San Antonio and we can record and preserve our parents’ immigrant lives.

We will certainly return to the Contemporary Jewish Museum. For locals, if you’ve never been, I highly recommend it. If you’re planning a visit to San Francisco, this should be on your list of destinations.

Ayala Bar's three-in-one necklace comprising glass beads, Swarovski crystals, mineral stones, fabric, and metal. It has a boho feel to it.

Ayala Bar’s three-in-one necklace comprising glass beads, Swarovski crystals, mineral stones, fabric, and metal. It has a boho feel to it.

Engaging with grace

Life is pleasant. Death is peaceful. It’s the transition that’s troublesome.
– Isaac Asimov, American science fiction writer and biochemistry professor

Mixing black and gray for the holidays, 2011.

Mixing black and gray for the holidays, 2011.

My mother’s passing still haunts me one year later. It is what I had expected. But last week, a number of events have kept me thinking about the other side. A good friend let me know that her elderly mother had been very sick and in the hospital for three days. She is thankfully recovering now in her assisted living facility. Another good friend texted me that a mutual friend, whom I hadn’t seen in a few years, was in the ICU, having suffered congestive heart failure and a stroke. And last Wednesday, as I was running an errand, I saw the result of an accident that must have happened mere minutes before I turned on the corner – a covered body on the street, an inconsolable woman standing on the sidewalk, and police cars redirecting traffic. The wail of a fire truck siren followed soon afterwards.

These events made me think about how things can twist and turn in a blink and take you down a different, sometimes dark, path – thoughts that seem to be especially prevalent as the years march on. Can we really ever be prepared for such tragedies?

Anatomy of black and gray: one o my favorite faux fur jackets, suede booties, and statement necklace from Anthropologie.

Anatomy of black and gray: one o my favorite faux fur jackets, suede booties, and statement necklace from Anthropologie.

In the fall of 2008, I attended the Health 2.0 conference in San Francisco as a reporter for my work. I wanted to cut out before the end of the first day of the conference, but something compelled me to stay for the last presentation. Alexandra Drane, founder and president of Eliza, began talking about her sister-in-law, who at the age of 32 was diagnosed with stage IV glioblastoma. I won’t tell you the rest of the story. You can read it and watch it here. Alexandra shared this poignant story amid many tears in the audience – both men and women, including the young mother who was sitting at my table. Alexandra helped found a viral movement, a nonprofit organization called Engage with Grace, which entreats us as family members and friends, with great humanity and love, to discuss end-of-life care. She asked that we answer the five questions brought up on the website, download the slide and share the story, and “get the conversation started.”

I was incredibly fortunate two years later to actually interview Alexandra at the same conference. I excitedly told her how moved I was by her presentation. Then I told her about my father’s passing, and how he died in his hospital room while we were on our way. I had always regretted – and I know my mother did, too – that he was alone. I told her that after his death, my sisters and I tried to talk to her about planning for her own passing, but she would hear none of it. It was bad luck to talk of such things. So that was the end of it. I then told her that after hearing her presentation, I brought it up to my mother the next time I visited her. (Little did I know that four years earlier, in 2004, she had written out her wishes for end-of-life determination. To this day, I don’t know what triggered her to decide what to do and to write it down, but I am grateful that she did.) Again, I was met with a rebuke for talking about such matters out in the open. That was the end of the discussion.

A very cold Northern California winter, January 2013.

A very cold Northern California winter, January 2013.

I also told Alexandra that after the conference, when I returned home that evening, I sat down and wrote about the presentation and the movement and send out a group e-mail to all my women friends. David and I filled out our advanced healthcare directive and dutifully sent it out to family members and our physicians. We and our family know what we want to do should we find ourselves in that difficult position.

But whereas advanced healthcare directive maps out what you do or don’t want to have done to you, there is no place on the form that asks you where you want to be when your life is coming to an end. It should. I recognize, however, that even if it did, their wishes may not be fulfilled.

My mother wanted to go home. She couldn’t really talk, but she mouthed it. It was plain to hear through the garble. It was obvious in the shape of her chapped lips. At first, my sisters and I thought she meant she wanted to go home to recover, not recover in the hospital. My sister, whom she lived with, brightly told her she needed to regain her strength before she could come home and, as an incentive, kept encouraging her to do her physical therapy, which my mother refused to do when the therapist came to her room. (My mother would look away, disinterested, and play opossum, but the moment a Filipino caregiver came into her room, she smiled, nodded her head, and weakly waved.) As my mother encountered setback after setback, I realized that she wanted to go home to die. She was done fighting, she was tired, she had told us as much with her eyes and her distorted speech, and she had nodded when we asked her, though we were not ready to let go.

When I was alone with her, on my watch, she told me again she wanted to go home, as if I was her only hope. I awkwardly asked my sister to grant her wish. My sister gave various reasons why it was not a good idea to bring her home. And then remembering Engage with Grace, I asked both of my sisters to watch the video and to consider the message. My sister finally responded. She respected the message, but she could not bring herself to do it. I was sad, but I totally understood where she was coming from. It was her home. It was her decision, not mine.

In the end, it was she whose stoicism failed her the night we let our mother go, not I – the “crybaby” of the family when we were growing up. It was she whose voice broke when we each eulogized our mother at her memorial service. And it was she who has to wake up every morning and go to bed at night in the house in which my mother would no longer walk in and out – her bedroom door, closed and white, which my sister would have to face coming in from the garage, like a canker sore on the heart.

If only we had discussed the matter when we weren’t in such a difficult situation. Maybe the outcome would not have changed at all. I don’t know. And in not knowing, and while still haunted, I can only spread the word. Engage with grace. There is great comfort in knowing what your loved one wishes and that there is time to prepare to honor their wishes.

Engage with grace. Amen.

Keeping the winter chill away with faux fur jacket and scarf (Restoration Hardware) and leather (Frye booties) and warm gold (necklace and bracelet by M.E. Moore and Monserat De Lucca crossbody bag).

Keeping the winter chill away with faux fur jacket and scarf (Restoration Hardware) and leather (Frye booties) and warm gold (necklace and bracelet by M.E. Moore and Monserat De Lucca crossbody bag).