Insect love

Checking out the insects in our backyard, in navy lace short jacket, maize silk skirt with linen appliques, and amazingly comfortable Frye platform sandals.

Checking out the insects in our backyard.

As Gregor Samsa awoke one morning from uneasy dreams, he found himself transformed in his bed into a gigantic insect.
– Franz Kafka, The Metamorphosis

I know how beneficial spiders are, but it doesn’t mean I have to like them. I’m okay with daddy-longlegs, but any hairy spiders in the house are destined to wind up in the vacuum cleaner bag with lots of dog hair. Spiders belong outdoors and not in my house. I’m arachnophobic; just ask my old college roommates about how much I fear spiders! All other insects are interesting when they are also outdoors and not in my house, and not in my son’s room, where a tarantula exoskeleton, which once belonged in my mother-in-law’s classroom when she was a teacher, resides. I suggested to my son that he donate it to his science teacher’s classroom. If this is how I feel about insects, how to explain my love of jewelry inspired by insects? I don’t have an answer for that.

Vintage reclaimed spider bracelet by M.E. Moore (Gorgeous & Green, Berkeley), beloved cicada necklace by Lotta & Djossou (Lava 9, Berkeley), and cicada ring (End of Century, NYC).

Vintage reclaimed spider bracelet by M.E. Moore (Gorgeous & Green, Berkeley), beloved cicada necklace by Lotta & Djossou (Lava 9, Berkeley), and cicada ring (End of Century, NYC).

It all began a few years ago when I was browsing the display cases of jewelry at one of my favorite accessories shops, Lava 9 in Berkeley (1797 Solano Avenue, 510.528.5336). I came across a sterling silver cicada on a long chain. I didn’t get it then, but months later, when I returned to purchase it, the sales person informed me that it had sold. I was disappointed, even as she told me there was a chance the store could order it from the Swedish company, Lotta & Djossou, though it was from a collection from a previous season. As I turned away, I caught sight of some jewelry at eye level in a glass case on the main counter, and lo and behold, there was the cicada in all its etched glory. The necklace apparently had made its way from Lava 9’s San Francisco store to the Berkeley store. Just for me.

Jan Michaels loves insects as much as I do: bumblebee cuff (Philly) and necklace and pin (Lava 9).

Jan Michaels loves insects as much as I do! From left to right, bumblebee cuff (purchased at a Philadelphia shop on North 3rd Street) and necklace and pin (Lava 9).

There was something about it that reminded me of both the Victorian and Art Nouveau eras. It was edgy yet romantic, something Stevie Nicks would have worn back in the early 1970s. Two years ago, I met a local woman as part of a consumer group for a retail clothing and accessories company at their headquarters in Philadelphia. She was wearing a vintage Art Nouveau butterfly necklace. It was stunning – the kind of jewelry that you wear alone, and if you did wear another accessory it would be deemed fashion blasphemy. She told me she had admired the piece for a long time, and then when the vintage shop owner decided to close her business she gave the necklace to her. I stopped short of asking her to name her price, though I knew such a request would be futile. Thus began my hunt for a vintage butterfly necklace via eBay, Etsy, and antique and vintage shops – all in vain so far.

Dragonfly necklace and beetle cuff made from reclaimed metal by Alkemie of Los Angeles.

Dragonfly necklace and beetle cuff made from 100% reclaimed metal by Alkemie of Los Angeles.

Butterflies and cicadas. Soon bumblebees in earrings from Anthropologie and an ornately wrought cuff became part of my insect jewelry collection. I got the bumblebee cuff while in Philadelphia and got a good laugh when the sales person told me the artist was Jan Michaels from San Francisco and not from a local jewelry designer. Then I added a dragonfly and a beetle, both from Alkemie, to my small but growing collection. Beijo Brasil makes beautiful butterfly earrings and necklaces out of translucent resin. I found a cicada ring at End of Century in New York last fall. I was tempted by a couple of thick sterling silver cuffs with row upon row of beetles, but I didn’t succumb, at least not that visit. And then I came full circle to Lava 9, adorned with more winged insect jewelry.

Bumblebee necklace (Fossil), bumblebee and rhinestone studs (Anthropologie), translucent resin butterfly necklace by Beijo Brasil (De Young Museum, San Francisco).

Bumblebee necklace (Fossil), bumblebee and rhinestone studs (Anthropologie), translucent resin butterfly necklace by Beijo Brasil (De Young Museum, San Francisco), and winged insect necklace (Lava 9).

I’m pretty particular about the look and feel of insect jewelry. I’m drawn to both Art Nouveau and Art Deco, vintage and edgy. I’m still in search for that perfect vintage butterfly necklace. If you share a love for insect jewelry, I welcome you to share it with me and other fellow admirers. If you can’t shoo insects out of the house, adorn them on your fingers, wrists, and around your neck.

Piling on the insect jewelry!

Piling on the insect jewelry!

Flamenco for building strong, confident girls and women – ole!

To dance is to be out of yourself. Larger, more beautiful, more powerful . . . . This is power, it is glory on earth and it is yours for the taking.
– Agnes De Mille, American dancer and choreographer

My friend Tana (in turquoise and black) performing their flamenco dance.
My friend Tana (on the left in turquoise and black) performing her group’s flamenco dance (photo credit: Kim Schartz).

My daughter has been taking flamenco classes for the last five years – since she was in kindergarten – through our school’s after-school enrichment program, thanks to our good friend Tana Hakanson, who brought her flamenco teacher to the program. I have always admired this dance form because of its energy, rhythm, complexity, and – to paraphrase Tana’s reason for her love of flamenco – its ability to convey such strength and confidence, which is really important for girls to gain at a young age. She and her fellow classmates, and the rest of her instructor’s troupe, performed at the International House on Cal Day at UC Berkeley this past Saturday. Many other groups danced, but flamenco brought the house down. In fact, every time I’ve attended their performances as part of a multi-cultural dance program in other venues, flamenco gets the audiences clapping and smiling. It is, after all, a dance that invites and thrives on the audience’s participation. And you can’t help but admire the difficulty of the footwork and foot speed, and the guitar, which can also be frenetic, and the soulful, passionate singing – cante flamenco – which is, in fact, the heart and soul of genre.

Flamenco is both graceful and strong.

Flamenco is both graceful and strong (photo credit: Kim Schartz).

David and I spent our honeymoon in Spain, a destination decided upon when one of our colleagues from our Madrid office – many years and jobs ago for me – offered his congratulations and his second home on the Costa del Sol for our honeymoon upon learning of our engagement. We met up with our gracious host and his wife in Madrid and got our fill of the wonderful museums, including, of course, the Prado. We drove to the Costa del Sol, enjoyed the sun in the afternoons. We relaxed in Granada, admiring the Palacio de Generalife and the Alhambra. In Barcelona, we marveled at Gaudi‘s architectural wonders, particularly the Sagrada Familia.

Plaza Espana in Parque Maria Luisa, Sevilla, Spain.

Plaza Espana in Parque Maria Luisa, Sevilla, Spain, September 1998.

And yet, my favorite city in Spain was and still is Sevilla. There is something other-worldly about its lush palm trees, river life, thick heat, and Moorish history and architecture. We stayed in a quaint hotel with the rooms overlooking the tiled courtyard. We got tickets to see a flamenco show and were treated to a marathon performance so intense, we could see the sweat flying off of the male dancer’s long hair. I remembered being so overwhelmed by their energy and their ability to move their feet so quickly and expertly while their faces were serene and yet passionate and in command.

On the fashion front, I love the full, swishy skirts, the bold and colorful flowers in the slicked-back and swept-up hairstyles, the long-fringed and equally colorful, floral shawls – worn with the corners pinned in front or wrapped around so that the designs are shown in front – the seductive fans, the dangling statement earrings, the castanets, and, of course, the simple but strong-silhouetted flamenco shoes. I love how the dresses and skirts can be so unique and yet together the outfits complement one another. You don’t have to be a flamenco dancer to try components of this style (just not all at once or else it comes off costumey)!

If I were going to Sevilla in the spring, I'd wear this comfortable outfit.

If I were going to Sevilla in the spring, I’d wear this comfortable outfit. Straw hat, colorful top, and bold sandals are required elements.

I greatly admire Tana’s commitment to flamenco, and I enjoy watching her dance and helping the girls with their form. The girls are very lucky to have such a unique dance class available to them at their age. And while I would love to take it up in the copious spare time I don’t have, I strongly recommend flamenco to women who want to be strong for themselves and for moms who wish to instill those traits in their daughters. Ole!

Bright fiesta colors are complemented by gold jewelry - earrings from Lava 9 in Berkeley and dragonfly necklace by Alkemie of Los Angeles. A golden smile, though, is always the strongest accessory.

Bright fiesta colors are complemented by gold jewelry – earrings from Lava 9 in Berkeley and dragonfly necklace by Alkemie of Los Angeles. A golden smile, though, is always the strongest accessory.

National Poetry Month: Book spine haiku, Volume 1

Poetry is what gets lost in translation.
– Robert Frost, American poet

April is National Poetry Month and to celebrate creation and beauty (amidst destruction and sadness but also hope and humanity in and outside of Boston), I’m posting volume 1 of book spine haikus. My friend Kathy introduced me to this very fun form of poetry making. You form the three-line poem by using the titles of three books, following the 5-7-5 syllable format. It’s also fun to find out what books people have on their bookshelves.

This post features six book spine haikus, two each by friends of mine and two by me. I’ll be posting subsequent volumes, so if anyone wants to contribute, I’m happy to receive them. I have more of my own to share, as well. This is a great exercise – not unlike a puzzle – to try to make some sense of three existing lines. Some of us were also trying to see if we could make two of the book titles describe or summarize the third title. Yet other suggestions included using books by just one author or married authors.

The first two are from my friend Kathy Verschoor. The next two are from my friend Barbara Hanscome (we go way back to my first job as an editorial assistant for a business-to-business publishing company in 1991). And the last two are mine.

Send in your contributions! And “like” and “share” these book spine haikus on Facebook if you enjoy them!

Kathy's first book spine haiku.

Kathy’s first book spine haiku.

 

Kathy's second book spine haiku.

Kathy’s second book spine haiku.

Barbara's first book spine haiku.

Barbara’s first book spine haiku.

Barbara's second book spine haiku.

Barbara’s second book spine haiku.

My book spine haiku.

My book spine haiku.

My second book spine haiku.

My second book spine haiku.

 

This outfit has a beatnik sensibility to it: Vegan leather and real leather, lace and ruffles, reclaimed vintage jewelry, and black and white.

This outfit has a beatnik sensibility to it: Vegan leather and real leather, lace and ruffles, reclaimed vintage jewelry, and black and white.

 

Beatnik outfit collage of opposites: Black and white, leather and lace, contemporary and reclaimed vintage.

Beatnik outfit collage of opposites: Black and white, leather and lace, contemporary and reclaimed vintage.

White vegan peplum top is the perfect canvas for this reclaimed vintage necklace by jewelry designer Michael Hickey (Feather, Austin).

White vegan peplum top is the perfect canvas for this reclaimed vintage necklace by jewelry designer Michael Hickey (Feathers, Austin).

Beyond the seven-year plan

I never made one of my discoveries through the process of rational thinking.
– Albert Einstein, theoretical physicist

Now that the weather's warm, unabashedly throw lace and flowers together.

Now that the weather’s warm, unabashedly throw lace and flowers together.

The other night I was thinking about what I would blog about for Friday’s entry. I have several irons in the fire, so to speak, but none fully formed to post. I told myself that I can always “go fishing” again if I wasn’t inspired. And then my sister Heidi called yesterday morning, and in our conversation she marveled at the fact that three months ago she would have scoffed if someone had told her she would be spending her retirement from elementary school teaching, at age 53, investing and working on new business ventures. We were talking about what we had planned to do and what things we stumbled into. It got me to thinking about my “seven-year plan,” which I had never told her about but shared with her on our call.

When I was a senior in high school, my two older sisters were already in college. My mother told all of us that she and my father, retired since I was 10 years old, could not afford to send any of us to a four-year university. We had to attend the junior college in the next town over for two years and then transfer to a university. Fair enough. I held a 20-hour-a-week job at a dry-cleaner shop and loaded up on classes every semester. There was not much to do in either my hometown of Terra Bella or the next town over, Porterville, but I was bound to be productive. And I was bound to get over my painful shyness and introversion, and bust out of my small town. I dreamed big and developed this seven-year plan, which commanded that after graduating from Porterville College, I would attend UC Davis, join the Peace Corps for two years, work for a year to earn money since I wouldn’t have any after volunteering, and then go to a creative writing program (see my Welcome to the Dress at 50 page).

Trying out my vintage dance card pencil pin with reclaimed vintage button ring, and vintage Weiss earrings.

Trying out my vintage dance card pencil pin with reclaimed vintage button ring, and vintage Weiss earrings.

I ended up staying in school three years at Davis, working a year at the UCD law library the year after graduating, and going to Alaska and then San Francisco for my two years of volunteering with the Jesuit Volunteer Corp. instead of Africa with the Peace Corps. Minor adjustments. But I would stick to my plan of attending a creative writing program, which I did. I had met my first husband while a JVC volunteer in San Francisco. Our organization, a prisoners’ rights union run by a Jesuit priest, worked with my husband’s criminal justice nonprofit, and I very much admired his passion and commitment to social justice. His family was from Syracuse, and I chose Syracuse’s creative writing program because of a certain well-known writer in residence and the fact that the university paid my way via a teaching assistantship. The location ended up being central to cementing the relationship, as I grew very close to his parents.

Navy and orange go well together. Think Syracuse! A nude Mad Men pump ties it all together.

Navy and orange go well together. Think Syracuse! A nude Mad Men pump ties it all together.

After graduation, I returned to San Francisco. It was the natural thing to do. But it was also the end of my seven-year plan. I did not have goals or concrete plans after that very precise list of things to accomplish. I assumed I would get married, get a job, buy a house, and raise a family. Indeed, on the cross-country drive home, my husband proposed to me. I have asked myself a number of times long ago – and then recently while on the phone with Heidi – why I slipped into the pattern of get married, get a job, buy a house, and raise a family. It was a comforting life plan, and perhaps I didn’t trust myself enough at the time to think I could really succeed as a writer. Sure, I could write stories in an undergraduate fiction class or get into a creative writing program. That wasn’t hard, and at times it didn’t seem like “the real world.” It seemed, at least or me at times, that we were just pretending to be writers in this artificial environment. But could I get published? Could I be bold enough to say, I am a writer, and really mean it? Did I have the perseverance and patience?

You can make lace on lace work by mixing the colors.

You can make lace on lace work by mixing the colors.

The short answer was no. I was too much of an amateur. I didn’t trust myself or have confidence in myself, especially after being told in my last semester by a cantankerous poet and professor that I didn’t know how to write. This manifested itself in my not writing at all. I remembered the nervous laughter my fiction-writing friends and I exchanged when we told one another to keep writing after leaving Syracuse. Of course, we would. More nervous laughter.

Another way to break up lace on lace is with accessories: The Edwardian-era purse and mottled brown (animal print) bring more texture and interest in vintage and contemporary.

Another way to break up lace on lace is with accessories: The Edwardian-era purse and mottled brown (animal print) bring more texture and interest in vintage and contemporary.

There is a certain comfort, after going bold, in burrowing in a secure place. What if I had stopped myself and said, this is not where I should be going. When I told my co-worker – at her wedding reception, no less – that my husband and I had separated, all she could say was, “Oh, Patty!” in a forlorn yet knowing voice that deflated me. Months later, she brought up a time during my wedding planning when we were riding up an escalator at the Union Square Macy’s during our lunch break. I had looked off into space and said to no one in particular, “Is this all there is?” My heart broke when she told me. Soon other co-workers reminded me of the many times I showed up to work in the mornings with red eyes and a swollen face from crying. We were not compatible in marriage and indeed had different ideas of marriage. I was unhappy, stunted in every aspect of my life, and I did not know what to do.

I remember scoffing at my husband at the time of our separation when he concluded that one of the problems was that I had married too young, had only been in two serious relationships, and had never really lived on my own. I was 29 years old at the time; how could that be too young? But he was right. I should not have stopped at seven years with my dreams. I should not have entered a place that I wasn’t ready to be. In fact, I had retreated to this place.

A bejeweled collar ties together a striped pink and cream casual blouse and green faux ostrich handbag.

A bejeweled collar ties together a striped pink and cream casual blouse and green faux ostrich handbag.

To be clear, I am not advocating not getting married or having a family. I am advocating getting married because you and your partner love one another very much and want to spend the rest of your lives together, learning, exploring, sharing dreams big and small, and helping each other achieve those individual and combined dreams. And if one of those dreams is to buy a house and raise a family, that’s fantastic. But at the same time, job, marriage, home ownership, and family should not be taken on because that’s what people do, that’s what our parents did. Or because at the time it was safe and comfortable. All of those things should not blunt who you are or want to be.

The dreams, the goals, of becoming the person we are meant to be should never end. Don’t stop at a certain timeframe. First and foremost, take time to bloom as a person – the other stuff will either happen or not. But don’t force it. Instead, focus your energies on dreaming big. Go bold. Never give up. It’s never too late, no matter your age, so long as you are young in spirit.

A close-up of the bejeweled collar (Anthropologie) and Carmela Rose bird and sphere earrings.

A close-up of the bejeweled collar (Anthropologie) and Carmela Rose bird and sphere earrings.

Skagit Valley: Tulip fever and antique sleuthing

I perhaps owe having become a painter to flowers.
 Claude Monet, founder of French Impressionist painting

A sea of Skagit Valley tulips.

A sea of Skagit Valley tulips.

April 1st marked the beginning of the month-long Skagit Valley Tulip Festival. Kathy forewarned me that seeing the fields of tulips would likely be marred by tourists – from Canada, other parts of Washington, and far-flung places – who would create a parking lot out of the two-lane road to the picturesque town of La Conner, our eventual destination. We were “saved” by the rain, which never really let up most of the time I was visiting. While the rain deterred us from taking hikes along the waterfront or in the mountains, it not only kept the tourists at bay in the tulip fields but it was ideal weather for catching up with good friends over mugs of hot tea.

Farm workers harvesting tulip bulbs.

Farm workers harvesting tulip bulbs.

It was a little early for the tulips’ full glory, but the rows of vibrant colors – red, yellow, purple, and pink – were still breathtaking. We didn’t have to fight any crowds over the views while snapping photos. And we had a little respite from the rain as we stopped at one of the gardens on display, Tulip Town. I didn’t know that the area was known for its tulips, which were first grown in 1906 with Dutch bulbs. The tulips became part of the seed production industry that included beets and cabbage. Taking advantage of the increasing crowds that were coming every spring to view the spectacular colors, the Mount Vernon Chamber of Commerce created the festival in 1984, and in 1994 it became its own entity.

Nasty Jack's Antiques' impressive building.

Nasty Jack’s Antiques’ impressive building.

Visiting La Conner
Along the way from Mount Vernon to La Conner, we were treated to fields of yellow daffodils in full bloom. We had a nice leisurely late lunch at the La Conner Brewing Company (117 South First Street, 298257, 360.466.1415) – enjoying a hummus plate and wild coho salmon filet sandwich with thick-cut fries and coffee and tea, of course. We meandered in and out of the myriad rooms that comprise the large building that is Nasty Jack’s Antiques (103 East Morris Street, 360.466.3209). If you’re looking for old magazines, unusual vintage furniture, steel and wooden type set blocks, and reproduction badges, bottle openers, and key chains, this antique shop is for you. It’s also a great place to window shop.

Bold and beautiful earrings handmade by Miao Chinese artisans.

Bold and beautiful earrings handmade by Miao Chinese artisans.

Unfortunately, we didn’t have enough time to go to the La Conner Quilt and Textile Museum housed in the historic 1891 Gaches Mansion (703 Second Street, 360.466.4288) before they closed, but this museum will be a destination next time. To help celebrate the tulip festival, the museum hosts a quilt or fiber art piece tulip festival challenge, a fundraiser that benefits the building of its Commemorative Brick Pathway. One of Kathy’s favorite shops is the Caravan Gallery (619 South First Street, 360.466.4808), which has an unbelievably large and colorful selection of jewelry, handicrafts, and artifacts from overseas adventures – from multi-colored beaded cuffs and long, multi-strand, gold-beaded necklaces crafted in Bali to silver earrings and bracelets handmade by the Miao Chinese, and ethnic minority living in the southwestern mountains in China. The shop features a garden patio and waterfall, which is a great place to sit down, take a deep breath, and relax.

The soothing waterfall and garden at Caravan Gallery, La Conner, Washington.

The soothing waterfall and garden at Caravan Gallery, La Conner, Washington.

Antique sleuthing
We ventured to a few more antique shops in downtown Mount Vernon, particularly Dilly Dally Antiques and Collectables (501 S. First Street, Mount Vernon, 98273, 360.336.8930). On the lookout for chatelaine pieces, Kathy spotted a pencil – with the lead intact – in a slim silver case that was attached via a very thin, working retractable chain to a round silver pin with an etched floral design. The tag described it as a sales clerk’s pencil, which was approximately 3 ¾ inches long. It was quite an unusual find, as we’d never seen such an item. When we got back to Kathy’s house and were on opposite sides of her dining room table, our respective laptop and tablet before us, we began a spontaneous quest, trying to find out more about these pencils.

Vintage pencil pin: Who used it? A librarian, sales clerk, or gal on the dance floor?

Vintage pencil pin: Who used it? A librarian, sales clerk, or gal on the dance floor from yesteryear?

Kathy had introduced me to Pinterest the day before and was looking at images on that platform. She found a handful on Etsy and eBay, some with different descriptions – 1940s dance card pencil and librarian mechanical pencil – both of which made sense to us. While the one at Dilly Dally did not have any markings on the back of the pin, many that we found were produced by Ketcham-McDougall, of East Orange, NJ. One had a patent date of February 24, 1903 (coincidentally, that’s my birth date!) and was manufactured in 1910. It definitely looked like an antique, whereas the silver pencil pin had a sleek mid-century sensibility to it.

Personally, I subscribe to the more romantic description of the dance card pencil from the 1940s and 1950s. Perhaps Violet Bick used it to try to get George Baily to sign her dance card the night that he laid eyes on and instantly fell in love with Mary Hatch in It’s a Wonderful Life. It is imagining who had this item, what they were like, and what kind of life they led that makes learning about, collecting, and appreciating vintage and antique items so enjoyable, particularly from a writer’s perspective. It was a fun exercise spawned by a vintage find and made special by having shared it with a dear friend.

A respite from the rain in the tulip fields.

A respite from the rain in the tulip fields.

When it rains in Bellingham, antique shops beckon

The best mirror is an old friend.
– George Herbert, Welsh-born English poet, orator, and Anglican priest

Kathy and me, Village Book Café, Bellingham, Wash., April 2013.

Kathy and me, Village Book Café, Bellingham, Wash., April 2013.

The last time I saw one of my best friends from high school, Kathy, was five years ago, when my kids were seven and five years old and we spent their spring break visiting with Kathy’s family in Mount Vernon, Washington. My kids are on their spring break now, but while they are back home with David, I am on a much-needed girlfriend trip to uplift my ragged spirits. It’s been five years, but really good friends pick up the conversation as if no time or distance has separated them at all. Such is the case with Kathy and me.

The heart of Old Fairhaven in Bellingham.

The heart of Old Fairhaven in Bellingham.

We have always shared a love for books and reading, writing poetry and fiction, art, the lost art of letter writing by hand, and thoughtful conversation. That has certainly not changed. But through the years, we – Kathy earlier than I – have developed a love for vintage and antique objects. She shared with me a beautiful Art Nouveau cast-iron inkwell, which was an earthy green color, with women with flowing long hair on either side of the inkwell, and the trademark sensuous curves and lines. There were other treasures, too, including pieces of a chatelaine for housekeepers, which date back to the 1700s – a miniature notebook with an Art Nouveau stamped silver cover on a chain and a silver needle holder that both attach to a brooch or belt – and vintage books.

Fairhaven Antique Mall in Old Fairhaven, Bellingham, Washington.

Fairhaven Antique Mall in Old Fairhaven, Bellingham, Washington.

We drove to Bellingham to have a nice meal with her youngest, Patrick, who is a freshman at Western Washington University and who was in eighth grade when I last saw him. We had planned a nice long scenic walk along the waterfront, but during our meal at the Village Books café the light drizzle turned to rain and then a downpour. That determined the remains of the day – seeking shelter in some of the historic buildings whose shops showcase local artists. And then Kathy took me to the Fairhaven Antique Mall (1201 11th Street, Bellingham, WA 98225, 360.922.7165), which is run by owner and buyer Lisa Distler and features more than 20 dealers. A lot of antique malls can be overwhelming, but Fairhaven Antique Mall was fairly well curated. (You can check out its Facebook page here.)

Art Nouveau hand-tooled handbag.

Art Nouveau hand-tooled handbag.

Distler has been in the antique business for more than 15 years and knows her stuff, having researched brands the old-fashioned way through books. I love hanging out in an antique store when the people who work there talk knowledgeably and lovingly about the treasures you fall in love with – because they love them, too. And in true antique spirit, Distler said her family hasn’t had a TV in the house since the 1980s, doesn’t have a computer, and writes out receipts on one of those thick and heavy steel boxes with a window and a slot to pull the receipt out of. For one fantastical moment, I considered this four-foot-plus trophy with a golden woman standing atop an open sphere with a base of long, blade-like mirrors and also a pink alarm clock with double-bells on top made in West Germany.

The etched cover of an antiqued compact purse.

The etched cover of an antique compact purse.

If you recall the hand-tooled purse from Feathers in Austin, you will understand my immediate attraction to a similar purse, which Distler explained was from the Edwardian era (1901-1910), though the Feathers purse was supposedly from the 1930s or 1940s. You can definitely see the Art Nouveau decorations on the front. It is missing its matching mirror, which the Feathers purse has, but this beauty was in excellent condition, from lining to latch to whipstitch. There were other beautiful purses, as well, a 1940s beaded purse with a hard frame and floral needlepoint, a flapper-era beaded purse shaped like a drawstring bag, although the opening was a metal cap that when lifted allowed the steel accordion frame to fan out and allow you to access the contents, and a sweet, small, beaded ivory purse with a kiss-lock metal frame that sported a ring, which women wore while whirling around on the dance floor. Another beauty was an antique compact purse, with slots for nickels and dimes, powder, and calling cards, and a mirror. I began imagining removing the chain and replacing it with another chain.

The inside of the antique compact purse.

The inside of the antique compact purse.

Whiting and Davis gold mesh purse.

Whiting and Davis gold mesh purse.

It was raining even harder when we left. We returned to Mount Vernon by way of the Red Door Antique Mall (111 Freeway Drive, 360.419.0811), where Kathy got her inkwell. There were a lot of interesting and beautiful items in this mall, including an old-fashioned percolator that I imagined could have a second life as the base of a lamp, a 1950s mint-condition Samsonite luggage, a pleather (though now it would be described as vegan) very shiny bright burnt yellow rain coat with wide lapels from the 1970s for only $19. I tried this coat on a few times but eventually put it back, unsure if I could pull off cool rather than kitsch. Buyer beware, as in one dealer’s display cabinet one silver metal trinket box had a Ross-like store tag on the bottom that listed it as $6.99, but this was priced at $42. Hmmm. But you can always trust well-known markings, such as this gold Whiting and Davis mesh purse and a brand that I now know – Crown Lewis purses, which were made in the 1930s and 1940s.

Crown Lewis fabric handbag.

Crown Lewis fabric handbag.

Vintage glass perfume bottle.

Vintage glass perfume bottle.

The antique malls in the area have incredibly reasonable prices for both vintage and antique. Kathy knows, having gone through antique shops in Los Angeles, and I know having compared prices from antique and vintage goods from the Bay Area with those in the Central Valley. While you’ll find a lot of similar and therefore uninspiring items no matter where you are in the country, it’s especially sweet to stumble upon really unusual pieces such as the antique compact purse. At the end of the evening, Kathy and I looked at one another, smiling and content: Today was a really fun day poking around in antique shops with not only a dear friend, but a partner in crime. The trip thus far is definitely uplifting my spirits. And yes, I’m still thinking about that super bad rain slicker – so bad that it’s rad.

1970s, wide-lapelled, gold-buttoned, shiny rain slicker: So bad it's cool. Or not?

1970s, wide-lapelled, gold-buttoned, shiny rain slicker: So bad it’s cool. Or not? Cast your vote!