Vintage love: The Victorian handbag

Victorian-era handbag treasure from the Brooklyn Flea Market.

Victorian-era handbag treasure from the Brooklyn Flea Market.

Life is easy to chronicle, but bewildering to practice.
 – E.M. Forster, A Room With a View

When I found out I was going to New York to give a business presentation this past September, I knew I had to take a day off and venture to the Brooklyn Flea Market. I’d read wonderful things about the market, and as my sister, who accompanied me for the long weekend, and I made our way to the Lafayette Avenue, I had visions of vintage jewelry and clothing in my head. I was not disappointed.

Ornate silver frame and textured pigskin leather.

Ornate silver frame and textured pigskin leather.

We strategized and did a once over of the Fort Greene grounds – the market is just the right size in that there is plenty to see and a wide variety of local artisans and designers but is not too big as to be overwhelming. We came upon a stall that had the most amazing vintage handbags by Britannia Antiques. I was instantly mesmerized by a black bag that looked like something Lucy Honeychurch might carry.

It brought me back to the 1985 movie, A Room with a View, based on E.M. Forster’s Edwardian-era novel. It remains one of my favorite movies of all time, full of romance and youthful idealism. But what I also love about that era is the fashion, especially the coats with fitted waists, flared skirts, covered buttons, and notched collars, and the mens-style shirt-blouses.

Technically, the handbag was not Edwardian, which covers the years 1901 to 1919. Its tag read “Late Victorian, 1880-1900,” and was described as made of pigskin leather with a silver-plated, ornamented frame. It was in wonderful shape. I was attracted to it, but it was beyond my price point. Moreover, I thought it was too precious to carry around like a real handbag. Rather it belonged in some museum.

My sister and I made our rounds again, narrowing down the vendors whose wares we were interested in, and I came back to touch the handbag three times. At that point, the proprietor, Yvonne Potter, noticed. She approached us and pointed out that the interior was solid leather, which meant it was of high quality. Lesser versions were lined in fabric. She showed me the marking on the silver plate on the inside to let me know that she’d researched and knew its time period. She then told me to make her an offer. I’d forgotten that such deals are made at flea markets. My sister threw out a number, offered to pay for half, and the handbag sits on a bookshelf in my library, waiting to be carried out on my arm, filled with the stuff of modern conveniences – iPhone, keys attached to car alarm fobs, and so on.

Again, as with all vintage pieces, whether they be jewelry, clothing or other accessories, I wonder who the owner was, where she lived and what she did. Maybe she took the handbag with her from her native England to a tour of Italy, where passions heated up and she fell in love.

Everything is made new again.

Mixing vintage accessories and contemporary fashion.

Mixing vintage accessories and contemporary fashion.

A close-up of mixing vintage and contemporary, and faux fur, rhinestone, suede, knit, and leather.

A close-up of mixing vintage and contemporary, and faux fur, rhinestone, suede, knit, and leather.

Fifteen years later: On becoming a writer

Celebrating with glimmering gold.

Celebrating with glimmering gold.

The highest reward for a person’s toil is not what they get for it, but what they become by it.
– John Ruskin, British art critic

In 1997, when I began researching and then writing my first novel, I could not have imagined that in 2012 I would still be working on the umpteenth draft. If I had known how much time would pass, I might have given up. Thomas Edison was credited as saying, “Many of life’s failures are people who did not realize how close they were to success when they gave up.”

The thing is: I did give up.

The first draft was 1,000 pages. It was easier to write when my husband and I didn’t have children and my job was not demanding. My son came, I changed jobs a few times, job demands grew, and sleep deprivation was my companion in the middle of the night when I sat in front of the computer screen, writing articles instead of fiction. I finished another draft when I went into labor with my daughter. In 2006, I was finally done and sent the trimmed-down (at 650 pages) manuscript off to literary agents, only to get rejected by 60 of them. One writer friend exclaimed, “I didn’t even know there were 60 different agents to be rejected by.” The manuscript was too long and there was no market for a novel about Filipino immigrant farmworkers, labor unions and grape strikes, I was told. And I believed them. I also believed that a more talented writer would have made the novel more compelling. I understood that I was not good enough to have made it work against any and all odds.

So I gave up. I put the manuscript away. I stopped reading fiction and book reviews. I didn’t go into bookstores anymore. I did other worthy and necessary things in my life. I had some inkling that I would come back to the writing, maybe to the novel. Every now and then, through the years, my two high school best friends would ask me when I was going to resurrect Fausto, my main character, and his story.

For anyone who has known the passion of creating, who has experienced the ecstasy of getting the emotion or moment right with the precise words in the only order that makes exquisite sense, who has stopped whatever ordinary activity she is doing because she has solved a niggling and bottlenecking problem with a character’s motivations or actions, the desire to create is never abandoned. Somewhere deep inside me, I knew that.

When we are ready on the inside, it may still take time for that desire to radiate outward and make us aware of its awakening. Sometimes it takes an event in our lives that turns the key or opens the window, and the desire is unleashed and demanding to be nurtured and given the tools to create anew. I took a week of vacation in April to start the next major revision of the novel, and my happiness was palpable. I did not want to lose it again. Getting stuck on a word or a sentence was a gift, not something to agonize over or dread as a tedious task. Carving out time to reintroduce myself to my characters was a gift.

Gold accessories on gold brocade - my own vintage early 90s tassel earrings and M.E. Moore reclaimed vintage bracelet and necklace.

Gold accessories on gold brocade – my own vintage early 90s tassel earrings and M.E. Moore reclaimed vintage bracelet and necklace.

In May I submitted the manuscript to a local independent book publisher’s annual contest. I had high hopes, but my novel wasn’t chosen. I was disappointed to be sure, but undaunted. Last month, I heard from my undergraduate professor who, along with his partner, is an independent book publisher. I asked him to consider my manuscript, and while he didn’t accept it, he told me that he and his partner “enjoyed it and admired the sometimes quite lyrical prose” and that they “liked the rendering of the setting, at once exotic and universal.” This time I was ecstatic. He was one of the best creative writing professors I’ve ever had, and he gave me the gift of his time and his advice for the next and hopefully last revision. His response – the outside world’s response, so to speak – validated what I’d been feeling inside: I’m getting there, I’m on the right track.

In September I sent the manuscript to the Poets & Writers’ California Writers Exchange contest. Last week, I received an e-mail announcing the winning poet and fiction writer. I honestly did not expect to win, but there was an itch of disappointment. Yesterday, however, I received a letter, letting me know that I was one of 15 finalists whose manuscripts, out of a total of 609 fiction manuscripts, were sent to the fiction judge for his final selection. I was quietly happy. I felt a warmth growing inside of me.

Fifteen years later, this is what I know: In 2006, the novel was too long and I was not a skilled enough writer to make Fausto’s story resonate. I am a much better writer now and the novel is almost there. All these years of toil have made it thus.

A love of mixing textures again - thrifted embroidered purse, faux fur, Frye leather booties, textured tights, and bold jewelry by M.E. Moore.

A love of mixing textures again – thrifted embroidered purse, faux fur, Frye leather booties, textured tights, and bold jewelry by M.E. Moore.

My lola’s locket

My lola's locket and the ring my grandparents gave to my mother.

My lola’s locket and the ring my grandparents gave to my mother.

What’s past is prologue.
 – Shakespeare, The Tempest

A number of years ago – in truth, I don’t remember how long ago it was – my mother wanted to inventory her jewelry. I didn’t know why she decided to do so at that point in time – perhaps a relative had passed away or she sensed her mortality – but I willingly obliged when she asked me to write down the descriptions of the pieces that her parents had given to her when she was a young woman in the Philippines. She retrieved a round cardboard box from beneath her bed and showed me sets of matching earrings and rings. I couldn’t recall what the locket looked like that evening, but I always remembered the story attached to it.

Six months after my mother passed away, when we put her ashes to rest in June 2012 – the month of her birthday – my sisters and I spent a late night going through her list of jewelry and matching the descriptions to each piece. Before we took turns selecting the pieces that we wanted to keep, I asked my sisters if I could have the locket. It had originally belonged to my grandmother’s friend’s mother. My grandmother – my lola, in Tagalog – became the owner of the locket in a barter during the Japanese occupation of the Philippines in World War II. I was more intrigued by the story than the locket itself, though the Art Deco style has grown on me. Inside, were two small photographs of my lola and lolo, which were intact when the locket was given to me.

Pictures of my lola and lolo from my lola's locket, with the ring they gave to my mother.

Pictures of my lola and lolo from my lola’s locket, with the ring they gave to my mother.

I never really got to know my lola. She was only in my life three times: when my mother took my two sisters and me to the Philippines for the entire summer of 1972; when I was a junior in high school and my mother petitioned my lola and lolo to join us in the U.S., which ended tragically when my homesick lolo died enroute to San Francisco International Airport on his journey home; and when as a college graduation present to myself, I went back to the Philippines in December 1984 with my mother and oldest sister. My lola died not long after our visit.

Capturing my lola by her open front door, Baguio City, Philippines, December 1984.

Capturing my lola by her open front door, Baguio City, Philippines, December 1984.

I have few pictures of my lola. The last time I was in the Philippines, I tried in vain to take a candid photograph of her, but she would always catch me and strike a rigid pose. One morning, I snuck up on her, as she enjoyed her pastime of sitting on a wooden bench by the open front door and watching the morning unfold. The light was shining just right on her. It is my favorite photograph of her and hangs in my office.

Now that I have her locket, I’m beginning to wear it more. It does no good to be hidden, along with the rest of the vintage jewelry of my mother’s, in the black-and-white cardboard box with “Brownies, Brownies” written in cursive across the lid and in smaller print beneath it “and other sweet surprises.” Taking a cue from friends of ours, who inspire us to use the good crystal stemware and dishes for every day or casual dining, I wear her locket whenever I can and in so doing honor her memory.

Going neutral with mint brocade and brown maxi skirt.

Going neutral with mint brocade and brown maxi skirt.

The satellite accessories around the centerpiece locket.

The satellite accessories around the centerpiece locket.

 

Mixing Art Deco, 1950s brocade, and a splash of swishy navy.

Mixing Art Deco, 1950s brocade, and a splash of swishy navy.

 

Vintage treasure hunt: The 1960s faux fur dress

To change one’s life: Start immediately. Do it flamboyantly. No exceptions.
– William James, American psychologist and philosopher

1960s faux fur dress from Treasury (Washington, D.C.).

1960s faux fur dress from Treasury (Washington, D.C.).

A few years ago, I became interested in vintage pins when I spied a simple but striking rhinestone pin on a young woman’s sweater. When I asked her where she got it, she proudly told me it was a vintage piece. Thus began my love of all things vintage.

My neighbor, who scours garage and estate sales and flea markets, and then sells her found treasures on eBay, introduced me to the addictive world of bidding and buying collectibles. It was a short addiction from which I’ve fully recovered, but I’ve amassed a beautiful collection of pins, earrings and necklaces from the likes of Eisenberg, Miriam Haskell, Vendome, Weiss and Whiting and Davis as a result. For one of my Christmas presents, my husband David gave me Julia C. Carroll’s Collecting Costume Jewelry 202: The Basics of Dating Jewelry 1935-1980, which provided wonderful backstory to my icy rhinestone and aurora borealis rhinestone jewelry! If only, however, I knew the history of the previous owners. That would be amazing.

The love of vintage evolved into a treasure hunt to find one vintage store in any city I happened to visit, which is mostly, but not always, as a result of a business trip. In the last couple of years, I’ve happily discovered N. 3rd Street in Old City Philadelphia (home to wonderful stores such as Sugarcube); Encore in Portland, Maine; Twentieth Century Limited in Boston; the Brooklyn Flea Market; and the U Street corridor in Washington, D.C., home to Treasury, Legendary Beast and GoodWood.

I’ll blog more about these places in the future – because each store has its own charm and story – but I just wanted to put out there that the idea of a treasure hunt for whatever suits your interests in visiting cities adds additional excitement to any trip. Who doesn’t love the childlike pleasure of a hunt? What is especially enjoyable is leisurely talking with the owners and sales people and learning about their stores and the stories behind their vintage finds.

Circa 1930s traveling sewing kit from Treasury (Washington, D.C.).

Circa 1930s traveling sewing kit from Treasury (Washington, D.C.).

Today’s photos focus on finds from Treasury, which was featured by Refinery29 and is nicely curated. I looked around the store, eyed some vintage pieces, went on to other treasure-hunt destinations, and then returned to Treasury.  I spied an unusual necklace, which Ashley, the friendly salesperson, had just put out. It is a 1930s traveling sewing kit shaped as a walnut – with the original thimble, straight pins, safety pins, thread and mossy green felt lining still intact. What a find. It is in fantastic condition, which made me wonder about its owner and its 80-year journey – the care in keeping it safe and sound, or maybe it was put in a drawer or box and forgotten about for years.

Inside the 1930s traveling sewing kit - all original items still intact - from Treasury (Washington, D.C.).

Inside the 1930s traveling sewing kit – all original items still intact – from Treasury (Washington, D.C.).

The other find pays homage to the decade of my birth, the 60s, in the form of a faux fur dress, which is also in mint condition. Either the dress was well taken care of or never worn. I’ll never know, but this vintage dress – literally – has a new life with me. Referencing William James’s quote, how could one not be flamboyant in a 1960s faux fur dress?

Unsigned vintage screw-back earrings and brooch, and my mother's ring, given to her by her parents in the Philippines.

Unsigned vintage screw-back earrings and brooch, and my mother’s ring, given to her by her parents in the Philippines.

Welcome to The Dress at 50

A new dress doesn’t get you anywhere;
It’s the life you’re living in the dress,
And the sort of life you had lived before,
And what you will do it in later.
– Diana Vreeland, fashion columnist and editor

When I turned 49 in February 2011, my family and I had recently lost our beloved 12-year-old dog Bailey and I began to think about and fear turning 50. I asked myself what it was about reaching this milestone birthday that made me apprehensive. The answer was simple: I had not accomplished what I had imagined for myself when I was in my idealistic 20s. In my fifth decade, I was sure that I would be on my fifth successful novel and my kids would be high school age. I had mapped out my life when I was a senior in high school – go to college, join the Peace Corps, go to a creative writing program and then the usual get a job, get married and have children.

Life has a way of twisting and turning, especially for people who have their lives mapped out quite early. A marriage, a divorce, another marriage, two children, two dogs and a handful of jobs later, I found myself in 2011 wanting to live fully and creatively. The novel that I had started in 1997 – which went through several major revisions, several hundreds of pages, kind and careful eyes of good friends – languished in 2006 when many literary agents said it was too long and not marketable. Creatively speaking, I sat down by the roadside and never got up. But I did not sleepwalk through life. I threw myself into raising my two children, volunteered at their schools – started an enrichment program and helped to raise funds, among other duties – and honed my editing and writing skills in the healthcare information technology industry.

Something was missing, and though I knew it, I needed to wait until I was ready to get up from the roadside. When 50 crept closer, I felt it was time. In 2011 I began to work on the novel again and thought of a lifestyle blog that celebrated creativity in every facet of my life. There were roadblocks along the way, but I slowly made progress. And then a few months before I turned 50, my 85-year-old mother was stricken with pneumonia and on New Year’s Eve we made the painful decision to take her off the ventilator.

I had always imagined handing my first published novel to my father, who appreciated my writing ability and was proud of my college degrees because his education in the Philippines stopped in the second grade, but he passed away in 1995. I began my novel in 1997 as an homage to his and his cousins’ immigrant lives in America. I had hoped to be able to hand this novel in published form to my mother. Instead, her passing lit a fire in me to finally finish my novel and to get that blog up.

The Dress at 50 seeks to embrace Diana Vreeland’s quote. Live fully and creatively. Make the world a better place. Feel good about yourself. Celebrate creation. It’s everywhere – in the way you choose to dress, make your house your home, spend time with your family and friends. It’s how you live your life.

So, here is my interpretation of living the creative life at 50. Every day I hope to share what inspires me.

Monochromatic dressing incorporating different textures and celebrating the color of winter

Wintery adornments, featuring earrings by Carmela Rose and Sundance rings and necklace

Blending different textures and materials in a neutral palette