National Poetry Month: Book spine haiku, Volume 1

Poetry is what gets lost in translation.
– Robert Frost, American poet

April is National Poetry Month and to celebrate creation and beauty (amidst destruction and sadness but also hope and humanity in and outside of Boston), I’m posting volume 1 of book spine haikus. My friend Kathy introduced me to this very fun form of poetry making. You form the three-line poem by using the titles of three books, following the 5-7-5 syllable format. It’s also fun to find out what books people have on their bookshelves.

This post features six book spine haikus, two each by friends of mine and two by me. I’ll be posting subsequent volumes, so if anyone wants to contribute, I’m happy to receive them. I have more of my own to share, as well. This is a great exercise – not unlike a puzzle – to try to make some sense of three existing lines. Some of us were also trying to see if we could make two of the book titles describe or summarize the third title. Yet other suggestions included using books by just one author or married authors.

The first two are from my friend Kathy Verschoor. The next two are from my friend Barbara Hanscome (we go way back to my first job as an editorial assistant for a business-to-business publishing company in 1991). And the last two are mine.

Send in your contributions! And “like” and “share” these book spine haikus on Facebook if you enjoy them!

Kathy's first book spine haiku.

Kathy’s first book spine haiku.

 

Kathy's second book spine haiku.

Kathy’s second book spine haiku.

Barbara's first book spine haiku.

Barbara’s first book spine haiku.

Barbara's second book spine haiku.

Barbara’s second book spine haiku.

My book spine haiku.

My book spine haiku.

My second book spine haiku.

My second book spine haiku.

 

This outfit has a beatnik sensibility to it: Vegan leather and real leather, lace and ruffles, reclaimed vintage jewelry, and black and white.

This outfit has a beatnik sensibility to it: Vegan leather and real leather, lace and ruffles, reclaimed vintage jewelry, and black and white.

 

Beatnik outfit collage of opposites: Black and white, leather and lace, contemporary and reclaimed vintage.

Beatnik outfit collage of opposites: Black and white, leather and lace, contemporary and reclaimed vintage.

White vegan peplum top is the perfect canvas for this reclaimed vintage necklace by jewelry designer Michael Hickey (Feather, Austin).

White vegan peplum top is the perfect canvas for this reclaimed vintage necklace by jewelry designer Michael Hickey (Feathers, Austin).

Gone fishing

The time to relax is when you don’t have time for it.
– Sydney J. Harris, American journalist, Chicago Daily News and Chicago Sun-Times

Having hit the proverbial wall by doing too much in too little time and sacrificing sleep to accomplish my goals, I am partially taking David’s advice of letting go of my Wednesday posting. I’m giving myself permission to take the day off and not write, but still post pictures. Happy Wednesday! Take heed and be kind to yourself and give yourself permission to relax. As Lama Thubten Yeshe once said: “Be gentle first with yourself if you wish to be gentle with others.”

It may be spring, but it's still a little chilly. An all-black outfit is the perfect backdrop or a faux snake skin leather jacket from Urbanity (Berkeley, CA).

It may be spring, but it’s still a little chilly. An all-black outfit is the perfect backdrop for a faux snakeskin leather jacket from Urbanity (Berkeley, CA).

Go simple with accessories - Carmela Rose drop earrings and Tiffany ring for my 50th birthday from David.

Go simple with accessories – Carmela Rose drop earrings and Tiffany ring for my 50th birthday from David.

Faux snakeskin pattern can be overwhelming, so stick with an all-black outfit (simple knit dress, knit scarf, and tights), black booties with studs for added texture and interest, and simple silver jewelry.

Faux snakeskin pattern can be overwhelming, so stick with an all-black outfit (simple knit dress, knit scarf, and tights), black booties with studs for added texture and interest, and simple silver jewelry.

 

Appropriate at Any Age: Removing “age” in “age appropriate”

You can be gorgeous at thirty, charming at forty, and irresistible for the rest of your life.  – Coco Chanel, French fashion designer

These waxed shorts sit lower on the waist to lengthen the inseam. Chocolate opaque tights and booties lengthen the leg, and the dark-colored sweater jacket lengthens the entire frame. Add a touch of faux fur and vintage purse and you're ready to go.

These waxed shorts sit lower on the waist to lengthen the inseam. Chocolate opaque tights and booties lengthen the leg, and the dark-colored sweater jacket lengthens the entire frame. Add a touch of faux fur and vintage purse and you’re ready to go.

In the last year or so, I’ve come across a fistful of articles in women’s and fashion magazines that expound on what a woman of a certain age should or shouldn’t wear. One author said she had been told that women over 30 shouldn’t wear leather jackets anymore. Another article smugly noted that while older women are donning clothing items once deemed the domain of the younger woman, young women can triumphantly pull on shorts, with the knowledge that they are leaving the older women – their mothers – in the dust. Every time I read one of those articles, I got unnecessarily exasperated. I soon realized this was a waste of energy. I then calmed down and recalled a famous Coco Chanel quote: “I don’t care what you think about me; I don’t think about you at all.”

Is there such a thing as age appropriate? Should there be such a thing as age appropriateness? I would rather we remove the word “age” from the concept of age appropriate. Let’s talk about what is appropriate. Take those shorts, for example. Now make them “Daisy Duke” shorts, the kind in which the inseam length is a negative number. Maybe a handful of women would look good in them, but I’m certain I don’t want to see anyone’s cheeks hanging out, save for the ones on their faces.

Jean shorts and black opaque tights create a classic look. Keep it simple with black embellished t-shirt, belt, and leather jacket. But give it an edge with a red bag and studded booties.

Jean shorts and black opaque tights create a classic look. Keep it simple with black embellished t-shirt, belt, and leather jacket. But give it an edge with a red bag and studded booties.

I will submit that not all women – regardless of age – can wear shorts and feel comfortable in them. I grew up in the Central Valley of California, where the temperatures would remain in the 90s (degrees) late into the evening, but I would not wear shorts to school or to any social outing as a teenager because I was too self-conscious and felt exposed in shorts. Painfully shy, I deemed it a triumph when I finally felt comfortable enough to wear shorts in college. The operative word is comfortable and its subtext is confidence.

Vegan leather and Frye boots are softened by a creamy lace blouse and tights.

Vegan leather and Frye boots are softened by a creamy lace blouse and tights.

I submit that a lot of women of my age can wear shorts smartly and successfully – and appropriately. First of all, I don’t wear shorts to “look” or “feel” young. I wear shorts because I like a particular pair of shorts or like the look of it as part of an outfit, an ensemble. This is a very important point. I have my rules of thumb, though don’t think of them as rigid rules. Think of them as comfort levels. No matter what the style, they should fit – not tight or not baggy when they’re not supposed to be baggy. I don’t wear short-shorts. Inseam length is critical. While a three-inch inseam seems itty-bitty, it’s not so bad – if you really like the style, fabric, and/or print – to size up and let the waistband sit low. In the wintertime, you can wear opaque tights and look appropriate and sharp. If you feel the need to cover up and work your way up to a certain comfort level, wear boots. Regardless of comfort level, however, shorts and boots go hand in hand in cold weather.

Mixing vintage Miriam Haskell pearl necklace, reclaimed vintage bow necklace from Gorgeous and Green (Berkeley, CA), Carmela Rose reclaimed vintage earrings, beloved bumble bee bracelet purchased in Philadelphia, and chunky ring from Lava 9 (Berkeley, CA).

Mixing vintage Miriam Haskell pearl necklace, reclaimed vintage bow necklace from Gorgeous and Green (Berkeley, CA), Carmela Rose reclaimed vintage earrings, beloved bumble bee bracelet purchased in Philadelphia, and chunky ring from Lava 9 (Berkeley, CA).

The only time I don’t wear tights with shorts is when it’s super casual and I’m at home or at a sporting event. In the Bay Area, our summers are famously cool and foggy most of the time, so you can get away with tights and shorts across seasons. In the summertime, I wear shorts with flats or wedges or platforms, but never with heels, especially spiky heels. That’s where my comfort level ebbs. While shorts oftentimes conveys casual and informal, I like dressing up shorts, as a style statement but also for its ability to lend a sense of sharpness.

Suede jacket, flowery blouse, pop of color in the yellow belt, and neutral tights and booties for spring.

Suede jacket, flowery blouse, pop of color in the yellow belt, and neutral tights and booties for spring.

Fashion should be fun and experimental. With shorts, you need to figure out what style looks good on you, which fabrics and prints flatter your shape, and what kind of a look you are trying to convey. And then let loose and experiment with what goes on top, what shoes are a good match, what accessories compliment and make the whole outfit cohesive yet effortless. Think of shorts as part of the overall outfit. It makes them less intimidating and really, part of the fashion canvas. So be artistic, creative, comfortable, and confident in whatever you wear.

Mix faux fur and full lace shorts in monochromatic colors.

Mix faux fur and full lace shorts in monochromatic colors.

Reclaimed vintage gold jewelry looks natural against tan silk and creamy mottled faux fur.

Reclaimed vintage gold jewelry looks natural against tan silk and creamy mottled faux fur.

Welcome spring in navy shorts, pastel sweater, navy hose, and Frye covered-toe sandals.

Welcome spring in navy shorts, pastel sweater, navy hose, and Frye covered-toe sandals.

 

Redefining supermom

“Mama exhorted her children at every opportunity to ‘jump at the sun.’ We might not land on the sun, but at least we would get off the ground.”
– Zora Neale Hurston, folklorist and writer, from Dust Tracks on a Road

I was 38 when I became a mom for the first time and then gave birth to my daughter when I was two months shy of my 41st birthday. One thing I’ve learned – in a nod to the wonderment of motherhood, parenthood: You can never stop learning parenting lessons, no matter what your age, if your heart and mind are open to them.

Supermom wears sparkly tights, an ombre velveteen shift, and ruffled booties.

Supermom wears sparkly tights, an ombre velveteen shift, and ruffled booties.

When David and I found out I was pregnant with our son, we made plans for me to continue working until his birth and then allow me to work on my novel, but morning sickness was taking its toll and my job as a business development writer for a health insurance carrier was neither enjoyable nor fulfilling. I quit in my third trimester. I had been writing articles on the side for a good friend from graduate school and was expecting to rely on increasing freelance assignments to replace my regular paychecks, which we needed. By not commuting or having an office job with set hours, we reasoned, I could stay at home and work around my son’s schedule.

It wasn’t easy. The experience of being a first-time mother was amazing, magical, confusing, exhausting and a whirlwind. Speaking for myself only, I could not imagine dropping him off in the mornings and picking him up in the afternoons, and I cherished being with him during the day. At the same time, however, it was stressful to conduct phone interviews, hoping he wouldn’t wake up, as he stirred in the motorized swing on the other side of the bedroom, my makeshift office. Once, I even nursed him during an interview. Surely a combination of sleep deprivation and the determination to multi-task whenever I could resulted in this jaw-dropping lapse of judgment. I remember halfway into the interview when the interviewee, thankfully a woman, asked me if I was nursing. She recognized the sound and marveled that I could do these two things at once. I vowed never to put myself in an embarrassing situation again, though she and I had a good laugh over it and she told me I shouldn’t apologize at all. That’s what women – mothers – had to do to make things work. It didn’t stop me from finding other ways to multi-task.

In the fog of early motherhood, I remember feeling disconnected from the rest of the world. I missed talking with adults face to face. There came a time when I could no longer handle the many assignments and take care of him full-time, and my mother was no longer able to stay for a week each month to watch him while I worked. I reluctantly agreed to David’s suggestion that we find a nearby family daycare so I could be more productive and not be up all hours of the night to make up for the work that I couldn’t get done during the day. I felt guilty and angry with myself – an early admission that I failed as supermom. I couldn’t take care of him full-time and help contribute financially. At first, and at the same time, it was difficult to be alone in the house and to admit that I could be so productive in this new situation.

Supermom gets her energy from crystal - reclaimed vintage chandelier parts strung on brass chains from End of Century (NYC).

Supermom gets her energy from crystal – reclaimed vintage chandelier parts strung on brass chains from End of Century (NYC).

But give supermom an inch and she’ll take a foot. I was going to make up for this shortcoming. Being highly organized, I made sure that everything was done before David came home from his long day at the office. The laundry was folded, ironed and put away. Dinner was on the table and the kitchen cleaned up. The house was always neat and clean (we had two dogs who shed a lot, so I vacuumed every day). I will admit that I even ironed the bed sheets. Groceries and other errands were done during the day. Bills were paid and filed. Weekends were supposed to be cleared so we could have family time. The only problem was that while the house was in shipshape order, I was still working round the clock and I was even more exhausted and sleep deprived.

The opportunity to go back to an office job came when my freelance editorial work for a magazine that covered people, technology and capital turned into a full-time position. I was thrilled to join the adult world, really enjoyed the work itself and overcame my guilt of having a set workday away from home. I negotiated to be able to come in early and leave early, so I could pick up my son at a reasonable hour in the afternoon. I still remember clock watching and the mad dash of pushing the stroller three blocks to the family daycare and then running to the BART station to catch my train into San Francisco. Few of my colleagues were married, and I endured a few snide comments when I left for the day because many of them stayed past dinnertime, when our editor brought takeout to the employee lunchroom. Never mind that after I put my son to bed and the house was in order, I parked myself in front of the computer to write my feature-length articles late into the night.

By the time my daughter arrived in December 2002, my work situation had worsened, mostly due to my boss’s irrational behavior, low morale and the high-tech industry bubble bursting. Overcome with morning sickness, increasing workload, politics and new management due to the bank taking over the company, I quit ahead of my due date. Again, the goal was to get back to my novel, return to freelance work full-time and stay with my daughter while she was an infant. When my son turned two, he transitioned to a preschool and when my daughter was six months old – much younger than I had thought she’d be for her first transition, I put her in my son’s old family daycare to be able to get more work done.

Supermom ready for action in blue faux fur.

Supermom ready for action in blue faux fur.

As the kids got older and into elementary school, the workday got shorter because the school day was shorter than the preschool and family daycare hours. When my son was in second grade, he drew a picture and wrote a few sentences about his family, which was displayed at the school’s Open House. He wrote: “This is my family. My mom works wen [sic] I am at school… My dad workes [sic] the whole day.” I remembered feeling somewhat cheated. I worked all the time, but it seemed I was a victim of my own success. I could set the dinner menu for the week in 20 minutes and go to the dry cleaners and two grocery stores in less than an hour and a half. By dinnertime, the kids had completed and I had corrected their homework and I had given or supervised their baths. I rocked them in bed, and then began my second shift of work. Nothing was out-of-order in the house. Except for me.

Gradually, I let go of things. The wrinkles in the clean bed sheets don’t bother me as much as they used to. I relented and let David do the weekly menus and get the groceries. I ignore the dust bunnies made of our dog Rex’s fur. The kids rake the leaves, pick up the dog poop, empty out the dishwasher, clean the bathrooms, dust, strip their own beds and so on. (Yes, it helps when the kids are older and take up chores!)

But the biggest thing I did was redefine what it means to be a supermom. There’s nothing wrong with being a supermom, but I wanted to personalize the qualifications to suit me. Last year, I asked my daughter if she wanted to be a writer because she has quite an imagination and loves to write and make up stories. She flatly said no. She didn’t want to be a writer because she said I worked too much, I was up late and I was always tired (read: cranky). That was my wake-up call.

Abloom with resin and satin and tulle roses.

Abloom with resin and satin and tulle roses.

While I value being able to work my schedule so I can walk them to school in the mornings, pick them up after school, be at home with them when they get sick (last winter they both came down with pneumonia on separate occasions and were sick for two weeks each), chauffeur them to their various sporting and other extracurricular activities, and most importantly, make home-cooked meals and have dinner together as a family, I don’t want either my son or my daughter to think that this is the norm for moms or that moms who opt for this lifestyle have to give up who they are. To be sure, all moms make different sacrifices for the family life they choose or that are chosen for them. But in making sacrifices, we can’t let go of what gives us, as women and persons, life.

So when I took a week of vacation this past April to work on the revision of my novel, I talked with my son and daughter about sticking with something despite the barriers, finding a passion and nurturing it, and doing something that truly makes you happy. They saw how happy, how buoyant and energetic, I was. This past June, when my son graduated from sixth grade, we had a long discussion about motivation and perseverance. I told him that fear of failing had kept me from buckling down and finishing the novel but that I was guaranteed to fail if I didn’t try. Wide-eyed, he asked me, “So you mean if you hadn’t been afraid, you would have finished the novel already?” I nodded, and then he nodded slowly and walked away in silence. It remains to be seen when he’ll fully appreciate that nugget of wisdom. But I’m hoping that the notion of a fearless mom has new meaning for my kids.

Tunic - not cape - and leggings.

Tunic – not cape – and leggings.

Also helping me to meet my goal of becoming who I want to be is writing this blog. I’m discovering that my blog has created another valuable by-product, in addition to providing exercise for my writer’s muscles and sharing the challenges and beauty of this time of my life with a bigger community. My posts reflect many of the things I want to tell or share with my kids and, thanks to the Internet and technology, my words and photos are accessible and permanent, relatively speaking. It is, I’ll admit, a form of multi-tasking.

My definition of a supermom has evolved to this: One who loves her children unconditionally, supports them and is always there for them in whatever capacity she can, and pursues her hopes and dreams so that they see and know that the pursuit makes her a whole and happy mom and person. Under those conditions can she love and support fully. These traits are not mutually exclusive. They are also not the traits of anyone else’s but mine.

More importantly, no ironing bed sheets required.

Grayling earrings from Jenny K (El Cerrito, CA) and 3D ring from MOMA (NYC). (The ring, however, is not made of Kryptonite.)

Grayling earrings from Jenny K (El Cerrito, CA) and 3D ring from MOMA (NYC). (The ring, however, is not made of Kryptonite.)

 

Fifteen years later: On becoming a writer

Celebrating with glimmering gold.

Celebrating with glimmering gold.

The highest reward for a person’s toil is not what they get for it, but what they become by it.
– John Ruskin, British art critic

In 1997, when I began researching and then writing my first novel, I could not have imagined that in 2012 I would still be working on the umpteenth draft. If I had known how much time would pass, I might have given up. Thomas Edison was credited as saying, “Many of life’s failures are people who did not realize how close they were to success when they gave up.”

The thing is: I did give up.

The first draft was 1,000 pages. It was easier to write when my husband and I didn’t have children and my job was not demanding. My son came, I changed jobs a few times, job demands grew, and sleep deprivation was my companion in the middle of the night when I sat in front of the computer screen, writing articles instead of fiction. I finished another draft when I went into labor with my daughter. In 2006, I was finally done and sent the trimmed-down (at 650 pages) manuscript off to literary agents, only to get rejected by 60 of them. One writer friend exclaimed, “I didn’t even know there were 60 different agents to be rejected by.” The manuscript was too long and there was no market for a novel about Filipino immigrant farmworkers, labor unions and grape strikes, I was told. And I believed them. I also believed that a more talented writer would have made the novel more compelling. I understood that I was not good enough to have made it work against any and all odds.

So I gave up. I put the manuscript away. I stopped reading fiction and book reviews. I didn’t go into bookstores anymore. I did other worthy and necessary things in my life. I had some inkling that I would come back to the writing, maybe to the novel. Every now and then, through the years, my two high school best friends would ask me when I was going to resurrect Fausto, my main character, and his story.

For anyone who has known the passion of creating, who has experienced the ecstasy of getting the emotion or moment right with the precise words in the only order that makes exquisite sense, who has stopped whatever ordinary activity she is doing because she has solved a niggling and bottlenecking problem with a character’s motivations or actions, the desire to create is never abandoned. Somewhere deep inside me, I knew that.

When we are ready on the inside, it may still take time for that desire to radiate outward and make us aware of its awakening. Sometimes it takes an event in our lives that turns the key or opens the window, and the desire is unleashed and demanding to be nurtured and given the tools to create anew. I took a week of vacation in April to start the next major revision of the novel, and my happiness was palpable. I did not want to lose it again. Getting stuck on a word or a sentence was a gift, not something to agonize over or dread as a tedious task. Carving out time to reintroduce myself to my characters was a gift.

Gold accessories on gold brocade - my own vintage early 90s tassel earrings and M.E. Moore reclaimed vintage bracelet and necklace.

Gold accessories on gold brocade – my own vintage early 90s tassel earrings and M.E. Moore reclaimed vintage bracelet and necklace.

In May I submitted the manuscript to a local independent book publisher’s annual contest. I had high hopes, but my novel wasn’t chosen. I was disappointed to be sure, but undaunted. Last month, I heard from my undergraduate professor who, along with his partner, is an independent book publisher. I asked him to consider my manuscript, and while he didn’t accept it, he told me that he and his partner “enjoyed it and admired the sometimes quite lyrical prose” and that they “liked the rendering of the setting, at once exotic and universal.” This time I was ecstatic. He was one of the best creative writing professors I’ve ever had, and he gave me the gift of his time and his advice for the next and hopefully last revision. His response – the outside world’s response, so to speak – validated what I’d been feeling inside: I’m getting there, I’m on the right track.

In September I sent the manuscript to the Poets & Writers’ California Writers Exchange contest. Last week, I received an e-mail announcing the winning poet and fiction writer. I honestly did not expect to win, but there was an itch of disappointment. Yesterday, however, I received a letter, letting me know that I was one of 15 finalists whose manuscripts, out of a total of 609 fiction manuscripts, were sent to the fiction judge for his final selection. I was quietly happy. I felt a warmth growing inside of me.

Fifteen years later, this is what I know: In 2006, the novel was too long and I was not a skilled enough writer to make Fausto’s story resonate. I am a much better writer now and the novel is almost there. All these years of toil have made it thus.

A love of mixing textures again - thrifted embroidered purse, faux fur, Frye leather booties, textured tights, and bold jewelry by M.E. Moore.

A love of mixing textures again – thrifted embroidered purse, faux fur, Frye leather booties, textured tights, and bold jewelry by M.E. Moore.

Vintage treasure hunt: The 1960s faux fur dress

To change one’s life: Start immediately. Do it flamboyantly. No exceptions.
– William James, American psychologist and philosopher

1960s faux fur dress from Treasury (Washington, D.C.).

1960s faux fur dress from Treasury (Washington, D.C.).

A few years ago, I became interested in vintage pins when I spied a simple but striking rhinestone pin on a young woman’s sweater. When I asked her where she got it, she proudly told me it was a vintage piece. Thus began my love of all things vintage.

My neighbor, who scours garage and estate sales and flea markets, and then sells her found treasures on eBay, introduced me to the addictive world of bidding and buying collectibles. It was a short addiction from which I’ve fully recovered, but I’ve amassed a beautiful collection of pins, earrings and necklaces from the likes of Eisenberg, Miriam Haskell, Vendome, Weiss and Whiting and Davis as a result. For one of my Christmas presents, my husband David gave me Julia C. Carroll’s Collecting Costume Jewelry 202: The Basics of Dating Jewelry 1935-1980, which provided wonderful backstory to my icy rhinestone and aurora borealis rhinestone jewelry! If only, however, I knew the history of the previous owners. That would be amazing.

The love of vintage evolved into a treasure hunt to find one vintage store in any city I happened to visit, which is mostly, but not always, as a result of a business trip. In the last couple of years, I’ve happily discovered N. 3rd Street in Old City Philadelphia (home to wonderful stores such as Sugarcube); Encore in Portland, Maine; Twentieth Century Limited in Boston; the Brooklyn Flea Market; and the U Street corridor in Washington, D.C., home to Treasury, Legendary Beast and GoodWood.

I’ll blog more about these places in the future – because each store has its own charm and story – but I just wanted to put out there that the idea of a treasure hunt for whatever suits your interests in visiting cities adds additional excitement to any trip. Who doesn’t love the childlike pleasure of a hunt? What is especially enjoyable is leisurely talking with the owners and sales people and learning about their stores and the stories behind their vintage finds.

Circa 1930s traveling sewing kit from Treasury (Washington, D.C.).

Circa 1930s traveling sewing kit from Treasury (Washington, D.C.).

Today’s photos focus on finds from Treasury, which was featured by Refinery29 and is nicely curated. I looked around the store, eyed some vintage pieces, went on to other treasure-hunt destinations, and then returned to Treasury.  I spied an unusual necklace, which Ashley, the friendly salesperson, had just put out. It is a 1930s traveling sewing kit shaped as a walnut – with the original thimble, straight pins, safety pins, thread and mossy green felt lining still intact. What a find. It is in fantastic condition, which made me wonder about its owner and its 80-year journey – the care in keeping it safe and sound, or maybe it was put in a drawer or box and forgotten about for years.

Inside the 1930s traveling sewing kit - all original items still intact - from Treasury (Washington, D.C.).

Inside the 1930s traveling sewing kit – all original items still intact – from Treasury (Washington, D.C.).

The other find pays homage to the decade of my birth, the 60s, in the form of a faux fur dress, which is also in mint condition. Either the dress was well taken care of or never worn. I’ll never know, but this vintage dress – literally – has a new life with me. Referencing William James’s quote, how could one not be flamboyant in a 1960s faux fur dress?

Unsigned vintage screw-back earrings and brooch, and my mother's ring, given to her by her parents in the Philippines.

Unsigned vintage screw-back earrings and brooch, and my mother’s ring, given to her by her parents in the Philippines.