Pilgrimage to Good Goods

Our admiration of the antique is not admiration of the old, but of the natural.
– Ralph Waldo Emerson, American essayist, lecturer, and poet

Good Goods' 4,000-square-foot barn is filled with antique furniture and vintage and new finds.

Good Goods’ 4,000-square-foot barn is filled with antique furniture and vintage and new finds.

My cousin Janet introduced me to Good Goods (30924 Road 168, Farmersville, CA, 559.594.5765 or 559.280.2498), an antique store comprising a 4,000-square-foot barn, two-story Victorian house, tank house and bunk house spread across two acres outside of Visalia, CA, about eight years ago. Ever since then, whenever my family visits my hometown of Terra Bella and stays with my cousin and her husband Tim, Janet and I make a trip out to Good Goods. We always find unique treasures there.

The two-story Victorian house's kitchen boasts a checkerboard tile floor and this beautifully restored country store dry goods bin sideboard.

The two-story Victorian house’s kitchen boasts a checkerboard tile floor and this beautifully restored country store dry goods bin sideboard.

Romantic Homes (November 2006 issue) published a wonderful feature on Good Goods, so I won’t repeat Sandy and Jim Hall’s enchanted beginnings and their love of antique Americana and re-envisioned vintage furniture (but do read the article). I will mention, however, that they relocated the buildings, some of which were slated to be destroyed, and lovingly restored them on their property. That’s quite a labor of love.

To say Good Goods is off the proverbial beaten path is no exaggeration, which is why I included a map at the end of this entry. If you drive past two huge stone gates set hundreds of feet apart, you’ve missed the store’s only marker, though you can see the buildings on the property. In other words, there is no sign. And there is no website. Jim let me know that they don’t have a computer, either.

It's still Christmas at Good Goods, but Valentine's Day decorations will be up in no time.

It’s still Christmas at Good Goods, but Valentine’s Day decorations will be up in no time.

All this makes perfect sense. When you step into one of the buildings, you’re in another world and time period that compels you to want to settle in and take your time to admire the many details of the buildings themselves – the punched tin ceilings, beautifully painted hardwood floors sporting patterns of checkerboard and playful spots made with sponges, and creamy tin and lace-embellished window treatments.

Through the years, we have purchased an 1880s walnut dresser with a marble top and matching mirror, a vintage-inspired mannequin and numerous knickknacks, including a 1950s set of coasters and vintage-inspired fruit and vegetable signs hooks. A number of years ago, the Halls made innovative use of the thick planks of wood from a shuttered bowling alley and put them atop industrial bases such as school lockers and commercial-grade bins to make distinctive, beautiful tables. My cousin has one in her kitchen, and it’s the center of activity. Someday, somehow, I’m going to snag one of the remaining tables – when I can find a place in our house to put it.

One of the unique woodblock tables gracing the old barn. Note the hand-painted floors.

One of the unique woodblock tables gracing the old barn. Note the hand-painted floors.

Sandy, who was on the lawn mower when we visited this past weekend, energetically told us that when the weather turns warm in the spring, she and Jim will be able to refinish furniture currently under seven tents. I have another reason (besides baseball) to look forward to the spring. I hope you do, too.

There are a number of local antique shops in the area, especially in the wonderful farming town of Exeter, that together make for a worthy trip to the Central Valley. One of our favorite places to eat is the Wildflower Café (121 South E. Street, Exeter, 559.592.2656), which serves breakfast, brunch, and sandwich specialties. Be advised to bring a van or truck for the antique and vintage treasures you will find. Definitely bring your vintage-loving friends and make a great weekend of antiquing. There is plenty to see in this part of the state.

You can also correspond with Sandy and Jim at P.O. Box 3607, Visalia, CA 93278. And tell them I sent you down the path to Good Goods.

How to get to Good Goods.

How to get to Good Goods.

Wear comfortable clothes - stretchy leggings, soft jersey blouse, and downy faux fur vest - when going antique shopping.

Wear comfortable clothes – stretchy leggings, soft jersey blouse, and downy faux fur vest – when going antique shopping.

 

Greeting 2013

Celebrate New Year's Eve in a contemporary flapper dress and architectural platforms, with 1950s vintage jewelry and modern statement ring.

Celebrate New Year’s Eve in a contemporary flapper dress and architectural platforms, with 1950s vintage jewelry and modern statement ring.

Sail forth – steer for the deep waters only.
– Walt Whitman, American poet, essayist, and journalist

When I was young, I was very diligent about making a list of New Year’s Resolutions by New Year’s Eve. Throughout high school, college, and my mid-twenties, the process involved spending several hours poring over my journal entries of that year and then listing major events and reflecting on lessons learned.

Thinking about that ritual compelled me to retrieve stacks of my hardcover journals from the attic. I lost track of time as my past – at times as clear and crisp as a winter’s morning – flowed forth from my neat cursive handwriting. I marvel at and envy the leisurely time I had to write such lengthy and faithfully recorded and detailed passages. I can’t recall the last time I actually wrote in cursive, and journal and letter writing are all but lost arts to me now.

Celebrate a casual New Year's Eve with a pajama blouse, dark-rinse jeans, and copper metallic pumps.

Celebrate a casual New Year’s Eve with a pajama blouse, dark-rinse jeans, and copper metallic pumps.

I was particularly drawn to my 1983 year-end assessment, which ran a not-so-surprising-for-me 40 pages in a journal that was 5 by 7 inches in size. I was a senior at UC Davis, finding my voice and confidence in my fiction writing; preparing myself for my very anal-retentive, post-undergraduate path in life; and head over heels in love with a classmate who was also majoring in English and just as idealistic as I was. Those were heady times indeed! Even then, unrequited love aside, I knew I was at the beginning of an important journey.

Adorn your pajama blouse with simple yet elegant jewelry - earrings from Abacus Gallery (Portland, ME), Kate Peterson necklace (El Cerrito, CA), purse from Japan that was given to me by my sister, Lava 9 Lucite ring (Berkeley, CA), and cuff and rings from Sundance (Corte Madera, CA).

Adorn your pajama blouse with simple yet elegant jewelry – earrings from Abacus Gallery (Portland, ME), Kate Peterson necklace (El Cerrito, CA), purse from Japan that was given to me by my sister, Lava 9 Lucite ring (Berkeley, CA), and cuff and rings from Sundance (Corte Madera, CA).

It is that sense of hope in today and tomorrow, however, that I realize one should never outgrow or discard as being unrealistic and sentimental, no matter what we did yesterday, how old we are today, or how much time we have left in our lives. Oftentimes and understandably, we lose sight of this within our busy, technology-driven lives, but it is never too late to renew our hope. I dutifully wrote out specific goals such as sign up for volunteer work or read and write more, but the themes of those resolutions throughout my youth and recorded in all my year-end reflections remained constant: Live fully, touch people’s lives with the gifts you were given, and strive for self-actualization (Psychology was a favorite college subject of mine, and I was a big fan of Abraham Maslow’s hierarchy of needs.)

For me, New Year’s Resolutions are like wishes you make in your head and heart before tossing the penny over your shoulder and into the fountain. You don’t tell people what you wished for – not because you are afraid of what you may end up not accomplishing but to keep distractions at bay, listen to your inner voice, and keep your eyes on the prize. The themes remain constant, though the specificities change. I don’t need to write down my resolutions anymore. They have come home and settled comfortably into my being.

Another casual New Year's Eve, with a soft ruffled plum cardigan, silky camisole, vintage Whiting & Davis mesh purse, and silver metallic pumps.

Another casual New Year’s Eve, with a soft ruffled plum cardigan, silky camisole, vintage Whiting & Davis mesh purse, and silver metallic pumps.

As we head into 2013 and greet the New Year, may you find peace and joy in all that you do. As Whitman entreats, find the deep waters. They are full of challenges and possibilities. Hope blurs the lines and makes them one and the same. Our journey continues to unfold.

Happy New Year!

Subtle accessories include Carmela Rose earrings and necklace, Sundance stacked rings, and antique button ring by Elizabeth Ngo.

Subtle accessories include Carmela Rose earrings and necklace, Sundance stacked rings, and antique button ring by Elizabeth Ngo.

Fifteen years later: On becoming a writer

Celebrating with glimmering gold.

Celebrating with glimmering gold.

The highest reward for a person’s toil is not what they get for it, but what they become by it.
– John Ruskin, British art critic

In 1997, when I began researching and then writing my first novel, I could not have imagined that in 2012 I would still be working on the umpteenth draft. If I had known how much time would pass, I might have given up. Thomas Edison was credited as saying, “Many of life’s failures are people who did not realize how close they were to success when they gave up.”

The thing is: I did give up.

The first draft was 1,000 pages. It was easier to write when my husband and I didn’t have children and my job was not demanding. My son came, I changed jobs a few times, job demands grew, and sleep deprivation was my companion in the middle of the night when I sat in front of the computer screen, writing articles instead of fiction. I finished another draft when I went into labor with my daughter. In 2006, I was finally done and sent the trimmed-down (at 650 pages) manuscript off to literary agents, only to get rejected by 60 of them. One writer friend exclaimed, “I didn’t even know there were 60 different agents to be rejected by.” The manuscript was too long and there was no market for a novel about Filipino immigrant farmworkers, labor unions and grape strikes, I was told. And I believed them. I also believed that a more talented writer would have made the novel more compelling. I understood that I was not good enough to have made it work against any and all odds.

So I gave up. I put the manuscript away. I stopped reading fiction and book reviews. I didn’t go into bookstores anymore. I did other worthy and necessary things in my life. I had some inkling that I would come back to the writing, maybe to the novel. Every now and then, through the years, my two high school best friends would ask me when I was going to resurrect Fausto, my main character, and his story.

For anyone who has known the passion of creating, who has experienced the ecstasy of getting the emotion or moment right with the precise words in the only order that makes exquisite sense, who has stopped whatever ordinary activity she is doing because she has solved a niggling and bottlenecking problem with a character’s motivations or actions, the desire to create is never abandoned. Somewhere deep inside me, I knew that.

When we are ready on the inside, it may still take time for that desire to radiate outward and make us aware of its awakening. Sometimes it takes an event in our lives that turns the key or opens the window, and the desire is unleashed and demanding to be nurtured and given the tools to create anew. I took a week of vacation in April to start the next major revision of the novel, and my happiness was palpable. I did not want to lose it again. Getting stuck on a word or a sentence was a gift, not something to agonize over or dread as a tedious task. Carving out time to reintroduce myself to my characters was a gift.

Gold accessories on gold brocade - my own vintage early 90s tassel earrings and M.E. Moore reclaimed vintage bracelet and necklace.

Gold accessories on gold brocade – my own vintage early 90s tassel earrings and M.E. Moore reclaimed vintage bracelet and necklace.

In May I submitted the manuscript to a local independent book publisher’s annual contest. I had high hopes, but my novel wasn’t chosen. I was disappointed to be sure, but undaunted. Last month, I heard from my undergraduate professor who, along with his partner, is an independent book publisher. I asked him to consider my manuscript, and while he didn’t accept it, he told me that he and his partner “enjoyed it and admired the sometimes quite lyrical prose” and that they “liked the rendering of the setting, at once exotic and universal.” This time I was ecstatic. He was one of the best creative writing professors I’ve ever had, and he gave me the gift of his time and his advice for the next and hopefully last revision. His response – the outside world’s response, so to speak – validated what I’d been feeling inside: I’m getting there, I’m on the right track.

In September I sent the manuscript to the Poets & Writers’ California Writers Exchange contest. Last week, I received an e-mail announcing the winning poet and fiction writer. I honestly did not expect to win, but there was an itch of disappointment. Yesterday, however, I received a letter, letting me know that I was one of 15 finalists whose manuscripts, out of a total of 609 fiction manuscripts, were sent to the fiction judge for his final selection. I was quietly happy. I felt a warmth growing inside of me.

Fifteen years later, this is what I know: In 2006, the novel was too long and I was not a skilled enough writer to make Fausto’s story resonate. I am a much better writer now and the novel is almost there. All these years of toil have made it thus.

A love of mixing textures again - thrifted embroidered purse, faux fur, Frye leather booties, textured tights, and bold jewelry by M.E. Moore.

A love of mixing textures again – thrifted embroidered purse, faux fur, Frye leather booties, textured tights, and bold jewelry by M.E. Moore.

Vintage treasure hunt: The 1960s faux fur dress

To change one’s life: Start immediately. Do it flamboyantly. No exceptions.
– William James, American psychologist and philosopher

1960s faux fur dress from Treasury (Washington, D.C.).

1960s faux fur dress from Treasury (Washington, D.C.).

A few years ago, I became interested in vintage pins when I spied a simple but striking rhinestone pin on a young woman’s sweater. When I asked her where she got it, she proudly told me it was a vintage piece. Thus began my love of all things vintage.

My neighbor, who scours garage and estate sales and flea markets, and then sells her found treasures on eBay, introduced me to the addictive world of bidding and buying collectibles. It was a short addiction from which I’ve fully recovered, but I’ve amassed a beautiful collection of pins, earrings and necklaces from the likes of Eisenberg, Miriam Haskell, Vendome, Weiss and Whiting and Davis as a result. For one of my Christmas presents, my husband David gave me Julia C. Carroll’s Collecting Costume Jewelry 202: The Basics of Dating Jewelry 1935-1980, which provided wonderful backstory to my icy rhinestone and aurora borealis rhinestone jewelry! If only, however, I knew the history of the previous owners. That would be amazing.

The love of vintage evolved into a treasure hunt to find one vintage store in any city I happened to visit, which is mostly, but not always, as a result of a business trip. In the last couple of years, I’ve happily discovered N. 3rd Street in Old City Philadelphia (home to wonderful stores such as Sugarcube); Encore in Portland, Maine; Twentieth Century Limited in Boston; the Brooklyn Flea Market; and the U Street corridor in Washington, D.C., home to Treasury, Legendary Beast and GoodWood.

I’ll blog more about these places in the future – because each store has its own charm and story – but I just wanted to put out there that the idea of a treasure hunt for whatever suits your interests in visiting cities adds additional excitement to any trip. Who doesn’t love the childlike pleasure of a hunt? What is especially enjoyable is leisurely talking with the owners and sales people and learning about their stores and the stories behind their vintage finds.

Circa 1930s traveling sewing kit from Treasury (Washington, D.C.).

Circa 1930s traveling sewing kit from Treasury (Washington, D.C.).

Today’s photos focus on finds from Treasury, which was featured by Refinery29 and is nicely curated. I looked around the store, eyed some vintage pieces, went on to other treasure-hunt destinations, and then returned to Treasury.  I spied an unusual necklace, which Ashley, the friendly salesperson, had just put out. It is a 1930s traveling sewing kit shaped as a walnut – with the original thimble, straight pins, safety pins, thread and mossy green felt lining still intact. What a find. It is in fantastic condition, which made me wonder about its owner and its 80-year journey – the care in keeping it safe and sound, or maybe it was put in a drawer or box and forgotten about for years.

Inside the 1930s traveling sewing kit - all original items still intact - from Treasury (Washington, D.C.).

Inside the 1930s traveling sewing kit – all original items still intact – from Treasury (Washington, D.C.).

The other find pays homage to the decade of my birth, the 60s, in the form of a faux fur dress, which is also in mint condition. Either the dress was well taken care of or never worn. I’ll never know, but this vintage dress – literally – has a new life with me. Referencing William James’s quote, how could one not be flamboyant in a 1960s faux fur dress?

Unsigned vintage screw-back earrings and brooch, and my mother's ring, given to her by her parents in the Philippines.

Unsigned vintage screw-back earrings and brooch, and my mother’s ring, given to her by her parents in the Philippines.