National Poetry Month: Book spine haiku, Volume 1

Poetry is what gets lost in translation.
– Robert Frost, American poet

April is National Poetry Month and to celebrate creation and beauty (amidst destruction and sadness but also hope and humanity in and outside of Boston), I’m posting volume 1 of book spine haikus. My friend Kathy introduced me to this very fun form of poetry making. You form the three-line poem by using the titles of three books, following the 5-7-5 syllable format. It’s also fun to find out what books people have on their bookshelves.

This post features six book spine haikus, two each by friends of mine and two by me. I’ll be posting subsequent volumes, so if anyone wants to contribute, I’m happy to receive them. I have more of my own to share, as well. This is a great exercise – not unlike a puzzle – to try to make some sense of three existing lines. Some of us were also trying to see if we could make two of the book titles describe or summarize the third title. Yet other suggestions included using books by just one author or married authors.

The first two are from my friend Kathy Verschoor. The next two are from my friend Barbara Hanscome (we go way back to my first job as an editorial assistant for a business-to-business publishing company in 1991). And the last two are mine.

Send in your contributions! And “like” and “share” these book spine haikus on Facebook if you enjoy them!

Kathy's first book spine haiku.

Kathy’s first book spine haiku.

 

Kathy's second book spine haiku.

Kathy’s second book spine haiku.

Barbara's first book spine haiku.

Barbara’s first book spine haiku.

Barbara's second book spine haiku.

Barbara’s second book spine haiku.

My book spine haiku.

My book spine haiku.

My second book spine haiku.

My second book spine haiku.

 

This outfit has a beatnik sensibility to it: Vegan leather and real leather, lace and ruffles, reclaimed vintage jewelry, and black and white.

This outfit has a beatnik sensibility to it: Vegan leather and real leather, lace and ruffles, reclaimed vintage jewelry, and black and white.

 

Beatnik outfit collage of opposites: Black and white, leather and lace, contemporary and reclaimed vintage.

Beatnik outfit collage of opposites: Black and white, leather and lace, contemporary and reclaimed vintage.

White vegan peplum top is the perfect canvas for this reclaimed vintage necklace by jewelry designer Michael Hickey (Feather, Austin).

White vegan peplum top is the perfect canvas for this reclaimed vintage necklace by jewelry designer Michael Hickey (Feathers, Austin).

Beyond the seven-year plan

I never made one of my discoveries through the process of rational thinking.
– Albert Einstein, theoretical physicist

Now that the weather's warm, unabashedly throw lace and flowers together.

Now that the weather’s warm, unabashedly throw lace and flowers together.

The other night I was thinking about what I would blog about for Friday’s entry. I have several irons in the fire, so to speak, but none fully formed to post. I told myself that I can always “go fishing” again if I wasn’t inspired. And then my sister Heidi called yesterday morning, and in our conversation she marveled at the fact that three months ago she would have scoffed if someone had told her she would be spending her retirement from elementary school teaching, at age 53, investing and working on new business ventures. We were talking about what we had planned to do and what things we stumbled into. It got me to thinking about my “seven-year plan,” which I had never told her about but shared with her on our call.

When I was a senior in high school, my two older sisters were already in college. My mother told all of us that she and my father, retired since I was 10 years old, could not afford to send any of us to a four-year university. We had to attend the junior college in the next town over for two years and then transfer to a university. Fair enough. I held a 20-hour-a-week job at a dry-cleaner shop and loaded up on classes every semester. There was not much to do in either my hometown of Terra Bella or the next town over, Porterville, but I was bound to be productive. And I was bound to get over my painful shyness and introversion, and bust out of my small town. I dreamed big and developed this seven-year plan, which commanded that after graduating from Porterville College, I would attend UC Davis, join the Peace Corps for two years, work for a year to earn money since I wouldn’t have any after volunteering, and then go to a creative writing program (see my Welcome to the Dress at 50 page).

Trying out my vintage dance card pencil pin with reclaimed vintage button ring, and vintage Weiss earrings.

Trying out my vintage dance card pencil pin with reclaimed vintage button ring, and vintage Weiss earrings.

I ended up staying in school three years at Davis, working a year at the UCD law library the year after graduating, and going to Alaska and then San Francisco for my two years of volunteering with the Jesuit Volunteer Corp. instead of Africa with the Peace Corps. Minor adjustments. But I would stick to my plan of attending a creative writing program, which I did. I had met my first husband while a JVC volunteer in San Francisco. Our organization, a prisoners’ rights union run by a Jesuit priest, worked with my husband’s criminal justice nonprofit, and I very much admired his passion and commitment to social justice. His family was from Syracuse, and I chose Syracuse’s creative writing program because of a certain well-known writer in residence and the fact that the university paid my way via a teaching assistantship. The location ended up being central to cementing the relationship, as I grew very close to his parents.

Navy and orange go well together. Think Syracuse! A nude Mad Men pump ties it all together.

Navy and orange go well together. Think Syracuse! A nude Mad Men pump ties it all together.

After graduation, I returned to San Francisco. It was the natural thing to do. But it was also the end of my seven-year plan. I did not have goals or concrete plans after that very precise list of things to accomplish. I assumed I would get married, get a job, buy a house, and raise a family. Indeed, on the cross-country drive home, my husband proposed to me. I have asked myself a number of times long ago – and then recently while on the phone with Heidi – why I slipped into the pattern of get married, get a job, buy a house, and raise a family. It was a comforting life plan, and perhaps I didn’t trust myself enough at the time to think I could really succeed as a writer. Sure, I could write stories in an undergraduate fiction class or get into a creative writing program. That wasn’t hard, and at times it didn’t seem like “the real world.” It seemed, at least or me at times, that we were just pretending to be writers in this artificial environment. But could I get published? Could I be bold enough to say, I am a writer, and really mean it? Did I have the perseverance and patience?

You can make lace on lace work by mixing the colors.

You can make lace on lace work by mixing the colors.

The short answer was no. I was too much of an amateur. I didn’t trust myself or have confidence in myself, especially after being told in my last semester by a cantankerous poet and professor that I didn’t know how to write. This manifested itself in my not writing at all. I remembered the nervous laughter my fiction-writing friends and I exchanged when we told one another to keep writing after leaving Syracuse. Of course, we would. More nervous laughter.

Another way to break up lace on lace is with accessories: The Edwardian-era purse and mottled brown (animal print) bring more texture and interest in vintage and contemporary.

Another way to break up lace on lace is with accessories: The Edwardian-era purse and mottled brown (animal print) bring more texture and interest in vintage and contemporary.

There is a certain comfort, after going bold, in burrowing in a secure place. What if I had stopped myself and said, this is not where I should be going. When I told my co-worker – at her wedding reception, no less – that my husband and I had separated, all she could say was, “Oh, Patty!” in a forlorn yet knowing voice that deflated me. Months later, she brought up a time during my wedding planning when we were riding up an escalator at the Union Square Macy’s during our lunch break. I had looked off into space and said to no one in particular, “Is this all there is?” My heart broke when she told me. Soon other co-workers reminded me of the many times I showed up to work in the mornings with red eyes and a swollen face from crying. We were not compatible in marriage and indeed had different ideas of marriage. I was unhappy, stunted in every aspect of my life, and I did not know what to do.

I remember scoffing at my husband at the time of our separation when he concluded that one of the problems was that I had married too young, had only been in two serious relationships, and had never really lived on my own. I was 29 years old at the time; how could that be too young? But he was right. I should not have stopped at seven years with my dreams. I should not have entered a place that I wasn’t ready to be. In fact, I had retreated to this place.

A bejeweled collar ties together a striped pink and cream casual blouse and green faux ostrich handbag.

A bejeweled collar ties together a striped pink and cream casual blouse and green faux ostrich handbag.

To be clear, I am not advocating not getting married or having a family. I am advocating getting married because you and your partner love one another very much and want to spend the rest of your lives together, learning, exploring, sharing dreams big and small, and helping each other achieve those individual and combined dreams. And if one of those dreams is to buy a house and raise a family, that’s fantastic. But at the same time, job, marriage, home ownership, and family should not be taken on because that’s what people do, that’s what our parents did. Or because at the time it was safe and comfortable. All of those things should not blunt who you are or want to be.

The dreams, the goals, of becoming the person we are meant to be should never end. Don’t stop at a certain timeframe. First and foremost, take time to bloom as a person – the other stuff will either happen or not. But don’t force it. Instead, focus your energies on dreaming big. Go bold. Never give up. It’s never too late, no matter your age, so long as you are young in spirit.

A close-up of the bejeweled collar (Anthropologie) and Carmela Rose bird and sphere earrings.

A close-up of the bejeweled collar (Anthropologie) and Carmela Rose bird and sphere earrings.

Skagit Valley: Tulip fever and antique sleuthing

I perhaps owe having become a painter to flowers.
 Claude Monet, founder of French Impressionist painting

A sea of Skagit Valley tulips.

A sea of Skagit Valley tulips.

April 1st marked the beginning of the month-long Skagit Valley Tulip Festival. Kathy forewarned me that seeing the fields of tulips would likely be marred by tourists – from Canada, other parts of Washington, and far-flung places – who would create a parking lot out of the two-lane road to the picturesque town of La Conner, our eventual destination. We were “saved” by the rain, which never really let up most of the time I was visiting. While the rain deterred us from taking hikes along the waterfront or in the mountains, it not only kept the tourists at bay in the tulip fields but it was ideal weather for catching up with good friends over mugs of hot tea.

Farm workers harvesting tulip bulbs.

Farm workers harvesting tulip bulbs.

It was a little early for the tulips’ full glory, but the rows of vibrant colors – red, yellow, purple, and pink – were still breathtaking. We didn’t have to fight any crowds over the views while snapping photos. And we had a little respite from the rain as we stopped at one of the gardens on display, Tulip Town. I didn’t know that the area was known for its tulips, which were first grown in 1906 with Dutch bulbs. The tulips became part of the seed production industry that included beets and cabbage. Taking advantage of the increasing crowds that were coming every spring to view the spectacular colors, the Mount Vernon Chamber of Commerce created the festival in 1984, and in 1994 it became its own entity.

Nasty Jack's Antiques' impressive building.

Nasty Jack’s Antiques’ impressive building.

Visiting La Conner
Along the way from Mount Vernon to La Conner, we were treated to fields of yellow daffodils in full bloom. We had a nice leisurely late lunch at the La Conner Brewing Company (117 South First Street, 298257, 360.466.1415) – enjoying a hummus plate and wild coho salmon filet sandwich with thick-cut fries and coffee and tea, of course. We meandered in and out of the myriad rooms that comprise the large building that is Nasty Jack’s Antiques (103 East Morris Street, 360.466.3209). If you’re looking for old magazines, unusual vintage furniture, steel and wooden type set blocks, and reproduction badges, bottle openers, and key chains, this antique shop is for you. It’s also a great place to window shop.

Bold and beautiful earrings handmade by Miao Chinese artisans.

Bold and beautiful earrings handmade by Miao Chinese artisans.

Unfortunately, we didn’t have enough time to go to the La Conner Quilt and Textile Museum housed in the historic 1891 Gaches Mansion (703 Second Street, 360.466.4288) before they closed, but this museum will be a destination next time. To help celebrate the tulip festival, the museum hosts a quilt or fiber art piece tulip festival challenge, a fundraiser that benefits the building of its Commemorative Brick Pathway. One of Kathy’s favorite shops is the Caravan Gallery (619 South First Street, 360.466.4808), which has an unbelievably large and colorful selection of jewelry, handicrafts, and artifacts from overseas adventures – from multi-colored beaded cuffs and long, multi-strand, gold-beaded necklaces crafted in Bali to silver earrings and bracelets handmade by the Miao Chinese, and ethnic minority living in the southwestern mountains in China. The shop features a garden patio and waterfall, which is a great place to sit down, take a deep breath, and relax.

The soothing waterfall and garden at Caravan Gallery, La Conner, Washington.

The soothing waterfall and garden at Caravan Gallery, La Conner, Washington.

Antique sleuthing
We ventured to a few more antique shops in downtown Mount Vernon, particularly Dilly Dally Antiques and Collectables (501 S. First Street, Mount Vernon, 98273, 360.336.8930). On the lookout for chatelaine pieces, Kathy spotted a pencil – with the lead intact – in a slim silver case that was attached via a very thin, working retractable chain to a round silver pin with an etched floral design. The tag described it as a sales clerk’s pencil, which was approximately 3 ¾ inches long. It was quite an unusual find, as we’d never seen such an item. When we got back to Kathy’s house and were on opposite sides of her dining room table, our respective laptop and tablet before us, we began a spontaneous quest, trying to find out more about these pencils.

Vintage pencil pin: Who used it? A librarian, sales clerk, or gal on the dance floor?

Vintage pencil pin: Who used it? A librarian, sales clerk, or gal on the dance floor from yesteryear?

Kathy had introduced me to Pinterest the day before and was looking at images on that platform. She found a handful on Etsy and eBay, some with different descriptions – 1940s dance card pencil and librarian mechanical pencil – both of which made sense to us. While the one at Dilly Dally did not have any markings on the back of the pin, many that we found were produced by Ketcham-McDougall, of East Orange, NJ. One had a patent date of February 24, 1903 (coincidentally, that’s my birth date!) and was manufactured in 1910. It definitely looked like an antique, whereas the silver pencil pin had a sleek mid-century sensibility to it.

Personally, I subscribe to the more romantic description of the dance card pencil from the 1940s and 1950s. Perhaps Violet Bick used it to try to get George Baily to sign her dance card the night that he laid eyes on and instantly fell in love with Mary Hatch in It’s a Wonderful Life. It is imagining who had this item, what they were like, and what kind of life they led that makes learning about, collecting, and appreciating vintage and antique items so enjoyable, particularly from a writer’s perspective. It was a fun exercise spawned by a vintage find and made special by having shared it with a dear friend.

A respite from the rain in the tulip fields.

A respite from the rain in the tulip fields.

When it rains in Bellingham, antique shops beckon

The best mirror is an old friend.
– George Herbert, Welsh-born English poet, orator, and Anglican priest

Kathy and me, Village Book Café, Bellingham, Wash., April 2013.

Kathy and me, Village Book Café, Bellingham, Wash., April 2013.

The last time I saw one of my best friends from high school, Kathy, was five years ago, when my kids were seven and five years old and we spent their spring break visiting with Kathy’s family in Mount Vernon, Washington. My kids are on their spring break now, but while they are back home with David, I am on a much-needed girlfriend trip to uplift my ragged spirits. It’s been five years, but really good friends pick up the conversation as if no time or distance has separated them at all. Such is the case with Kathy and me.

The heart of Old Fairhaven in Bellingham.

The heart of Old Fairhaven in Bellingham.

We have always shared a love for books and reading, writing poetry and fiction, art, the lost art of letter writing by hand, and thoughtful conversation. That has certainly not changed. But through the years, we – Kathy earlier than I – have developed a love for vintage and antique objects. She shared with me a beautiful Art Nouveau cast-iron inkwell, which was an earthy green color, with women with flowing long hair on either side of the inkwell, and the trademark sensuous curves and lines. There were other treasures, too, including pieces of a chatelaine for housekeepers, which date back to the 1700s – a miniature notebook with an Art Nouveau stamped silver cover on a chain and a silver needle holder that both attach to a brooch or belt – and vintage books.

Fairhaven Antique Mall in Old Fairhaven, Bellingham, Washington.

Fairhaven Antique Mall in Old Fairhaven, Bellingham, Washington.

We drove to Bellingham to have a nice meal with her youngest, Patrick, who is a freshman at Western Washington University and who was in eighth grade when I last saw him. We had planned a nice long scenic walk along the waterfront, but during our meal at the Village Books café the light drizzle turned to rain and then a downpour. That determined the remains of the day – seeking shelter in some of the historic buildings whose shops showcase local artists. And then Kathy took me to the Fairhaven Antique Mall (1201 11th Street, Bellingham, WA 98225, 360.922.7165), which is run by owner and buyer Lisa Distler and features more than 20 dealers. A lot of antique malls can be overwhelming, but Fairhaven Antique Mall was fairly well curated. (You can check out its Facebook page here.)

Art Nouveau hand-tooled handbag.

Art Nouveau hand-tooled handbag.

Distler has been in the antique business for more than 15 years and knows her stuff, having researched brands the old-fashioned way through books. I love hanging out in an antique store when the people who work there talk knowledgeably and lovingly about the treasures you fall in love with – because they love them, too. And in true antique spirit, Distler said her family hasn’t had a TV in the house since the 1980s, doesn’t have a computer, and writes out receipts on one of those thick and heavy steel boxes with a window and a slot to pull the receipt out of. For one fantastical moment, I considered this four-foot-plus trophy with a golden woman standing atop an open sphere with a base of long, blade-like mirrors and also a pink alarm clock with double-bells on top made in West Germany.

The etched cover of an antiqued compact purse.

The etched cover of an antique compact purse.

If you recall the hand-tooled purse from Feathers in Austin, you will understand my immediate attraction to a similar purse, which Distler explained was from the Edwardian era (1901-1910), though the Feathers purse was supposedly from the 1930s or 1940s. You can definitely see the Art Nouveau decorations on the front. It is missing its matching mirror, which the Feathers purse has, but this beauty was in excellent condition, from lining to latch to whipstitch. There were other beautiful purses, as well, a 1940s beaded purse with a hard frame and floral needlepoint, a flapper-era beaded purse shaped like a drawstring bag, although the opening was a metal cap that when lifted allowed the steel accordion frame to fan out and allow you to access the contents, and a sweet, small, beaded ivory purse with a kiss-lock metal frame that sported a ring, which women wore while whirling around on the dance floor. Another beauty was an antique compact purse, with slots for nickels and dimes, powder, and calling cards, and a mirror. I began imagining removing the chain and replacing it with another chain.

The inside of the antique compact purse.

The inside of the antique compact purse.

Whiting and Davis gold mesh purse.

Whiting and Davis gold mesh purse.

It was raining even harder when we left. We returned to Mount Vernon by way of the Red Door Antique Mall (111 Freeway Drive, 360.419.0811), where Kathy got her inkwell. There were a lot of interesting and beautiful items in this mall, including an old-fashioned percolator that I imagined could have a second life as the base of a lamp, a 1950s mint-condition Samsonite luggage, a pleather (though now it would be described as vegan) very shiny bright burnt yellow rain coat with wide lapels from the 1970s for only $19. I tried this coat on a few times but eventually put it back, unsure if I could pull off cool rather than kitsch. Buyer beware, as in one dealer’s display cabinet one silver metal trinket box had a Ross-like store tag on the bottom that listed it as $6.99, but this was priced at $42. Hmmm. But you can always trust well-known markings, such as this gold Whiting and Davis mesh purse and a brand that I now know – Crown Lewis purses, which were made in the 1930s and 1940s.

Crown Lewis fabric handbag.

Crown Lewis fabric handbag.

Vintage glass perfume bottle.

Vintage glass perfume bottle.

The antique malls in the area have incredibly reasonable prices for both vintage and antique. Kathy knows, having gone through antique shops in Los Angeles, and I know having compared prices from antique and vintage goods from the Bay Area with those in the Central Valley. While you’ll find a lot of similar and therefore uninspiring items no matter where you are in the country, it’s especially sweet to stumble upon really unusual pieces such as the antique compact purse. At the end of the evening, Kathy and I looked at one another, smiling and content: Today was a really fun day poking around in antique shops with not only a dear friend, but a partner in crime. The trip thus far is definitely uplifting my spirits. And yes, I’m still thinking about that super bad rain slicker – so bad that it’s rad.

1970s, wide-lapelled, gold-buttoned, shiny rain slicker: So bad it's cool. Or not?

1970s, wide-lapelled, gold-buttoned, shiny rain slicker: So bad it’s cool. Or not? Cast your vote!

Appropriate at Any Age: Removing “age” in “age appropriate”

You can be gorgeous at thirty, charming at forty, and irresistible for the rest of your life.  – Coco Chanel, French fashion designer

These waxed shorts sit lower on the waist to lengthen the inseam. Chocolate opaque tights and booties lengthen the leg, and the dark-colored sweater jacket lengthens the entire frame. Add a touch of faux fur and vintage purse and you're ready to go.

These waxed shorts sit lower on the waist to lengthen the inseam. Chocolate opaque tights and booties lengthen the leg, and the dark-colored sweater jacket lengthens the entire frame. Add a touch of faux fur and vintage purse and you’re ready to go.

In the last year or so, I’ve come across a fistful of articles in women’s and fashion magazines that expound on what a woman of a certain age should or shouldn’t wear. One author said she had been told that women over 30 shouldn’t wear leather jackets anymore. Another article smugly noted that while older women are donning clothing items once deemed the domain of the younger woman, young women can triumphantly pull on shorts, with the knowledge that they are leaving the older women – their mothers – in the dust. Every time I read one of those articles, I got unnecessarily exasperated. I soon realized this was a waste of energy. I then calmed down and recalled a famous Coco Chanel quote: “I don’t care what you think about me; I don’t think about you at all.”

Is there such a thing as age appropriate? Should there be such a thing as age appropriateness? I would rather we remove the word “age” from the concept of age appropriate. Let’s talk about what is appropriate. Take those shorts, for example. Now make them “Daisy Duke” shorts, the kind in which the inseam length is a negative number. Maybe a handful of women would look good in them, but I’m certain I don’t want to see anyone’s cheeks hanging out, save for the ones on their faces.

Jean shorts and black opaque tights create a classic look. Keep it simple with black embellished t-shirt, belt, and leather jacket. But give it an edge with a red bag and studded booties.

Jean shorts and black opaque tights create a classic look. Keep it simple with black embellished t-shirt, belt, and leather jacket. But give it an edge with a red bag and studded booties.

I will submit that not all women – regardless of age – can wear shorts and feel comfortable in them. I grew up in the Central Valley of California, where the temperatures would remain in the 90s (degrees) late into the evening, but I would not wear shorts to school or to any social outing as a teenager because I was too self-conscious and felt exposed in shorts. Painfully shy, I deemed it a triumph when I finally felt comfortable enough to wear shorts in college. The operative word is comfortable and its subtext is confidence.

Vegan leather and Frye boots are softened by a creamy lace blouse and tights.

Vegan leather and Frye boots are softened by a creamy lace blouse and tights.

I submit that a lot of women of my age can wear shorts smartly and successfully – and appropriately. First of all, I don’t wear shorts to “look” or “feel” young. I wear shorts because I like a particular pair of shorts or like the look of it as part of an outfit, an ensemble. This is a very important point. I have my rules of thumb, though don’t think of them as rigid rules. Think of them as comfort levels. No matter what the style, they should fit – not tight or not baggy when they’re not supposed to be baggy. I don’t wear short-shorts. Inseam length is critical. While a three-inch inseam seems itty-bitty, it’s not so bad – if you really like the style, fabric, and/or print – to size up and let the waistband sit low. In the wintertime, you can wear opaque tights and look appropriate and sharp. If you feel the need to cover up and work your way up to a certain comfort level, wear boots. Regardless of comfort level, however, shorts and boots go hand in hand in cold weather.

Mixing vintage Miriam Haskell pearl necklace, reclaimed vintage bow necklace from Gorgeous and Green (Berkeley, CA), Carmela Rose reclaimed vintage earrings, beloved bumble bee bracelet purchased in Philadelphia, and chunky ring from Lava 9 (Berkeley, CA).

Mixing vintage Miriam Haskell pearl necklace, reclaimed vintage bow necklace from Gorgeous and Green (Berkeley, CA), Carmela Rose reclaimed vintage earrings, beloved bumble bee bracelet purchased in Philadelphia, and chunky ring from Lava 9 (Berkeley, CA).

The only time I don’t wear tights with shorts is when it’s super casual and I’m at home or at a sporting event. In the Bay Area, our summers are famously cool and foggy most of the time, so you can get away with tights and shorts across seasons. In the summertime, I wear shorts with flats or wedges or platforms, but never with heels, especially spiky heels. That’s where my comfort level ebbs. While shorts oftentimes conveys casual and informal, I like dressing up shorts, as a style statement but also for its ability to lend a sense of sharpness.

Suede jacket, flowery blouse, pop of color in the yellow belt, and neutral tights and booties for spring.

Suede jacket, flowery blouse, pop of color in the yellow belt, and neutral tights and booties for spring.

Fashion should be fun and experimental. With shorts, you need to figure out what style looks good on you, which fabrics and prints flatter your shape, and what kind of a look you are trying to convey. And then let loose and experiment with what goes on top, what shoes are a good match, what accessories compliment and make the whole outfit cohesive yet effortless. Think of shorts as part of the overall outfit. It makes them less intimidating and really, part of the fashion canvas. So be artistic, creative, comfortable, and confident in whatever you wear.

Mix faux fur and full lace shorts in monochromatic colors.

Mix faux fur and full lace shorts in monochromatic colors.

Reclaimed vintage gold jewelry looks natural against tan silk and creamy mottled faux fur.

Reclaimed vintage gold jewelry looks natural against tan silk and creamy mottled faux fur.

Welcome spring in navy shorts, pastel sweater, navy hose, and Frye covered-toe sandals.

Welcome spring in navy shorts, pastel sweater, navy hose, and Frye covered-toe sandals.

 

A Valentine’s Day ode to The Way We Were

Can it be that it was all so simple then?
Or has time rewritten every line?
If we had the chance to do it all again
Tell me, would we? Could we?
– Alan Bergman and Marilyn Bergman, lyricists, and Marvin Hamlisch, composer

Me at 11, 6th grade, Fall 1973, when the movie came out.

Me at 11, 6th grade, Fall 1973, when the movie came out.

When I saw that our local movie theater, the Cerrito Theater (10070 San Pablo Avenue, El Cerrito, 510.273.9102) was going to show The Way We Were on Valentine’s Day, I knew where I was going to be eating dinner that night. But it took some time to convince David to go. He agreed to go, and it’s one of the most sentimental Valentine’s Day “gifts” he’s given to me. It’s hard to believe that the movie celebrates its 40th anniversary this year. I remember seeing it in the theater when I was 10, and subsequent times after that (although I will say that I forgot a lot of the details of the movie). While the movie is flawed (read the Wikipedia entry on it; it’s fascinating) and those flaws were more evident tonight, it brought me back to the 1970s, to a nostalgic period in my life.I had created this acronym to describe myself when I was growing up – RISS, which stands for romantic, idealistic, sentimental, and sensitive. So you can imagine how this movie played out to a girl with that kind of hard wiring. I had a big crush on Robert Redford back in the day. And while I never considered Barbra Streisand beautiful, I admire her tenacity, passion, comedic impulse, and her sensuality, especially in the way she twisted her lips and worked her long fingers around Hubbell’s neck and shoulders and those blond locks.

The type of outfit Katie would wear at the radio station.

The type of outfit Katie would wear at the radio station.

I confess I had a little Katie Morosky in me in college. There is a scene in which Katie expects her story, which she crafted for three months, to be publicly praised in her creative writing class; instead, Hubbell’s story is read aloud. The next scene shows her dashing through the campus and stopping at a trashcan to tear up her story and throw it away. In one of my early creative writing classes at UC Davis, I modeled one of my stories after James Joyce’s Araby. The problem was that I stupidly mentioned it in class after a classmate asked me about technique. My professor, whom I admired greatly back then and still do to this day, said in his very formal tone of voice that it is fine to write like James Joyce but only if one is James Joyce. Everyone in the class laughed, and I was mortified. After class, I dashed across the quad to my dorm room, where I literally threw myself on my bed and cried. After my weeping, I sat up and told myself, well, you wish to be a writer, and if you want to write you have to put yourself out there. You have to accept the criticism, and learn and grow from it. It has never been easy, but it’s still true.

The perfect outfit to pass out leaflets in.

The perfect outfit to pass out leaflets in.

The second affinity I have with Katie is my sense of social justice and activism, which I confess was much grander and more passionate when I was younger, especially in high school, college, and in my twenties. I was very big on Greenpeace. In the same way Katie was handing out strike leaflets on the college campus,  I was distributing Greenpeace cards that said “Club sandwiches, not seals” and “No veal this meal” in the dorm dining hall. The back bumper of my lemon of a Volkswagen Rabbit was covered up with various stickers about saving whales and other such sentiments.Lastly, the college scenes reminded me of my own crush on a fellow English Department student, whom I scared away with my intensity. I asked him out to lunch and relived the encounter when reading about it in my college journal this past holiday. I had to laugh at the remembrance. He ordered the Steinbeck Salad, which astonished and delighted me because Steinbeck was one of my favorite authors at the time. But the kicker? He told me he wanted to join the Peace Corps. Just like I wanted to do. I remember meeting my roommate after lunch for the scheduled debriefing. I was head-over-heels in love. Steinbeck, the Peace Corps. It was meant to be. Only in my head. And so I completely empathized with Katie’s college crush on Hubbell.

An outfit Katie would wear to a screening of a movie for which Hubbell wrote the screenplay.

An outfit Katie would wear to a screening of a movie for which Hubbell wrote the screenplay.

One thing I appreciated in viewing the movie this time around was Streisand’s fashion sense through the decades. I thought I had more retro outfits, but not one that more closely matches the aesthetics of Katie Morosky. But I’ll give it a go, with an Enrado twist.

The kind of coat Katie would be wearing as she dashes across New York City streets. Tocca coat from Personal Pizazz (Berkeley, CA).

The kind of coat Katie would be wearing as she dashes across New York City streets. Tocca coat from Personal Pizazz (Berkeley, CA).

Watching the movie was a total indulgence for me. A walk down memory lane, making for a memorable Valentine’s Day evening. Next stop? The Mel-O-Dee Bar (240 El Cerrito Plaza, 510.526.2131) on karaoke night to sing Babs’ song!

Vintage brocade jacket reminiscent of the 1950.

Vintage brocade jacket reminiscent of the 1950.

1950s retro: structured jacket, wide-leg pants, and antique handbag.

1950s retro: structured jacket, wide-leg pants, and antique handbag.