Labor Day Weekend: you can go home again

We leave something of ourselves behind when we leave a place, we stay there, even though we go away. And there are things in us that we can find again only by going back there.
– Pascal Mercier, pseudonym of Peter Bieri, Swiss writer and philosopher, from Night Train to Lisbon

For years, we have traveled to my hometown of Terra Bella to celebrate the San Esteban Circle’s Labor Day Weekend festivities. My late father and his cousins – my uncles – hailed from the coastal village of San Esteban, which has a view of the South China Sea and is part of the province of Ilocos Sur on the Philippine island of Luzon. My father’s cousins settled in Terra Bella, a rural farming town in the Central Valley of California, in the 1950s after World War II. In 1955, they founded the San Esteban Circle, a club that offered social activities and financial and other kinds of support for its members. Our family moved from Los Angeles to Terra Bella in 1965 after my father’s doctor recommended that he leave the city for the country for his health.

Lechon - traditional spit-roasted suckling pig - is a staple at Filipino banquets.

Lechon – traditional spit-roasted suckling pig – is a staple at Filipino banquets.

The Filipino community in Terra Bella has always been a tight-knit group. Most of my aunts and uncles picked grapes in the summer and in the wintertime the women packed oranges at the local packing house. We were a small band of kids attending the elementary school and trying to fit in. On Saturday – after everyone came home from the fields or packing house – and Sunday afternoons, my relatives congregated at one home to play mahjong and card games and eat an abundance of Filipino food. The host house rotated every week.

On Labor Day Weekend, the San Esteban Circle hosts luncheons and a big dance, which raises funds and concludes with the coronation of a queen and her court, at the local Veterans Memorial Building. As kids, we were forced to attend the long evening in starchy dresses, but I admit that I was fascinated by my relatives’ supreme confidence on the dance floor with ballroom dances such as the cha-cha-cha. They transformed themselves, changing out of their farm worker attire and into their embroidered barong Tagalog shirts and traditional gowns with butterfly sleeves. As teenagers, we participated in the “box” dance fundraisers, in which long lines of relatives would dance for two seconds and deposit a cash donation with the treasurer at the front of the main hall. The girls and later women got half of the proceeds. Not a bad haul for dancing for 15 minutes!

As an adult I came home Labor Day Weekend because aside from Thanksgiving and Christmas, it was the only time I could see my relatives and catch up with my cousins in one place. We took the kids, though their connection to the community has always been tenuous because I didn’t bring them down as much as I should have, in retrospect. As a family we went to one dance, which was fun. Imagine older Filipinos doing the line dance to Bill Ray Cyrus’s Achy Breaky Heart. But then the next year the kids and David begged off, so Janet and I only attended the luncheons from then on.

The dance in 1997. My mom is sixth, from the right. I'm next to her, and Janet's mom, Auntie Virgie, is on the other side of me.

The dance in 1997. My mom is sixth, from the left. I’m next to her, and Janet’s mom, Auntie Virgie, is on my left.

Two years ago, we celebrated Janet and Tim’s anniversary in Cambria, on the Central Coast, where they were married over the Labor Day Weekend. While everyone had a great time, I secretly missed my once-a-year touch with my Filipino heritage. However, I also had a reason to not go down, especially that year, as I’ll explain later. In 2013, we didn’t visit because Janet and Tim were dealing with family matters. When we came down this year, I wasn’t planning on attending the luncheon. When my mother passed away in early January 2012, in our grief, my sisters and I failed to let our relatives in Terra Bella know in a timely way many decisions we had made concerning our mother, most notably our decision to release her from her excruciating pain and have her remains cremated and honored in a quickly put together memorial – not in our hometown but in Folsom, where she lived the last of her 15 years of life. Another decision that our relatives were upset about was having her remains rest in Folsom, rather than in Porterville, the next town over from Terra Bella, where our dad’s remains have rested since he passed away in 1995.

At the time, the anger from our relatives confused and upset me. We were grieving and our grief clouded our decisions. Why were they not honoring our wishes and decisions? They clearly had their own ideas of how things should have been done. Not too long afterwards, I looked at the situation from their viewpoint. Even though my mother married into my father’s family, she was embraced by the community. While not one of the first to settle in Terra Bella, nonetheless we were one of the original families. At the time of her illness, my mother was one of the last remaining members of the community’s generation, although she no longer lived in Terra Bella. (She came down for the festivities nearly every year, as my sister and I took turns driving her down.)

One of our aunts was especially angry. To appease our relatives, who were too frail to travel and especially on such short notice, we put together another hasty memorial for our mother at the church where we were baptized and held our first communion and confirmation. Our aunt sat in the back of the church, on the opposite side of the pews where my sisters and I sat. She came late to the luncheon. She did not look at us and when she had to respond to us, she was stony faced and curt. We sat uncomfortably among our relatives during the luncheon, watching the slide show that my nephew had created for my mom’s memorial, unsure of what they were saying about us because our parents never taught us Ilocano and we just never picked up the language to understand the spoken word. Our relatives thought it wrong that we had cremated her and were horrified to learn of our intention to scatter her ashes, which they felt was akin to separating parts of her body. We learned that the Catholic Church, while it recently accepted cremations, requires internment of the ashes.

50th Anniversary of the San Esteban Circle in 2005. My mom with her walker, recovering from back surgery, and Auntie Berta next to her.

50th Anniversary of the San Esteban Circle in 2005. My mom with her walker, recovering from back surgery, and Auntie Berta next to her.

My Auntie Leonore, who was once married to my mom’s brother, hosted the first anniversary luncheon in January 2013. We sat through the luncheon, awkwardly trying to make conversation with our relatives. We just had nothing to say. After that, I thought to myself, I can no longer come home again. I will never attend the festivities now that my mom is gone and we are not members of the San Esteban Circle. We are not really part of the community anymore. Two years passed.

Over this past summer, my sister had cleaned out her home and dropped off boxes and bags of items for me to give to Auntie Leonore. We had planned to visit just Janet and Tim this Labor Day Weekend. I called Auntie Leonore the day before we left so I could get her new address to drop off my sister’s things at her house. But she wouldn’t give her address and insisted that I attend the luncheon, where she was going to help with the cooking. She wanted me to be there. I told her I wasn’t sure I would be welcomed, but she insisted that nobody was angry. Come and be a part of the community again, she entreated.

So Janet and I came, with great trepidation on my part. I saw the one aunt who was the angriest of the group. She is 91 and still driving. She is the last remaining aunt of the first generation. I wasn’t sure how she would respond, but when I gave her a kiss and a hug, she held on to me and smiled. We ate lunch with my cousins and spent the next couple of hours catching up. I recognized a few faces, but saw more strangers. Attendance had been dwindling for years, but this year it was paltry, which one of my cousins explained why. Many years ago, after I had left, the second generation created the San Esteban Schools Alumni Association to meet the needs of the younger crowd. The two clubs collaborated and at some point a new tradition emerged, with each club hosting its own dance during the long weekend.

Many of my cousins came for my mom's memorial in Folsom, January 2012. Isabella's first photobomb!

Many of my cousins came for my mom’s memorial in Folsom, January 2012. Isabella’s first photobomb!

Last year, the clubs promoted their candidate. At the conclusion of the dance, the San Esteban Circle’s candidate, who had garnered the most donations, was crowned, but the Alumni protested. Apparently, someone had forgotten to include a donated check so once that check was tallied, the Alumni’s candidate became the eventual winner. The following day, the San Esteban Circle Board met and declared that late donations and checks would no longer be accepted. An uproar ensued. The two clubs split, never to work together again. The Alumni chose a different time of year to have their dance and took the bulk of the attendees with them, with the San Esteban Circle membership dwindling.

We all laughed at the story with knowing glances. Family feuds seem to be part of the culture, with elephant memories feeding the feuds. I was overjoyed to reconnect with my cousins and joke about Filipino stereotypes and reminisce over long ago memories. We all remembered when Uncle Doman – not really our uncle but we called everyone uncle or manong, a term of respect, back then – was chased out of our house by relatives after being caught cheating at rummy. To this day, I remember playing in the front of the house, hearing an uproar inside, and seeing Uncle Doman flying out the door, barely escaping the wrath of my parents and my aunts and uncles. He was never allowed to play again.

Janet and I couldn’t stay the entire afternoon. Before we left we requested a group photo of us cousins. We had Auntie Berta sit in the middle, the centerpiece of the photo. By chance, I ended up sitting next to her and leaned into her so everyone could fit in the frame. As the photographer adjusted the camera, she grasped my hand and gave it a hard squeeze. I kissed her on the cheek, her squishy cool skin. I squeezed her hand, hands that had picked grapes and packed oranges for decades, just as my mom had, and my heart danced.

My cousins and Auntie Berta at the San Esteban Circle luncheon, 2014.

My cousins and Auntie Berta at the San Esteban Circle luncheon, 2014.

A Vintage Labor Day Weekend

To travel is to shop.
– Susan Sontag, literary theorist, novelist, filmmaker, and feminist activist, from The Volcano Lover: A Romance

For years we have spent Labor Day Weekend traveling to my hometown of Terra Bella, attending our Filipino community’s festivities and celebrating my cousin Janet and her husband Tim’s wedding anniversary with a gourmet dinner prepared by David. Two years ago, we broke tradition and celebrated their anniversary in Cambria, on the central coast of California, where they were married 14 years ago and Jacob attended his first wedding at age three months. Last year, due to family issues, we stayed home. This year, we happily returned, stuffing our dog, Rex, and his dog bed in the back seat of the car with the kids for the 4.5-hour trek.

A scene from the mural "Orange Harvest" of the 1930s by Colleen Mitchell-Veyna and Morgan McCall, 1996, SE corner of Pine and E Streets, Exeter.

A scene from the mural “Orange Harvest” of the 1930s by Colleen Mitchell-Veyna and Morgan McCall, 1996, SE corner of Pine and E Streets, Exeter, CA.

Among the many reasons we enjoy going down to my old stomping grounds is immersing ourselves in a bucolic existence. Although this visit David had to bring his technical drawings with him, we usually leave our work at home. We are far removed from the urban/suburban world and, while unwinding and relaxing, we revel in the small-town environs – slower pace, quiet. Through the years, we have established traditions and with this visit we added a new destination point.

Detail from mural "Packing Ladies" by Colleen Mitchell-Veyna, 1997, 119 S. E. Street.

Detail from mural “Packing Ladies” by Colleen Mitchell-Veyna, 1997, 119 S. E. Street, Exeter, CA. This is what my mother used to do for decades at our local orange packing house in Terra Bella.

The mural, "The People Behind the Label," by Chuck Caplinger, 2000, 251 E. Pine Street.

The mural “The People Behind the Label” by Chuck Caplinger, 2000, 251 E. Pine Street, Exeter, CA. My mother also picked grapes in the summers.

The Orange Works in Strathmore, just up the road from Porterville.

The Orange Works in Strathmore, just up the road from Porterville.

Good eats
Growing up here, I never sought out good restaurants that best reflected the local culture. Now we rely on Janet and Tim for best places to eat. Chaguitos (1393 West Olive, Porterville, CA 93257, 559.782.1230), a favorite Mexican restaurant and panaderia, serves authentic Mexican food. Janet introduced us to Chaguitos’s tres leches cake, a sponge cake soaked in evaporated milk, condensed milk, and heavy cream. Unfortunately, when we swung by to pick up dessert for Sunday’s dinner, they had sold out. We were denied tres leches cake this time around, but we made sure to not miss another favorite sweet treat.

Janet and I headed up Highway 65 to meet Tim, David, and the kids at the Orange Works Café (22314 Avenue 196, Strathmore, CA 93267, 559.568.2658), a very popular roadside café right off Highway 65, on the way from Porterville to Exeter. The Orange Works Café is part gift shop, offering jars of jams, jellies, honey, flavored butter, seasoned olives, and other edibles made from locally grown produce. They serve sandwiches for lunch, with the tri-tip being one of the most popular, and an equally popular iced tea with a twist of orange flavor. But that’s not the prize in our eyes – it’s their homemade ice cream, a winning combination that’s part soft ice cream and part sherbet. The café is closed on Sundays and Mondays, so if you’re in town on the weekend, you have to endure the long lunch lines and get there before they close at 4pm. I’ve not had their strawberry, ginger, peach, or mango ice cream because I am so over the moon with their trademark orange ice cream, which is made with fresh, sweet local oranges – think natural orange creamsicle. I’m told they make pomegranate ice cream in the fall.

Gone in 60 seconds!

Gone in 60 seconds!

The Orange Works Café’s Facebook page alerts fans to what new concoction they will served on that day and future days – pumpkin, Almond Joy, grape, cinnamon, pineapple, lime, cantaloupe, and confetti birthday cake are just a few of the creative choices. You don’t have to trek 250 miles to experience orange ice cream or any other flavored ice cream, however,  because they ship! I don’t know what the rates are, but rest assured I will definitely find out this fall. I may end up finding another favorite flavor or two. If you happen to sample their soft ice cream, let me know what you think. If you do make the trek, bring a cooler and buy dry ice for your drive back to enjoy the ice cream long after your trip to the Central Valley.

This old barn - Good Goods' main building of antiques and vintage goods.

This old barn – Good Goods’ main building of antiques and vintage goods.

Vintage shops: old and new
Every time we come down, we make a pilgrimage to Good Goods (30924 Road 168, Farmersville, CA, 559.594.5765 or 559.280.2498) to see our friend Jim, proprietor of this wonderful vintage and antique shop. Through the years, we have bought some great finds, including an 1880s walnut dresser and mirror, a mannequin that shows off my necklaces, jewelry stands, 1950s sterling silver tray, circa 1950s coasters, and more. If I had room in my house, I would have bought one of his reclaimed vintage tables – the tops, made from thick strips of wooden lanes from a shuttered bowling alley in Fresno, resting on antique or vintage industrial metal bases such as 1930s school lockers. Jim was making these tables long before they were chic. He remembers us and the fact that I’m on holiday over Labor Day Weekend.

From Good Goods, we made our way to another traditional vintage stop, By the Water Tower Antiques (141 S. B Street, Exeter, CA 93221, 559.594.4060), which is jam-packed with such items as fruit company labels and signs, kitchen utensils, tools, garden art, and furniture. The shop is located in downtown Exeter, which features numerous murals depicting agricultural workers in the vineyards and orange groves, women working in the packing houses, cattle drives, poppies and lupines, local Yokut native Americans, harvests, food labels, old downtown, and other scenes from a bygone era. You can take an informal walking tour to see all 29 murals (three of which are shown above).

The inviting entryway to Rose Petals and Rust.

The inviting entryway to Rose Petals and Rust.

Janet then introduced me to a fairly new shop that she discovered in downtown Exeter. Rose Petals and Rust (158 E. Pine Street, Exeter, CA 93221, 559.592.3960), which offers vintage and new home décor and gifts, and refurbished furniture and custom-painted pieces, is now on our must-visit-when-we-are-in-town list. We met co-owner Jodi Giefer, who graciously let me take pictures of her beautifully curated shop and with whom we had a terrific conversation around the love of vintage and antiques.

I was smitten with the reclaimed vintage jewelry made by Laura Mason Borum, a jewelry designer from Exeter who specializes in pearl and vintage spoons. A big rack displays her necklaces, charms, and bracelets. Janet was patient with me as I admired many of her creations. You will want to carve out an unhurried afternoon to spend at Rose Petals and Rust to check out all the treasures and decide which ones you will be taking home with you. I’m looking forward to coming back again. Thanks for a great welcome to your store, Jodi!

Scented candles, soap, and potpourri.

Scented candles, soap, and potpourri.

Variations on a pumpkin.

Variations on a glass pumpkin for fall.

Mannequin love.

Mannequin love.

French Country influence.

Rose Petals and Rust’s inviting French country ambience.

My treasures - vintage silverware with intricate scrollwork and drop pearls.

My new treasures – vintage silverware with intricate scrollwork and drop pearls.

Old City District shops: ‘independent by design’

The neighborhood has been named one of the top 12 ArtSpaces in the U.S., ranked one of the hottest neighborhoods in Center City by fellow Philadelphians, and included in a list of top 10 “Undercover Stylish Neighborhoods” in the USA.
– Old City District website

Vintage shops dot N. Third Street and other nearby streets in Old City District.

Vintage shops dot N. Third Street and other nearby streets in Old City District.

My first trip to Philadelphia was in June 2011 as part of a women’s clothing retailer’s consumer focus group. We were flown in for a two-day event at the company’s headquarters, with a handful of us from the West Coast arriving a day earlier than the rest of the women. Our hosts treated us to brunch and then set us free to roam the city, supplying us with a pamphlet of recommended places to go in Philly, including shops, restaurants, spas, and art and culture destinations. The women were not interested in historical sites, although we were in the neighborhood called Old City District, ground zero for America’s “most historic mile.” Instead, we zeroed in on shops.

More than three years later, knowing that we were covering museums and historical sites on our family vacation, I was looking forward to returning to the neighborhood and these shops. As you all know, whenever I travel to a city I like to check out one or more vintage shops and shops unique to the area. While we packed our itinerary with all things historical, science, and art related, we carved out time for vintage shopping, many of which were nestled in Old City District.

Colorful storefront displays.

Colorful storefront displays reflect back old architecture and architectural details.

I’ll admit that I checked out a couple of places new to me that were highly touted but ended up being somewhat disappointing. Described as a “whimsical boutique and gift shop,” NeverTooSpoiled (106-108 N. Second Street, Philadelphia, PA, 215.928.0167) was south of shabby chic, with nothing really special about its wares. Barbara Blau Collectables (29 N. Second Street, 215.923.3625) was hard to find because a shop selling old books, records, and other items was the storefront. Turns out that the shop is in the back, but the owner was at a vintage show and wouldn’t be returning until end of the week, when I’d be long gone.

Find the glowing Sugarcube.

Find the glowing Sugarcube.

Inviting storefront.

Inviting storefront.

Scattered storefronts along N. Third Street were empty, and a shopkeeper told me they didn’t survive the tough economic times just a few years earlier. Happily, I found two places still thriving. I had gotten a circa 1960s articulated owl pendant from Sugarcube (124 N. Third Street, 215.238.0825), a rustic shop that features American and international fashion, jewelry, and accessories with an eye toward timeless vintage. Besides its own private label, Sugarcube also features independent designers and microbrands, celebrating both established and emerging designers.

Indie brands at Sugarcube.

Indie brands at Sugarcube.

Shiny red motorcycle parked next to a vintage wooden ironing board. Of course.

Shiny red motorcycle parked next to a vintage wooden ironing board. Of course.

Showcase dripping with jewelry.

Showcase dripping with jewelry.

I met both co-owners on separate days and chatted away with them while admiring the design of the interior and, of course, the jewelry, which is what usually catches my eye (and is easier to pack when on a trip). This time around I rediscovered Michael Hickey, whose reclaimed-vintage jewelry I had first stumbled upon at Feathers Boutique, a vintage shop in Austin, last year. He melds vintage rosary beads and found objects – horns, crosses, silverware, charms, keys, and so on – together to create jewelry that you could describe as hipster. Sugarcube is celebrating its 10th anniversary, a sign that they’ve been a stronghold in the neighborhood and survived a brutal economic downturn, which I was happy to see.

Fifty shades of shades.

Fifty shades of shades.

Found it!

Found it!

The other shop I remember and happily was reunited with was Lost + Found (133 N. Third Street, Philadelphia, PA 19106, 215.928.1311), where I ironically bought Jan Michael jewelry. While focusing on local artisans, I came away with jewelry from a San Francisco-based designer. This time around, while I spied more of her wares, I opted for practical reading glasses – cool plastic frames with a faux wood finish.

I didn’t have any time to check out vintage shops outside of Old City District. You could spend days in this historic mile and get your fill of art, vintage, and history. And they’re all compressed together. In trying to find one of the earlier stores, I turned a corner and there before me was Christ Church, an old active Episcopal church that was founded in 1695 and the place of worship for many Revolution Era leaders. One hopes that in time more storefronts will fill these old buildings. But in the meantime, support these local independent shops!

More Michael Hickey reclaimed-vintage necklaces.

More Michael Hickey reclaimed-vintage necklaces.

Reading glasses of faux wood.

Reading glasses of faux wood.

The ‘Delano Manongs’ and the importance of historical accuracy

The most effective way of destroying people is to deny and obliterate their own understanding of their history.
– George Orwell, English author and journalist

Filmmaker Marissa Aroy introduces her documentary to a standing-room-only crowd.

Filmmaker Marissa Aroy introduces her documentary to a standing-room-only crowd.

Having missed the “Delano Manongs” at the CAAMFest 2014 (Center for Asian American Media Film Festival) in Oakland in March, I was so happy to be given another chance to see Emmy Award-winning filmmaker Marissa Aroy’s documentary about the Filipinos’ contribution to the Delano grape strike of 1965. The Manilatown Heritage Foundation hosted the screening of “Delano Manongs: Forgotten Heroes of the United Farmworkers” at the International Hotel Manilatown Center (868 Kearney Street, San Francisco, CA 94108, mfg@manilatown.org) last Saturday afternoon. Marissa brought to the forefront the “buried” history of the manongs, a term of endearment for the older Filipino bachelors who came to the U.S. in the 1920s to work in the agricultural fields and subsequently struck for higher wages and better work conditions in the Delano vineyards in September 1965, in the heart of the Central Valley of California.

After the 30-minute screening, two local social justice organizers joined Aroy on a Q&A panel. Audience members wanted to hear Aroy’s take on Diego Luna’s biopic, Cesar Chavez, which was released in March. I haven’t seen the feature film, but many in the audience had. I trust the reports that they reported – that the Filipinos were pushed to the background and that the plucky, straight-shooter Filipino labor leader, Larry Itliong, was also relegated to second-class citizen status in the movie despite the fact that Itliong organized the original strike and convinced Chavez to join. In particular, Filipinos were outraged that in the pivotal scene in which the growers finally sign the union contracts Larry Itliong was in the crowd witnessing the signing and not being recognized as one of the negotiators who got the growers to sign in the first place. In reality, Itliong was seated at the table, alongside the growers and Chavez. Critics responded that the Filipinos were being petty, quibbling over an “insignificant” detail as the placement of Larry Itliong in a movie that was, after all, about Cesar Chavez.

Marissa addresses questions about historical accuracy in films.

Among other topics, Marissa addressed questions about historical accuracy in films.

Here is where I call foul. If the detail is inconsequential, why bother deviating from historical truth? When a historical movie deviates from the truth several times, viewers, especially those knowledgeable about the events and the time period, begin to distrust both the person telling the story and the story itself. And those who don’t know the history subsequently accept what they see as the truth. Marissa was asked about that particular scene in which Itliong was placed in the crowd and not at the table. She said she could only conjecture, but from a filmmaker’s perspective, she thought that a stronger, more outspoken character like Itliong – who was sporting a goatee, dark-rimmed glasses, and a cowboy hat at the signing – would “take away” the spotlight from the quieter figure of Chavez and therefore would not be placed prominently in the scene.

Critics again say it’s not about Itliong or the Filipinos. And again, indeed, the movie Cesar Chavez is not. They say, tell your own story. And so Marissa has – she spent five years making the documentary. That’s why it’s important to have a movie like the “Delano Manongs” in circulation. It demands to be seen with a greater distribution. Luckily for us all, Marissa reported that the documentary, which has been shown in limited engagements thus far, will be aired on PBS stations in 2015. But we can’t wait until next year to talk up this documentary and its insistence on recognizing the contributions of the Filipinos to the UFW. Those of us know the truth need to relentlessly educate those who don’t. For me, that’s part of the reason I wrote my novel, A Village in the Fields.

There has been talk of systematic and subtle – to the unassuming public, that is – erasure of the Filipinos from UFW history. It’s sinister in its subtlety. It shows that the gatekeepers of the legacy of the UFW and Chavez feel threatened by the legacy of the Filipinos, which shouldn’t be the case. When we are united against an evil, as was the case with the farm workers fighting against human rights violations, we win. When we break down within, we all lose. So it is with the retelling of this period in time. It’s a disservice to American history to rewrite any part of our national history. Think of Orwell’s words. Give credit where credit is due. The Filipinos started the Delano grape strike and they were instrumental in the creation of the UFW and in the victories gained at the bargaining table. Do your own research. Watch the “Delano Manongs” and spread the word. The truth.

Ripe Ribier grapes in September - the jewels in the fields.

Our own grapes of wrath.

Tana Hakanson, artist: forthcoming open studio and a bright future

A painting requires a little mystery, some vagueness, and some fantasy.
– Edgar Degas, French artist in painting, sculpture, printmaking, and drawing

Tana in her studio talking art.

Tana in her studio talking art.

Last May 2013, I profiled my good friend and artist Tana Hakanson, who had her second showing in as many years with the East Bay Open Studio, sponsored by Pro Arts, in June. Tana sold 21 of the 24 paintings she had on display. “I was really surprised and pleased with the response from last year’s Open Studio,” she said. Going out on her own this year, she will be hosting her 3rd Open Studio the weekend of May 17-18, 2014 (1633 Mariposa Street, Richmond, CA 94804) from 10AM to 6PM.

Tana came away from last year’s event with rave reviews from all who came to view her art. “People were really responding to the work that I most enjoyed doing, which was working with fluid paint,” she pointed out. “That’s what I wanted to do more of, so I’m very happy.” Tana is doing more of this type of painting – working with “liquidy” paint that focuses on harmonization of colors and natural forms occurring as part of the process. Tana paints layer upon layer of oil paint, manipulating and working with the wet paint and then letting each layer dry. She works on up to six paintings at the same time. While the process sounds straightforward, it’s quite challenging. When the composition isn’t working to her satisfaction, Tana paints over the canvas and starts from scratch.

A close-up of one of five paintings in Tana's sidewalk cracks series.

A close-up of one of five paintings in Tana’s sidewalk cracks series.

Last year, for example, she started a series of five paintings based on a photograph she had taken of sidewalk cracks. The photograph itself was framed to create the composition. On the canvas, however, the cracks – made by squeezing paint from the tube in thick lines created such a stark composition that it overtook the piece. Departing completely from her original idea, she added more layers until the colors of three of the paintings resembled rust or corrosion, natural processes that Tana seeks to emulate in her paintings. “I really love the texture of natural processes such as oxidation and patterns created by the movement of water and wind,” she explained. “The painting process makes me feel connected to the energy of natural processes, which makes me feel so alive.”

Strong colors smolder on the canvas.

Strong colors smolder on the canvas.

Big ideas, big plans
While Tana carves out time for painting – Fridays are her days off from her administrative day job so she can paint within a block of uninterrupted time – she has started thinking about marketing plans. She plans to eventually seek out gallery representation, and is working toward creating a website to reach a wider audience, as well as putting together an Etsy site. There are also other online venues to pursue.

Close-up of textures in Tana's painting.

Close-up of textures in Tana’s painting.

The problem for any painter who is also a mom with a day job is trying to find the time to not only paint but market. Since selling most of her paintings last summer, Tana needs to build up her inventory again before she can host open studios and offer up paintings for an Etsy site or other e-tailer. So while most of her time is devoted to painting, she doesn’t have time for marketing. While having to deal with that Catch-22, Tana remains optimistic.

Waves and foam.

Waves and foam.

While she continues to paint and get ready for her open studio, Tana is getting her artwork out into the public. Check out Well Grounded Tea & Coffee Bar (6925 Stockton Avenue, El Cerrito, CA 94530, 510.528.4709), where some of her paintings are currently on display until May 15. She is also working to get her paintings exhibited in other local venues as well.

A close-up of Tana's painting reveals palpable texture.

A close-up of Tana’s painting reveals palpable texture.

Tana hopes to gain more time for her artwork in the future. “I really need to disconnect from everything and have large blocks of time – time that is hard to come by,” she said. When she’s in the throes of painting, Tana is in her element: “When I paint, it makes me feel so alive. I’m enthralled by color and texture…the vibrancy of these elements resonates inside like a moving piece of music, forming an internal landscape – a garden of feeling from which to nourish.”

One of Tana's fluid paintings.

One of Tana’s fluid paintings.

Vintage love: Vivian’s evolution

Not on one strand are all life’s jewels strung.
 – William Morris, English artist, writer, textile designer, and socialist

Almost a year ago, I found Vivian in a shop across from Fat Apple’s Restaurant in El Cerrito:

Antique document holder with the name "Vivian" engraved on it.

Antique document holder with the name “Vivian” engraved on it.

She was in the display case of the cluttered shop full of antique and vintage jewelry, furniture, home décor, and housewares, vintage-inspired clothing, and oddly enough, a floral shop within the shop. The store was closing its doors for good, and I happened to come at the right time, when the prices of items were being discounted. As I asked to see what looked to be an old, very thin lighter, I was told by the shopkeeper that women immigrating to this country often wore document holders around their neck while on ships and pulled out their paperwork when they arrived on Ellis Island. I loved the backstory, and Vivian immediately came home with me.

For several months after bringing Vivian home with me, I had envisioned wearing the document holder as a necklace. Of course, that meant having it attached to a chain. But I didn’t want to just put it on a chain. At the beginning of the year, I finally took it to Kate Peterson Designs (KPD), and we discussed my vision for Vivian’s transformation. I wanted the chain to complement the sterling silver case, and I wanted to case to hang mid-chest. I wanted stones and since labradorite is one of my favorite minerals, we decided on five of them of different shapes.

Strung on an oxidized chain with labradorite drops and tags.

Strung on an oxidized chain with labradorite drops and tags.

A close-up so you can see the tags and Vivian's name engraved below the lid of the document holder.

A close-up so you can see the tags and Vivian’s name engraved below the lid of the document holder.

I knew I wanted tags, so Kate suggested the word “spirit” to celebrate Vivian’s sense of adventure in coming to a new world, and I later added my name for the second tag to lay claim, so to speak, to the transformed piece of jewelry and to commemorate the two owners. I picked the necklace up last week at Adorn & Flourish (7027 Stockton Avenue, El Cerrito, CA 94530, 510.367.8548). Kate nailed it. Thank you, Kate!

So I had to try out my new statement necklace….

Vivian with a gray layered, asymmetrical hem dress and peep-toe booties - and my new short haircut.

Vivian with a gray layered, asymmetrical hem dress and peep-toe booties – and my new short haircut.

Windswept hair on a windy day.

Windswept hair on a windy day.

Showing off the back of the dress with Vivian, Kate Peterson Design trio of mantra bracelets (Adorn & Flourish, El Cerrito, CA), Sundance stack of rings, fan ring (Eskell, Chicago), and my own vintage sterling silver earrings from the early 90s.

Showing off the back of the dress with Vivian, Kate Peterson Design trio of mantra bracelets (Adorn & Flourish, El Cerrito, CA), Sundance stack of rings, fan ring (Eskell, Chicago), and my own vintage sterling silver earrings from the early 90s.