New York, New York: the Met(s), Central Park, and Natural History Museum

But if I had to choose a single destination where I’d be held captive for the rest of my time in New York, I’d choose the Metropolitan Museum of Art.
 – Tim Gunn, American fashion consultant, television personality, and actor

Our second full day, we planned a trip to the American Museum of Natural History – the kids are big fans of the Night at the Museum movies – and catching a New York Mets game at Citi Field Park. I’ll admit that I was lukewarm about going to the Natural History Museum. At every natural history museum we’ve attended in past cities, I would check out the exhibits for a bit and then sit down and hang out until David and the kids were done looking around. While the Natural History Museum (Central Park West at 79th Street, 212.769.5100) was impressive in terms of its fossil and mammal halls, I still could only take so many dinosaurs and mammals in their natural habitat. I will say that the dioramas, which were beautifully rendered, were my favorite parts of the museum.

The entrance to the American Museum of Natural History (photo by David).

The entrance to the American Museum of Natural History (photo by David).

One of many, many dinosaurs (photo by David).

One of many, many dinosaurs (photo by David).

Up close of a squirrel in winter (photo by David).

Close-up of a squirrel in winter (photo by David).

White sheep on a narrow ledge above an Alaskan fjord (photo by David).

White sheep on a narrow ledge above an Alaskan fjord (photo by David).

One of the current exhibits, The Dark Universe, was shown in the Hayden Planetarium. Featuring detailed scenes based authentic scientific data, the movie “celebrates the pivotal discoveries that have led us to greater knowledge of the structure and history of the universe and our place in it – and to new frontiers for exploration.” Neil deGrasse Tyson, astrophysicist, well-known science communicator, and current Frederick P. Rose Director of the Hayden Planetarium, narrated the show. David and the kids really enjoyed learning about the revelations and mysteries of the universe that science has given us through space exploration. I enjoyed the cushy seat and air-conditioned room – a welcomed respite after walking around the museum’s expansive floors.

The kids with Teddy (photo by David).

The kids with Teddy (photo by David).

Citi Field Park: Mets versus Pirates
Our evening event was a night game between the Pittsburgh Pirates and the New York Mets in their fairly new ballpark, Citi Field Park, located in Flushing Meadows-Corona Park in the New York City borough of Queens. Citi Field Park, which was completed in 2009, replaced Shea Stadium. Ebbets Field (Brooklyn, 1913-1957) served as inspiration for the main entry rotunda and exterior façade made of red brick, granite, and cast stone. With a 41,800-seat capacity, Citi Field Park also contains the 3,700-square-foot Hall of Fame & Museum, which displays memorabilia, interactive kiosks capturing great moments in Mets history, and highlight videos celebrating the Mets biggest feats, including the 1969 and 1986 World Series championships. This stadium reminds me of the Baltimore Orioles’ Camden Yards in that the stadium is tall and you look down into the playing field, as if you were at the top looking down into a bowl. It makes for a cozy atmosphere.

Coming out of the subway and approaching Citi Field Park in Queens (photo by David).

Coming out of the subway and approaching Citi Field Park in Queens (photo by David).

The Big Apple outside the stadium (photo by David).

The Big Apple outside the stadium (photo by David).

When you walk in, you enter the Jackie Robinson Rotunda (photo by David).

When you walk in, you enter the Jackie Robinson Rotunda.

Me and Mr. Met (photo by David).

Me and Mr. Met (photo by David).

We got to see Andrew McCutchen – sans his famous dreadlocks – and his Pittsburgh Pirates play against the Mets, who were led by former Oakland A’s players, starting pitcher Bartolo Colon and left-fielder Yoenis Céspedes. Yes, Jacob got a Mets Céspedes shirt. The Mets dominated the game, leading 5-0. Unfortunately, we left the game midway to return to our apartment to watch the Cleveland Cavaliers beat our beloved Golden State Warriors. Jacob didn’t want to leave the park; we should have heeded his request because the Pirates came back in the eighth and ninth innings to make it a game, although they came up short in the end, 5-6. Our cuisine for the day was as touristy as you can expect – bland museum food and ballpark hot dogs. But it’s New York, which meant that it was pricey museum and ballpark food!

Looking down on the field from where we sit (photo by David).

Looking down on the field from where we sit (photo by David).

The most famous Pittsburgh Pirate - Andrew McCutchen (photo by me).

The most famous Pittsburgh Pirate – Andrew McCutchen.

Still pitching strong after leaving the Oakland A's - Bartolo Colon, who even had a base hit (photo by me).

Still pitching strong after leaving the Oakland A’s – Bartolo Colon, who even had a base hit.

Family portrait - with Isabella's book on iPad (photo by Apple).

Summer vacation family portrait – with Isabella’s book on iPad – a requirement in order for her to sit through a baseball game (photo by Apple).

The other Met: Metropolitan Museum of Art
On our third day, we returned to Central Park to take in the Metropolitan Museum of Art (1000 Fifth Avenue, 212.535.7710), which was nearly an all-day experience, though it still wasn’t enough time to see everything. We spent a good deal of time looking at all the Impressionist paintings. The Met is home to so many famous paintings – Vincent Van Gogh’s Self-Portrait with a Straw Hat, Edgar Degas’ ballet dancers in paintings and statues, Édouard Manet’s Boating, Claude Monet’s Water Lilies and Rouen Cathedral – and all the major painters – Mary Cassatt, Alfred Sisley, Thomas Eakins, Winslow Homer, Georges Seurat, Johannes Vermeer, Paul Gauguin, Diego Velázquez, John Singer Sargent, and El Greco. Not unlike my Modern Museum of Art experience in New York a few years back, I would walk into room after room after room and see all these famous paintings that I learned about in my art history class in college.

Entrance to the Met (photo by David).

Entrance to the Met (photo by David).

Inside the entryway of the Met - beautiful domes (photo by David).

Inside the entryway of the Met – beautiful domes (photo by David).

Portrait of a Young Woman with a Fan (oil on canvas), 1633, by Rembrandt (photo by David).

Portrait of a Young Woman with a Fan (oil on canvas), 1633, by Rembrandt (photo by David).

Amazing lace detail (photo by David)!

Amazing lace detail (photo by David)!

One small room was devoted to drawings, which David and I both loved. This is called Intimacy (Conte crayon), 1890, by Theo Van Rysselberghe (photo by David).

One small room was devoted to drawings, which David and I both loved for their detailed rendering with pen, pencil, or crayon. This is called Intimacy (Conte crayon), 1890, by Theo Van Rysselberghe (photo by David).

Close-up of Intimacy. Look at the incredible attention to detail (photo by David)!

Close-up of Intimacy. Look at the incredible attention to detail (photo by David)!

One of my favorite paintings from my college art history class: Joan of Arc (oil on canvas), 1879, by Jules Bastien-Lepage (photo by David).

One of my favorite paintings from my college art history class: Joan of Arc (oil on canvas), 1879, by Jules Bastien-Lepage (photo by David).

Close-up of Joan of Arc (photo by David).

Close-up of Joan of Arc (photo by David).

The Little Fourteen-Year-Old Dancer (bronze, partially tinted, with cotton skirt and satin hair ribbon), modeled ca. 1880, cast 1922, by Edgar Degas (photo by me).

The Little Fourteen-Year-Old Dancer (bronze, partially tinted, with cotton skirt and satin hair ribbon), modeled ca. 1880, cast 1922, by Edgar Degas (photo by David).

Close-up of The Little Fourteen-Year-Old Dancer (photo by me).

Close-up of The Little Fourteen-Year-Old Dancer by Degas (photo by David).

Another view of The Little Fourteen-Year-Old Dancer by Degas (photo by David).

Another view of The Little Fourteen-Year-Old Dancer by Degas.

Vincent van Gogh's Self-Portrait with a Straw Hat (oil on canvas), 1887 (photo by David).

Vincent van Gogh’s Self-Portrait with a Straw Hat (oil on canvas), 1887 (photo by David).

Ophelia (mezzotint etching and stipple on chine colle; proof), 1866, by James Stephenson after John Everett Millais. Millais painted the original masterpiece, which is one of my all-time favorite paintings. Stephenson's print is a masterful print reproduction (photo by me).

Ophelia (mezzotint etching and stipple on chine colle; proof), 1866, by James Stephenson after John Everett Millais. Millais painted the original masterpiece, which is one of my all-time favorite paintings. Stephenson’s print is a masterful print reproduction.

This caught my eye! Interior of the oude Kerke, Delft (oil on wood), ca. 1650, by Emanuel de Witte (photo by me).

This caught my eye! Interior of the Oude Kerk, Delft (oil on wood), ca. 1650, by Emanuel de Witte.

Young Woman with a Water Pitcher (oil on canvas), ca. 1662, by Johannes Vermeer (photo by me).

Young Woman with a Water Pitcher (oil on canvas), ca. 1662, by Johannes Vermeer.

Moonlight, Strandgage 30 (oil on canvas), 1900-1906, by Vilhelm Hammershoi reminds me of our artist friend Gary Stutler. The Danish painter found inspiration in his apartment in Copenhagen (photo by me).

Moonlight, Strandgage 30 (oil on canvas), 1900-1906, by Vilhelm Hammershoi, reminds me of our artist friend Gary Stutler. The Danish painter found inspiration in his apartment in Copenhagen.

Another haunting painting reminiscent of our friend and artist Gary Stutler. Here, is The Doors (oil on canvas) by Belgian Xavier Mellery (photo by me).

Another haunting painting reminiscent of our friend and artist Gary Stutler. Here, is The Doors (oil on canvas) by Belgian Xavier Mellery.

So I chose this to show because we had a cheap reproduction above our piano in my childhood home. This is Two Young Girls at the Piano (oil on canvas), 1892, by Auguste Renoir (photo by me).

I chose this to show because we had a cheap reproduction above our piano in my childhood home. This is Two Young Girls at the Piano (oil on canvas), 1892, by Auguste Renoir.

The Organ Rehearsal (oil on canvas), 1885, by French painter Henry Lerolle.

The Organ Rehearsal (oil on canvas), 1885, by French painter Henry Lerolle.

Close-up of The Organ Rehearsal.

Close-up of The Organ Rehearsal.

Another favorite of mine: Pygmalion and Galatea (oil on canvas), 1890, by French painter Jean-Leon Gerome.

Another favorite of mine: Pygmalion and Galatea (oil on canvas), 1890, by French painter Jean-Leon Gerome.

The Boulevard Montmarte on a Winter Morning (oil of canvas), 1897, by Camille Pissarro.

The Boulevard Montmarte on a Winter Morning (oil of canvas), 1897, by Camille Pissarro.

Rouen Cathedral: The Portal (Sunlight) (oil on canvas), 1894, by Claude Monet.

Rouen Cathedral: The Portal (Sunlight) (oil on canvas), 1894, by Claude Monet.

Boating (oil on canvas), 1874, by Edouard Manet.

Boating (oil on canvas), 1874, by Edouard Manet.

La Grenouillere (oil on canvas), 1869, by Claude Monet.

La Grenouillere (oil on canvas), 1869, by Claude Monet.

Awesome close-up of reflections in the water in La Grenouillere.

Awesome close-up of reflections in the water in La Grenouillere.

Madame Manet (Suzanne Leenhoff) (oil on canvas), 1880, by Edouard Manet.

Madame Manet (Suzanne Leenhoff) (oil on canvas), 1880, by Edouard Manet.

Close-up of the brushstrokes of Madame Manet.

Close-up of the brushstrokes of Madame Manet.

Closer still!

Closer still!

Knights on horseback in the Arms and Armor Hall (photo by David).

Knights on horseback in the Arms and Armor Hall (photo by David).

Jacob in the Arms and Armor Hall (photo by me).

Jacob in the Arms and Armor Hall.

The Temple of Dendur
The kids’ favorite exhibit was The Temple of Dendur, an Ancient Egyptian temple built by Petronius, the Roman governor of Egypt, around 15 BC. It was dedicated to Isis, Osiris, and two deified sons of a local Nubian chieftain, Pediese and Pihor. Neither tomb nor tribute to a pharaoh, the cult temple honors the Egyptian religion’s gods and mythology. In response to the U.S. government helping to save many Nubian monuments from going under in the floods when the Aswan Dam was built, the Egyptian government gifted the temple to the United States in 1965. Many cities vied to house the temple in their museums, but in 1967 President Lyndon B. Johnson awarded it to the Metropolitan Museum of Art in New York City. It took nearly 10 years for the sandstone temple, which was disassembled and shipped in 661 crates, for the complete temple to reach New York City, and the exhibit wasn’t fully open to the public until 1994.

Impressive (photo by David)!

Impressive (photo by David)!

Column detail (photo by David).

Column detail (photo by David).

More details, which would have been vividly painted at the time (photo by David).

More details, which would have been vividly painted at the time (photo by David).

In 2015, through research, surveys and analysis of painted objects in the museum, the Met Museum Media Lab was able to determine the original colors of the temple, as temples in Egypt and the Ancient World were often vividly painted vividly. Since the temple was built during the reign of Augustus Caesar, two scenes on one of the walls depict Augustus wearing the traditional pharaoh garb. Interestingly, the temple bears three different graffiti marks made over the course of a few thousand years – some words written in colloquial Egyptian script in 10BCE, Greek Coptic Christian inscriptions in 400ACE when the temple was briefly converted into a Christian church, and “Leonardo 1820” by travelers of that year. The temple is displayed in The Sackler Wing in such a way that mimics the temple’s location in Egypt. The reflecting pool in front of the temple represents the Nile River, while the sloping wall behind the temple represents the cliffs of its original location. The wing’s designers positioned the glass on the ceiling and the wing’s north wall to be stippled in order to diffuse the light and make it resemble the lighting in Egypt. You can actually rent out the wing for weddings and other special events, which I’m sure costs a pretty penny, but what a way to impress your family and friends, eh? All in all, it is an impressive exhibit.

Inside the temple (photo by David).

Inside the temple (photo by David).

Photo opp (photo by David).

Photo opp (photo by David).

David and I love sculpture, so we spent time admiring the European Sculpture and Decorative Arts wing. What’s an exhibit without a Rodin? Of course, there were many Rodins to appreciate here. The Met clearly deserves another go around, so we expect to come back and make sure we cover the wings and rooms that we breezed through.

Hall of statues. The museum wasn't too crowded, which was nice (photo by me).

Hall of statues. The museum wasn’t too crowded, which was nice.

The Burghers of Calais (bronze) by Auguste Rodin. Modeled in 1884-95 and cast in 1985. The 1895 original is installed in front of the old town hall in Calais, France (photo by David).

The Burghers of Calais (bronze) by Auguste Rodin. Modeled in 1884-95 and cast in 1985. The 1895 original is installed in front of the old town hall in Calais, France (photo by David).

Close-up of The Burghers of Calais (photo by David).

Close-up of The Burghers of Calais (photo by David).

Ugolino and His Sons (marble) by Jean-Baptiste Carpeaux, 1865-67 (photo by David).

Ugolino and His Sons (marble), 1865-67, by Jean-Baptiste Carpeaux (photo by David).

Close-up of Ugolino and His Sons (photo by David).

Close-up of Ugolino and His Sons (photo by David).

Another close-up (photo by David).

Another close-up (photo by David).

Winter (bronze) by Jean Antoine Houdon, 1787 (photo by David).

Winter (bronze) by Jean Antoine Houdon, 1787 (photo by David). Hey, that’s me in the background.

Close-up of the beautiful and haunting Winter (photo by David).

Close-up of the beautiful and haunting Winter (photo by David).

We ate lunch at the American Art Café at the Charles Engelhard Court on the first floor, which afforded us views of Central Park on one side and views of the Neoclassical facade of the Branch Bank of the United States, originally located on Wall Street, inside the museum. On the opposite side, we also enjoyed our courtyard view of the Louis C. Tiffany-designed entrance loggia at Laurelton Hall, his country estate on Long Island. In between, 19th-century marble and bronze sculptures are adorned throughout the court, with the centerpiece being the gilded Diana by Augustus Saint-Gaudens.

The expansiveness of this atrium and courtyard was breathtaking - the facade of the Branch Bank of the U.S. (photo by David).

The expansiveness of this atrium and courtyard was breathtaking – the facade of the Branch Bank of the U.S. (photo by David).

Under the shifting light of the sun (photo by David).

Another view with the shifting light of the sun (photo by David).

The statues before the bank facade (photo by me).

The statues before the bank facade.

The loggia (photo by me).

The loggia, with the cafe on the right.

Another meh lunch at a museum, but at least we had a great location and view (photo by me)!

Another meh lunch at a museum, but at least we had a great location and view!

Central Park by horse
Since the museum is across the street from Central Park, we wandered into the park and walked around at first and then in search of a horse-drawn carriage. This has become a staple of our urban vacations for Isabella’s sake – taking a tour by horse. We did so twice in Philadelphia – in Amish country and in the city. Once we found horses and carriages galore further down 5th Avenue, we got a tour of one part of the park, which included the zoo, pond, and buildings in the background that were made famous in movies. Isabella even got to lead the horse for part of the tour.

Ready for a carriage ride (photo by our carriage driver).

Ready for a carriage ride (photo by our carriage driver).

David and Isabella, before she took our driver's invite to lead our horse through Central Park (photo by me).

David and Isabella, before she took our driver’s invite to lead our horse through Central Park.

Isabella and friend (photo by David).

Isabella and friend (photo by David).

Beautiful view of the lake (photo by David).

Beautiful view of the lake (photo by David).

Sibling quiet time together (photo by David).

Sibling quiet time (photo by David).

We closed out the day with dinner at Uncle Boons (7 Spring Street, 646.370.6650), a Thai restaurant in the NoLita (North of Little Italy) district not too far from our apartment. The food was good, but the portions were tiny (advertised large plates were in fact small, for example). It seems that many of the restaurant spaces here are tiny and tables are packed as a result. We found the noise level too high in many of the restaurants we patronized. But you can’t beat New York for the variety and the number of restaurants to satiate your hunger after a busy day touring.

Thai dish with clams and shrimp (photo by me).

Thai dish with clams and shrimp.

Ambiance of Uncle Boons (photo by me).

Ambiance of Uncle Boons.