Welcome the bouquet!

A profusion of pink roses bending ragged in the wind speaks to me of all gentleness and it enduring.
– William Carlos Williams, American poet, from The Collected Later Poems of William Carlos Williams

I have been so busy with work, business travel, trying to wrap up finishing the edits to my novel and my book’s dust jacket, and the end-of-school-year activities that always bunch of in the last month or two that I’ve neglected blogging. I’ve been meaning to write more blogs in May and now it’s a month later since my last blog. Now we are full bore into summer! And I can’t wait any longer, even if it means losing sleep to post.

The first dahlia bloom of the season.

The first dahlia bloom of the season.

As you know, for the last several years I have donated weekly summer bouquets to our children’s schools’ auctions. This year, emboldened by planting several dozen dahlia bulbs in early spring, I made donations to both Jacob’s high school and Isabella’s middle school, which she’ll be enrolling as a student in the fall. I thought about donating for her last year of elementary school, but I wisely decided that three bouquets might be pushing it, especially with the ongoing drought.

A magenta dahlia.

A magenta dahlia.

This Thursday marks the second week of delivering bouquets. Thankfully, the auction winners have been very appreciative of the early efforts. Just wait till all the dahlias are at full strength! Something to look forward to as we enjoy the end of school and the beginning of summer vacations and travels!

The first week's bouquet for the recipient of the high school's auction bouquet.

The first week’s bouquet for the recipient of the high school’s auction bouquet.

And the other bouquet for Korematsu Middle School's auction bouquet winner.

And the other bouquet for Korematsu Middle School’s auction bouquet winner.

My favorite dianthus, the Chomley Farran.

My favorite dianthus, the Chomley Farran.

Scabiosa caucasica "Fama Blue" is almost as big as my palm.

Scabiosa caucasica “Fama Blue” is almost as big as my palm.

Dianthus "Bliss."

Dianthus “Bliss.”

The first salmon-colored gladiola bloom of the season.

The first salmon-colored gladiola bloom of the season.

Blue Fama and scabiosa anthemifolia are a nice complement to the pink hydrangea.

Blue Fama and scabiosa anthemifolia are a nice complement to the pink hydrangea.

This week's bouquet!

This week’s bouquet!

Another view of the high school auction bouquet.

Another view of the high school auction bouquet.

The first dinner plate-size yellow dahlia, which was planted by the first owner of our house.

The first dinner plate-size yellow dahlia, which the first owner of our house had planted.

The middle school auction bouquet!

The middle school auction bouquet!

Belated birthday musings: on turning 53

It is impossible for me to remember how many days or weeks went by in this way. Time is round, and it rolls quickly.
– Nikos Kazantzakis, Greek writer

I know we're in spring now, but I think this photo was taken in February, my birthday month. We've got the fog and it's chilly, so faux fur and leather seem appropriate.

I know we’re in spring now, but I think this photo was taken in February, my birthday month. We’ve got the fog and it’s chilly, so faux fur from Zara and faux leather from H&M seem appropriate in early May.

Easter has come and gone, May Day has passed, and Mother’s Day is looming ahead of me. When my birthday in February was approaching, I knew my family and I wouldn’t be able to partake in our traditional birthday dinner. I was on deadline and would be until my company’s annual conference passed in mid April. Usually, the conference is in late February, but with the event being held in Chicago, we had to push it back to hopefully catch good weather, which we did. What squeezed me because of the late conference date was working simultaneously on the LUNAFEST film festival. Just as LUNAFEST closed, new projects required my immediate attention – fundraising drive for Jacob’s high school’s Investing in Academic Excellence and preparing my three readers for the 10 applications that were completed and submitted for a scholarship that my family and I established at the high school. We still haven’t celebrated my birthday with a dinner, and while at a certain point it seems pointless, I feel like I need that milestone acknowledged. Call it a continuation of my existential angst. I am still here, I am 53, etc.

At any rate, I feel that we’ll have that dinner sometime this month, when I don’t feel like cooking during the week. For now, I am forcing myself to slow down for a moment and reflect on what is almost half a year into being 53. The first thing that came to my mind was that I don’t remember much of January through April. So many work deadlines, so many stressful days and nights and weekends. If I just had that in my life, I would be very sad and not happy with myself. But thankfully that was not the case, even if it meant less hours of sleep to be able to do the things that make me happy.

Necklace by Gretchen Schields (Book Passage, Corte Madera, CA), ring (Lava 9, Berkeley, CA), Alkemie scarab cuff, and Anthropologie feather earrings.

Necklace made of antique kimono fabric by Gretchen Schields (Book Passage, Corte Madera, CA), ring (Lava 9, Berkeley, CA), Alkemie scarab cuff, and Anthropologie feather earrings.

For one thing, the East Bay LUNAFEST committee put on a really remarkable film festival this year. It was my second year. As was my responsibility last year, I handled the dessert circle. But this time around, I was able to contribute with my writing – interviewing and profiling our private chef who cheffed our VIP event, two of the filmmakers whose film was selected, two of our committee members, and the president and CEO of the Breast Cancer Fund, and adding two more blog posts. We also had a larger crowd this year, and I had the honor of interviewing on-stage the two filmmakers. So I was very proud of our effort. Though I spent many weekends on these profiles, the outcome was worth it all.

Secondly, a good friend’s introduction to her father-in-law, a retired McClatchy journalist, and his retirement home neighbor, who is a local well-known Filipina writer, led to my novel finally finding a home in Eastwind Books of Berkeley (2066 University Avenue, Berkeley, CA 94704, 510.548.2350). Eastwind is a bookseller, but owner Harvey Dong also publishes books that are aligned with the Asian-American themes that its shop carries. I’m overwhelmed with having to do a lot of the work, with Eastwind being an independent small press. I am learning a lot, which I’m grateful for, but we’ve also introduced added stress by condensing the publishing process in order to meet the early September date commemorating the 50th anniversary of when the mostly Filipino farm workers walked out of the vineyards in what became the Great Delano Grape Strikes.

Add a vintage purse (Feathers, Austin, TX) and bronze pumps.

Add a vintage purse (Feathers, Austin, TX) and bronze pumps.

Thirdly, I offered to help the Stockton chapter of the Filipino American National Historical Society with the opening of the National FANHS Museum this summer and help the East Bay chapter with reading events in the summer and fall. I don’t have time to really do it all, but these are things that I am passionate about, and being passionate about a few things keeps one youthful and exuberant inside.

Giving up sleep and multitasking – things that are not healthy habits – are enabling me to keep pace with what I need to do not just in time to send everything to the printer but beyond my novel’s publication, when I need to do a full-court marketing press. Despite the stress of work deadlines, I had an enjoyable annual conference, getting together with colleagues and having a lot of fun moderating a really smart group of panelists for one of our clients. But I’m glad that event is done for the year.

So as I look back at the quarter mark of 2015, I see a lot of productivity and passion. I see exhaustion, but I see work to be proud of and work that will carry me through to the end of the year and beyond. I have a business trip to Orlando coming up. I asked David if we could have that birthday dinner the following week – and throw in Jacob getting his braces off and my novel getting accepted for publication as additional reasons to celebrate – three months late. I’ll take it. My 53rd year is promising, indeed. Why not continue the celebration.

I wore sweats most of the time these last four months, but every once in a while I threw something together and felt like I was back in civilization.

I wore sweats most of the time these last four months, but every once in a while I threw something together and felt like I was back in civilization.

Return to Chicago: ‘City of the Big Shoulders’

Come and show me another city with lifted head singing so proud to be alive and coarse and strong and singing…proud to be a Hog Butcher, Tool Maker, Stacker of Wheat, Player with Railroads and Freight Handler to the Nation.
– Carl Sandberg, American writer, poet, and editor

When I was still packing at 11pm on a Friday night, knowing that I had to get up at 3am the next morning to leave the house at 4am, I told myself that yes, it was worth leaving that early for my flight from Oakland International to Chicago. I was going to be working Sunday through Wednesday for my company’s annual conference, and the only day I had to explore the Windy City was Saturday afternoon. I slept on my flight, and by the time I was in the cab heading into the heart of Chicago, I knew I had made the right decision.

On my way to dinner my first evening in Chicago - a beautiful cityscape sunset on the Chicago River.

On my way to dinner to join my colleagues at the Stout on my first evening in Chicago – a beautiful cityscape sunset on the Chicago River.

If you're not going to get a room at the W City Center with a real view, you might as well have a view of fantastic architecture, the Marriott on N. Adams.

If you’re not going to get a room with a real view at the W City Center, you might as well have a view of fantastic architecture, in this instance the Marriott on N. Adams.

Armed with Google map on my iPhone, I found the Blue Line (actually by asking locals since I’m useless with north-south-east-west directions), got myself in the right direction, and was reunited with my favorite neighborhood of vintage goods – Wicker Park. For those keeping notes, that would be heading to Forest Park and getting off at Damen. I immediately found my way to Eskell (1509 N. Milwaukee Avenue, Chicago, 60622, 773.486.0830), where I first discovered Laura Lombardi’s industrial-vibe jewelry years earlier. Unfortunately, Eskell was out of stock of her jewelry, but they carry a wonderful collection of their own label earrings, necklaces, and bracelets. Better still, their label is reasonably priced. Surprisingly, the first thing that caught my eye was their selection of sunglasses. I tried on a pair that was part Western, part Hollywood, and it seemed destined to be worn by me, walking out of the store and into the warm late afternoon – with a very spring temperature in the upper 60s.

Eskell shop dog lounging in the same spot when I was here last - two years ago.

Eskell shop dog Goose lounging in the same spot when I was last here – two years ago.

It was a sunny spring afternoon in the Windy City - so shopping for sunglasses was appropriate.

It was a sunny spring afternoon in the Windy City – so shopping for sunglasses was appropriate.

I'll take these cool silver-tipped shades....

I’ll take these cool silver-tipped shades….

Eclectic shop design - keys and horns.

Eclectic shop design – vintage photographs, keys, and horns.

Eskell label delicate drop earrings with a sterling silver shell ring I got at Eskell on my last visit.

Eskell label delicate drop earrings with a sterling silver shell ring I got at Eskell on my last visit.

Eskell features its own inexpensive line of edgy jewelry.

Eskell features its own inexpensive line of edgy jewelry.

Vibes of Cleopatra in these geometric drop earrings.

Vibes of Cleopatra in these geometric drop earrings.

Vintage brass earrings designed by Eskell.

Vintage brass earrings designed by Eskell.

I didn’t have to go far to hit Vintage Underground (1507 N. Milwaukee Avenue, Chicago, 60622, 773.384.7880) and see if owner Carlos and his assistants, Ada and Ellen, were there that Saturday. Indeed, they were! I wasn’t sure if they would remember me, but with a little prodding and immediate recognition from Ellen, they did all remember. I told Carlos that my blog post about his borrowed paraphrased advice: “Plant a tree, write a book” was the most viewed blog post for me ever (not that I have legions of people following me or discovering my blog, but that blog post still reigns supreme). The full quote is “Plant a tree, have a child, write a book.” Since my last visit to the shop in December 2013, I learned that the original  Vintage Underground, which was housed in the basement of a building several blocks away, consolidated with its other shop on N. Milwaukee Avenue, which is now where you’ll find heaps upon heaps of vintage treasures.

Next door neighbor: Vintage Underground!

Next door neighbor to Eskell: Vintage Underground!

Dazzling vintage rhinestone jewelry.

Dazzling vintage rhinestone jewelry.

More vintage bling. The fun part was trying on the oversized ball earrings.

More vintage bling. The fun part was trying on the oversized ball earrings from the 1970s on the left of the top shelf.

As you can see, combining inventory of two locations results in a shop overflowing, dripping with treasures. I could have spent the rest of the day poring over the jewelry in the glass cabinets. I checked out the vintage rhinestone and crystal necklaces and earrings. I tried on the statement sterling silver necklaces. As Carlos rang up my purchase of a 1970s sterling silver necklace made in Mexico, I told him with a heavy heart that my parent company is no longer going to have its annual conference in Chicago. He mourned with me, but responded with a smile, “So you’ll have to come here just for pleasure.” Indeed.

Sterling silver necklace from Mexico. Better left unpolished.

Sterling silver necklace from Mexico. Advice from Ada: Better left unpolished for character.

The crew at Vintage Underground - Carlos and X and X.

The fabulous crew at Vintage Underground – from left to right, Ellen, Carlos, and Ada. This photo belongs in a fashion mag.

Wicker Park - retail shops take over old buildings, but you can still appreciate the architecture.

Wicker Park – retail shops take over old buildings, but you can still appreciate the architecture.

I had a lot of fun moderating a diverse panel of experts on the topic of population health management for one of our clients at their booth in the cavernous exhibit hall in the equally cavernous McCormack Place.

On Monday and Tuesday afternoon, I had a lot of fun moderating a diverse panel of experts on the topic of population health management for one of our clients at their booth in the cavernous exhibit hall in the equally cavernous McCormack Place. Give a Filipino a microphone and don’t be surprised if he or she breaks out in song.

I had a great, though grueling, conference, reuniting with my colleagues and getting to know our clients during dinners and events. But what I really enjoyed was walking around Chicago. Everywhere I turned, I found architectural gems. I think that is what I love the most about this city – its unique and abundant architecture and also the Chicago River.

Every block you turn, you get great architecture.

Every block you turn, you get great architecture.

Carl Sandburg called Chicago "City of the Big Shoulders" in his poem "Chicago."

Carl Sandburg called Chicago “City of the Big Shoulders” in his poem “Chicago.”

My "frolleague" Eric Wicklund and I walked from our Maggiano's dinner to the Magnificent Mile, marveling at the glowing cityscape and the mild spring evening.

My “frolleague” Eric Wicklund and I walked from our Maggiano’s dinner to the Magnificent Mile, marveling at the glowing cityscape and thoroughly enjoying the mild spring evening.

I don’t know when I’ll return to Chicago, but as it is one of my favorite cities, I know it won’t be too long a time in between. Only next time, I’ll be on vacation and spending my days and evenings soaking in all the Windy City has to offer.

I've been to the top of Willis Tower, which was two blocks from my hotel, but for our client dinner my last evening in Chicago, we were treated to dinner at the Metropolitan Club on the 67th Floor.

I’ve been to the top of Willis Tower, which was two blocks from my hotel, but for our client dinner my last evening in Chicago, we were treated to dinner at the Metropolitan Club on the 67th Floor, with an amazing top-of-the-world kind of view.

Carl Sandburg: "Come and show me another city with lifted head singing so proud to be alive and coarse and strong and cunning."

Surreal, mesmerizing view of skyscrapers – like toy building blocks crowded together.

Looking down on the Chicago Board of Trade Building with the statue of Ceres on top...and a reflection of the Metropolitan Club tables.

Night falls: Looking down on the Chicago Board of Trade Building with the statue of Ceres on top…and a reflection of the Metropolitan Club tables.

Goodnight, Chicago.

Goodnight, Chicago, from the Metropolitan Club. Last words from Carl Sandburg: “By night the skyscraper looms in the smoke and the stars and has a soul.”

An Evening with Kazuo Ishiguro: remembering and forgetting

An artist’s concern is to capture beauty wherever he finds it.
 – Kazuo Ishiguro, British novelist of Japanese origin, from An Artist of the Floating World

Being introduced at the First Congregational Church of Berkeley.

Being introduced at the First Congregational Church of Berkeley.

The last time I saw the novelist Kazuo Ishiguro at a reading was 10 years ago at the now-defunct bookstore, A Clean Well-Lighted Place for Books in San Francisco, when his then-latest novel, Never Let Me Go, came out. I remembered being stunned that he had advocated against setting novels in a specific time and place. The Remains of the Day, When We Were Orphans, A Pale View of the Hills, An Artist of the Floating World – these novels were set in a specific time and place and they captured that time and place so exquisitely. He advocated for universality because that allowed for inclusivity – more readers to be drawn in interest wise and thus a greater opportunity for the writer to touch a greater number of readers. I wasn’t convinced because I thought then and still think today that themes of humanity can come through successfully from a particular person, time, and place, but any time a great novelist speaks, I deeply consider what he or she says.

Ishiguro was speaking in defense of Never Let Me Go, his science fiction-genre novel, a departure from his earlier works. I confess that I tried to read Never Let Me Go two different times when it first came out, and I just couldn’t get into it. Interestingly, Ishiguro told us that he wrote the novel twice in the 1990s. He wanted to write about characters having to face a limited lifestyle in futuristic England. He had two pieces of the puzzle but needed a “situation to make it work.” “Out of desperation, I wanted to get this thing to work, to get my flying machine to fly,” he told us. “Only when it’s flying do I see so many rich things out there when you’re trying to get your writing to work. There are so many ways to tell a story.” Indeed, there are so many ways to tell a story. There are so many choices a writer makes – what to tell, what to leave out, which are traits of Ishiguro’s first-person narrators that I admire so deeply. Ishiguro deftly shows us flawed protagonists who struggle with what to tell us and what to leave buried.

Discussing his new novel.

Discussing his new novel in this beautiful venue.

The Buried Giant
Interestingly, his latest novel The Buried Giant is set at a time in Britain long after the Romans withdrew from the country in the fifth century. But the theme of his previous novels is inherent in The Buried Giant. He told the capacity crowd that this novel is about forgetting and remembering and exploring these questions: When is it time really to face up to the past? When is it better to remember, when is it better to forget – both as an individual and as a nation? When Ishiguro was working through the theme of remembering the past from a nation perspective, he thought of the potential settings – science fiction, France after WWII, and apartheid South Africa. But he set it in Britain during the country’s “blank history” of ethnic cleansing. “That appealed to me to stand metaphorically for the uneasy peace between two factions,” he explained.

And he took on the genre of a fable – mythic but grounded in the physical. He said he “could do something special” with ogres, wolves, and bears as supernatural characters. Ishiguro confessed to not knowing Arthurian times very well, but he is well-versed in Japanese folk tales, is obsessed with Homer’s The Iliad and The Odyssey, and has a soft spot for Sherlock Holmes (as a child) and western movies. The samurai comes to a town that has a demon problem. The aging, lonely gunslinger and his horse can’t accept that they’re past their prime.

Talking about his close connection to Berkeley.

Talking about his close connection to Berkeley with novelist Michael David Lukas.

The Buried Giant is also about two people growing old together and wrestling with memory and forgetfulness, against the backdrop of a nation trying to forget what one faction has done to another within its borders. As for the love story theme, Ishiguro was exploring what happens to a couple’s love for one another if and when they lose their shared memories. “There’s a real need on our part to see everything good and bad, to withstand everything,” he said, when two people share their lives.

Reading the first three pages of The Buried Giant.

Reading the first three pages of The Buried Giant.

Berkeley roots, singer/songwriter
Berkeley holds a special place for Ishiguro because after his schooling, at age 29, he came to America and hitchhiked along the west coast in the 1970s. He was a singer/songwriter at the time and landed in San Francisco – specifically Berkeley – with his guitar and his rucksack because that’s where his musical heroes hailed from and it was also the “center” of the American counter-culture. He revealed that he had slept in the hillsides and worked at a baby food factory for six months.

The turning point in his life came when his guitar was stolen in San Francisco. He admitted that the record company rejections also played a hand in his decision to switch from being a singer/songwriter to a novelist. He skipped the “early bad stages” a writer endures because his songs were full of the adolescent angst and experimental purple prose, which often emerge in the works of first-time writers. Being a singer/songwriter aided him as a writer in other ways. “Songs have so few words,” and the words are “below the surface,” according to Ishiguro. He added, “The transaction is very first-person intimate, confessional. It’s the kind of atmosphere created in first-person narratives.” Ah, that makes sense, given how Ishiguro approaches his novels!

Ishiguro was very gracious while signing his books.

Ishiguro was very gracious while signing his books.

Representing humanity
Following the Q&A format with novelist Michael David Lukas, Ishiguro responded to a young woman’s revelation that in her high school world literature course he “represented” Asia. Of course, everyone laughed, including Ishiguro. He admitted that early in his career he couldn’t help but think of himself as representing Japan to British and felt that his job was “explaining the mysterious Japanese mind to the western world.” Although he only spent the first five years of his life in Japan, at a certain point he made a “conscious decision to be a Japanese writer.” But he got very frustrated trying to write about “human questions, stuff that we all share, universal themes” within the narrow framework of “representing Japan” So when he wrote his third novel, The Remains of the Day, it was a turning point in his life. “I don’t want to represent Asia. I just want to be a novelist not a cultural correspondent,” he said at the time and still is his strong belief today.

Ishiguro was very gracious while signing his books.

A Ziploc bag full of pens – he’ll need them with the long line of admirers who were clutching their copy of The Buried Giant and wrapping around the inside of the church.

Ishiguro responded to questions posed by audience members who had read The Buried Giant and wanted him to comment on what he called its “picaresque providential ending.” He said he is trying to leave the reader with a certain emotion but no practical suggestions on how to solve anything. He concluded, “My main ambition is simply to share emotions. It’s not a bad thing. We need fiction. We need music. So people can share emotions with one another. It’s not a huge thing, but I think it is, ultimately.” Indeed, after a wonderful evening of him sharing his backstory and his new novel, I can’t wait to read The Buried Giant.

Me and Kazuo!

Me and Kazuo!

LUNAFEST East Bay 2015: a pictorial

What woman doesn’t love to go to the movies with her girlfriends? Film is such a great way to bring women together, so it made sense for LUNA to create this opportunity to connect women filmmakers and their audiences with causes they care about.
– Kit Crawford, co-owner and co-chief visionary officer of Clif Bar & Company

It’s been a week since our LUNAFEST film festival and before I bid adieu to our LUNAFEST season, I wanted to share my LUNAFEST pictorial – a narrative in the form of photos and captions. As they say, a picture is worth a thousands words. And I have a lot of pictures from that memorable evening.

Our VIP event, hosted by our chair Joann Steck-Bayat, prior to the film festival featured our guest filmmakers Emily Fraser and Katherine Gorringe, posing with their Lady Parts LUNAFEST poster.

Our VIP event, hosted by our chair Joann Steck-Bayat at her lovely home prior to the film festival, featured our guest filmmakers Emily Fraser and Katherine Gorringe, posing with their Lady Parts LUNAFEST poster.

Our piano player for the evening - tickling the ivories.

VIP guest Jeanne Rizzo, RN, president and CEO of the Breast Cancer Fund, and Joann, chatting with guests.

Our VIP event piano player, tickling the ivories.

Our VIP event piano player, tickling the ivories.

A beautiful spread of cheeses and fruits.

A beautiful spread of cheeses and fruits.

VIP event private chef Sirona Skinner Nixon making those heavenly deviled eggs for the guests.

Private chef Sirona Skinner Nixon making those heavenly deviled eggs for the guests.

Sirona's wife and partner of S&S Foods, Sinead O'Rourke, making the crostini.

Sirona’s wife and partner of S&S Foods, Sinead O’Rourke, making the crostini.

Joann trains our superb raffle ticket sellers, from let to right, her cousin Annika, Isabella, Mateo, and Wyatt.

Joann trains our superb raffle ticket sellers, from let to right, her cousin Annika, Isabella, Mateo, and Wyatt, in front of the prize board.

El Cerrito High School's IT Academy students volunteered to serve food at our VIP event. Service with a smile.

El Cerrito High School’s IT Academy students volunteered to serve food at our VIP event: service with a smile and lamb sliders.

Jeanne meets Emily and Katherine.

Jeanne, Emily, and Katherine in a lively conversation.

It may have been March 21st, but we were able to throw open the French doors and spill into the backyard and grab a drink from our friendly bartenders.

It may have been March 21st, but we were able to throw open the French doors and spill into the backyard and grab a drink served by our friendly bartenders.

Which bag shall I put my raffle ticket in? The GoPro camera or the Kindle? We had so many wonderful donated gifts to raffle.

Which bag shall I put my raffle ticket in? The GoPro camera or the Kindle? We had so many wonderful donated gifts to raffle. Committee member Rebecca Boe made our sharp raffle boards.

New this year - Taiko drummers perform as attendees arrived in front of the high school. They were mesmerizing!

New this year – Taiko drummers perform as attendees arrived in front of the high school. They were mesmerizing!

A tribute to Mae De La Calzada, owner of Lady Parts Automotive - a beautiful bouquet and photo of Emily and Katharine and Mae De La Calzada.

A tribute to Mae De La Calzada, owner of Lady Parts Automotive – a beautiful bouquet and photo of Emily, Katharine and Mae.

Committee member Rebecca Boe made this wonderful poster announcing our guests Jeanne Rizzo, Katherine Gorringe, and Emily Fraser in the lobby of ECHS's Performing Arts Theater.

Committee member Rebecca also made this wonderful poster announcing our guests Jeanne, Katherine, and Emily in the lobby of ECHS’s Performing Arts Theater.

As expected, Jeanne Rizzo delivered a rousing, inspired, and educational welcome. Joann rocked as master of ceremonies and Melody Shah, representing the ITA, let us know how much the ITA appreciated being a beneficiary of our LUNAFEST fundraising.

As expected, Jeanne delivered a rousing, inspired, and educational welcome. Joann rocked as master of ceremonies and Melody Shah, representing the ITA, let us know how much the ITA appreciated being a beneficiary of our LUNAFEST fundraising.

I was honored to interview Emily and Katherine on stage and listen to them talk about the making of Lady Parts and the connection they formed with Mae.

I was honored to interview Emily and Katherine on stage and listen to them talk about the making of Lady Parts and the connection they formed with Mae.

We had nearly 300 attendees at this year's LUNAFEST! They enjoyed complimentary coffee by Well Grounded Coffee & Tea Bar during our post-screening Dessert Circle.

We had nearly 300 attendees at this year’s LUNAFEST! They enjoyed complimentary coffee by Well Grounded Coffee & Tea Bar during our post-screening Dessert Circle.

This year we had a very popular photo booth with props, which was the brainchild of committee member Anja Hakoshima. Thanks, Anja!

This year we had a very popular photo booth with props, which was the brainchild of committee member Anja Hakoshima. Thanks, Anja!

Returning with their yummy cupcakes and chocolate chip cookies were Pamela Braxton and her son Zachary of Braxtons' Boxes.

Returning from last year’s inaugural Dessert Circle with their yummy cupcakes and chocolate chip cookies were Pamela Braxton and her son Zachary of Braxtons’ Boxes.

Group photo! Emily and Katherine, flanked by many members of the LUNAFEST East Bay Committee.

Group photo! Emily and Katherine, flanked by many members of the LUNAFEST East Bay Committee. Until next year!

 

Melody Shah: sharing ‘brain-shattering’ outdoor and classroom adventures

Wilderness is not a luxury but a necessity of the human spirit, and as vital to our lives as water and good bread. A civilization which destroys what little remains of the wild, the spare, the original, is cutting itself off from its origins and betraying the principle of civilization itself.
– Edward Abbey, American author and essayist

Melody at Snow Tongue Pass, Sierra High Route.

Melody at Snow Tongue Pass, Sierra High Route.

In the summer of 2014, Melody Shah, El Cerrito High School teacher and LUNAFEST East Bay Committee member, and her husband, Sati, spent two months hiking a 600-mile High loop in California’s High Sierra. They started south from Sonora on trails to Road’s End in King’s Canyon at the South Fork of the King’s River in the southern Sierra Nevada, and hiked cross-country on the Sierra High Route back to Twin Lakes in northern Yosemite. Their trip, specifically through the 195-mile Sierra High Route in King’s Canyon National Park, is the subject of their talk at the REI Berkeley store (1338 San Pablo Avenue, Berkeley, CA 94702, 510.527.4140) on Wednesday, March 18th, 7 to 8:30pm, and the REI San Francisco store (840 Brannan Street, San Francisco, CA 94103, 415.934.1938) on Wednesday, March 25th, 7 to 8:30pm. “I want to take our experiences and share them with a larger audience,” she said of her objective for the talks. With the Berkeley event sold out and on waitlist, and the San Francisco event almost sold out, Melody will definitely achieve her goal.

A beautiful view of the Swiss Alps.

A beautiful view of the Swiss Alps.

When the LUNAFEST East Bay committee convenes in the fall to begin preparations for our spring film festival “by, for, about women,” the 10 of us look forward to hearing about Melody’s spring break and summer backcountry explorations. When we meet in January, we get updates of winter holiday adventures. Just to give you an unfairly brief overview, in January 2013, Melody and Sati paraglided with friends in Yelapa, a small beach town in Cabo Corrientes, Jalisco, Mexico. In the summer later that same year, they lived in the Azores and paraglided off of volcanoes. She has also gone paragliding in Indonesia and British Columbia, and traversed the European Alps from west to east, which included flying, hiking, and backpacking across France, Switzerland, Austria, Italy, and Slovenia. On that latter paragliding trip, she launched off of flower-covered mountainsides and glided across valleys. “That perspective of these amazing landscapes is so freeing and other-worldly,” she told me. She’s canyoneered in California’s Sierra Nevada and throughout Southern Utah, including Zion National Park and Escalante National Monument, and toured the backcountry of Eastern Oregon’s Wallowa Mountains. And in 2005, she spent two months completing 700 miles of the Pacific Crest Trail through California’s high country.

Melody and Sati atop Mt. Whitney.

Melody and Sati atop Mt. Whitney.

I haven’t been camping in years and I confess I’m acrophobic, and that’s exactly why I am in awe of and inspired by, what I call, Melody’s acts of courage. Since 2004, she’s chronicled her adventures in her interweb, Range of Light!, which boasts some beautiful images of nature across the continents. When I marveled at how fearless she is, Melody interjected, saying, “I have a lot of fears, but in order to overcome them, I don’t deny fear.” When she first began preparing for her outdoor adventures, she admitted that she was “super terrified.” “I didn’t know I could do these things,” she confided. “But as I went through each adventure and gained strength, knowledge, and skills, my confidence grew. One of the most important goals of the experience for me is becoming more capable and then allowing fear to be a consideration and a way to analyze and strategically approach the risks. Fear keeps me smart and safe about the whole adventure.”

Melody, her two brothers, and her mom at Fundy National Park, New Brunswick, Canada, August 1984.

Melody, her two brothers, and her mom at Fundy National Park, New Brunswick, Canada, August 1984.

Roots: Love of the outdoors, love of design
Melody hails from Merrimac, MA, on the New Hampshire border. Her love of the outdoors can be traced to her mother, Joyce Audy Zarins, artist, sculptor, and children’s book author and illustrator. All of the family vacations taken when her mother was a single parent were outdoor trips, as were many of them after her mother remarried. Melody, her two siblings, her mother, and later, her stepfather camped, hiked, and canoed. “She wasn’t scared to take a bunch of us kids down a river for a few days,” Melody related, with a laugh.

Baiba, Melody, and her mom canoeing the Saco River in Maine, July 1984.

Baiba, Melody, and her mom canoeing the Saco River in Maine, July 1984.

She also inherited her mother’s artistic talents. Melody graduated from Syracuse University in 1995 with a Bachelor of Fine Arts degree in art media, with a focus on 3D modeling and animation. That summer, she helped put together an exhibit for the annual SIGGRAPH conference on computer graphics and design in Los Angeles. She ended up landing a job in the Bay Area, and she’s remained a California resident ever since.

When Melody began working for advertising agencies, the first Internet boom was ramping up. “Young people were the ones who knew about the Internet, so it was a great time to come out of college and find a job easily,” she explained. In her first job, she designed websites for public and private organizations – including the White House – at a time when websites were just emerging. When her work shifted to online advertising, something she didn’t want to do, she went back to school. At San Francisco State University, she studied lightweight composite design specifically for backcountry snowboarding gear, with the intent on being an outdoor gear designer. With her degree in industrial design, she planned to marry her love of the outdoors with her career.

Melody's students in the ITA at El Cerrito High School.

Melody’s students in the ITA at El Cerrito High School.

While in school, Melody taught college and adult classes at City College and CELLSpace (now Inner Mission), a community-based hub for artistic and cultural classes and events, both in San Francisco. She taught in the motion graphics department at Ex’pression College for Visual Arts in Emeryville. In 2007, she “answered the call” to teach at El Cerrito High School, and since then has been teaching digital art and design classes as the Lead Teacher of the Information Technology Academy (ITA) – one of the local beneficiaries of LUNAFEST’s fundraising efforts – and digital photography ROP classes and media classes within the Media Academy. “I love the idea of having a job where I can share the things that I’m passionate about with people and feel that I’m contributing to the community in a positive way,” Melody said.

Sati and Melody camping - 'home away from home.'

Sati and Melody camping – ‘home away from home.’

Opening up opportunities and the world
Teaching high school students is “a totally different world” versus teaching college students and adults, but Melody pointed out that the goal remains the same: give students an environment to collaborate, solve problems, and create art and design through technology in a way that is meaningful to them. “In the academy setting, I can foster this community within the bigger school and give kids a place of their own, and empower them with skills that help build their confidence and help them shape their identity,” she said. When companies hire ITA students upon completion of their internships because of the skills that the students learned and brought to the table, she enthused, “It’s really powerful and impactful and validating. Those moments are great.” Melody hears often from ITA graduates who are majoring in art and design in universities and colleges or are now in the workforce, working for companies such as Pixar.

Paragliding at Big Sur.

Paragliding at Big Sur.

She illustrates visual design concepts in the classroom leveraging content from her travels. In doing so, she shares her love of the outdoors and her traveling adventures with her students. “It introduces an element of fun, but the kids also appreciate and respect me because they see that I have these skills outside of the classroom,” she explained.

Melody has also engaged her ITA students to participate as volunteers at LUNAFEST. She became involved with the film festival when the East Bay Committee invited her to join four years ago while she was teaching a video class at the school. “I feel lucky to be part of that group, being a part of something positive for the community,” she said, referring to the committee members and their work, as well as fundraising for the ITA and the Breast Cancer Fund. “It’s also important for students to be exposed to positive messages,” she added.

Hiking the Sierra, with a stunning view before them (photo credit: Ki Hong).

Hiking the Sierra, with a stunning view before them (photo credit: Ki Hong).

She likes that the films selected for LUNAFEST offer such diverse viewpoints in storytelling. “I have a love for the telling of a story; a lot of my work with students is helping them articulate and tell their stories,” she said. ITA students who volunteer at the VIP event and the film festival are not only exposed to the good work being done around breast cancer prevention but are introduced to the filmmaking world – using video as the medium to tell a story. The message she imparts to kids about the film festival: It’s possible to have your story shared and celebrated via a platform such as LUNAFEST and become something meaningful to other people. Her students watch the films in class and Melody admitted that many of the films are “outside of the students’ comfort zone,” but she likes challenging them to widen their world and be open to other messages and styles. “They have responded well,” she reported. “They like being surprised.”

Backcountry skiing in the Sierras.

Backcountry skiing in the Sierras.

Teaching, Melody acknowledges, is a “funny job.” “There are some things that are very pragmatic and very black and white that you try to give to your kids, but skills are only part of it,” she revealed. “I hope the kids start to think of life as an adventure. I hope they know that they are empowered to advocate for themselves and communicate with confidence about the things that they can do or that they know how to do. I hope that they foster curiosity about the world outside their comfort zone and learn to recognize that being curious is going to open up opportunities that would be missed otherwise.” When her students adopt her enthusiasm for and philosophy of life – and her graduates are proof of that certainty – her hopes will indeed have been realized. And their worlds will open up like leopard lilies along the Pacific Crest Trail high up in the Sierras.

Launching at Chamonix, the French Alps.

Launching at Chamonix, the French Alps.